Chintamani Tiger in blackcurrant and travertine: triple-disc chintamani roundels above paired wave bands, translated from a 15th-century Bursa silk velvet at The Metropolitan Museum of Art. printed wallpaper roll
Chintamani Tiger in blackcurrant and travertine: triple-disc chintamani roundels above paired wave bands, translated from a 15th-century Bursa silk velvet at The Metropolitan Museum of Art. wallpaper installed in a dining room
Chintamani Tiger in blackcurrant and travertine: triple-disc chintamani roundels above paired wave bands, translated from a 15th-century Bursa silk velvet at The Metropolitan Museum of Art. wallpaper installed in a parlor with panelled dado
Chintamani Tiger in blackcurrant and travertine: triple-disc chintamani roundels above paired wave bands, translated from a 15th-century Bursa silk velvet at The Metropolitan Museum of Art. flat wallpaper pattern preview
Chintamani Tiger in blackcurrant and travertine: triple-disc chintamani roundels above paired wave bands, translated from a 15th-century Bursa silk velvet at The Metropolitan Museum of Art. clay-coated wallpaper closeup, smooth matte finish
Chintamani Tiger in blackcurrant and travertine: triple-disc chintamani roundels above paired wave bands, translated from a 15th-century Bursa silk velvet at The Metropolitan Museum of Art. peel-and-stick wallpaper closeup, linen-like texture
Chintamani Tiger in blackcurrant and travertine: triple-disc chintamani roundels above paired wave bands, translated from a 15th-century Bursa silk velvet at The Metropolitan Museum of Art. printed wallpaper roll
Chintamani Tiger in blackcurrant and travertine: triple-disc chintamani roundels above paired wave bands, translated from a 15th-century Bursa silk velvet at The Metropolitan Museum of Art. wallpaper installed in a dining room
Chintamani Tiger in blackcurrant and travertine: triple-disc chintamani roundels above paired wave bands, translated from a 15th-century Bursa silk velvet at The Metropolitan Museum of Art. wallpaper installed in a parlor with panelled dado
Chintamani Tiger in blackcurrant and travertine: triple-disc chintamani roundels above paired wave bands, translated from a 15th-century Bursa silk velvet at The Metropolitan Museum of Art. flat wallpaper pattern preview
Chintamani Tiger in blackcurrant and travertine: triple-disc chintamani roundels above paired wave bands, translated from a 15th-century Bursa silk velvet at The Metropolitan Museum of Art. clay-coated wallpaper closeup, smooth matte finish
Chintamani Tiger in blackcurrant and travertine: triple-disc chintamani roundels above paired wave bands, translated from a 15th-century Bursa silk velvet at The Metropolitan Museum of Art. peel-and-stick wallpaper closeup, linen-like texture

Chintamani Tiger, Blackcurrant / Travertine Wallpaper

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Material
Size

Peel and Stick

  • Construction: Non-woven with self-adhesive backing
  • Finish: Linen texture, matte
  • Thickness: 9.3 mil
  • Weight: 194 gsm
  • Application: Peel and stick, no paste needed
  • Seam: 0.75 in. overlap for pattern matching; the overlap remains visible after installation
  • Removability: RemovableFire rating: Class A (ASTM E84)
  • Material health: PVC-free, phthalate-free, low-VOC inks
  • Recommended use: Smooth interior walls in low- to moderate-traffic areas. Not recommended for high-moisture spaces such as bathrooms.

Clay-Coated

  • Construction: Non-woven
  • Thickness: 9 mil
  • Weight: 180 gsm
  • Application: Paste-the-paper
  • Seam: 0.75 in. overlap for pattern matching, double-cut during installation for a flush seam
  • Fire rating: Class A (ASTM E84)
  • Material health: PVC-free, phthalate-free, low-VOC inks
  • Recommended use: Residential interiors, including bedrooms, powder rooms, dining rooms, entryways, and nurseries

All of our fabric and wallpaper is printed just for you, one order at a time. Nothing sits on a shelf waiting, and nothing is mass-produced.

Start with a sample. Tape the wallpaper to the wall, drape the fabric over the chair it's meant for, and see how the color and texture look in morning and evening light. Most decisions settle themselves within a few days.

Once your order arrives, we want you to love it. If you don't, for any reason, let us know. This applies to all retail orders. You have 60 days from delivery to reach out, and we'll reprint your items or you can return them for a refund. Your choice.

To start, email connect@vintagebotanica.com with your order number and a quick note about why you'd like a reprint or return. If something arrived damaged or misprinted, please include photos.

Hung wallpaper and cut fabric are still eligible, as long as the product comes back to us. Every reprint or refund requires the original product to be returned. Return shipping is yours to cover unless the product is defective, in which case we cover it.

Refunds go back to your original payment method within 5 business days after we receive your return. They cover the purchased items plus tax. If the product is defective, we also refund your original shipping.

We currently ship within the United States, including Alaska, Hawaii, and US territories. We ship to APO and FPO addresses and to PO boxes where the carrier allows it.

  • Standard shipping is $9.99 per order for fabric and wallpaper
  • Production takes 5 to 10 business days
  • Transit takes 2 to 7 business days after your order ships
  • Most orders arrive 2 to 3 weeks after you place them

Delivery to Alaska, Hawaii, US territories, and military addresses may take longer than the estimate above.

You’ll get tracking by email as soon as your order ships. Orders with multiple items may arrive in more than one package as different products are printed in different locations.

Weather, holidays, and carrier delays happen. If your order is running past the estimate, get in touch and we’ll look into it.

Lost or missing packages

If tracking shows delivered but your package isn’t there, check around your delivery spot and with neighbors first. Packages often turn up within a day. If it’s still missing, email us and we’ll open a claim with the carrier. If the carrier confirms the package is lost, we’ll reprint your order or refund it.

Questions

Email us at connect@vintagebotanica.com. We’re a small team and we read everything.

  • Most orders arrive in 2 to 3 weeks

'Chintamani Tiger' begins in a fifteenth-century silk velvet woven on a Bursa loom. Translated from a loom-width fragment in The Metropolitan Museum of Art — one of several pieces cut from a single bolt, now scattered across several museums — the çintamani was carefully redrawn by hand to retain the character of the original, so a thousand-year-old emblem reads across a room.

Read More...

The Source

The shape is older than the cloth by six hundred years, and it began as a wish.

Çintamani is Sanskrit for a jewel that grants what you ask of it. In Buddhist art it sits as three flaming pearls in the headdress of a bodhisattva. By 1383 it is on coins struck at Samarkand — Timur had taken the three circles for his own badge, and what had been a jewel was now the mark of a conqueror. It kept moving. By the later fifteenth century it is in nearly every medium of Ottoman art, and it has changed species: Ottoman sources call it benekli, spotted, and pelengi, leopard-like. Walter Denny writes that the form gathered, alongside good luck and the warding off of evil spirits, a distinctly masculine aura — probably from the leopard-skin helmet and tiger-skin coat worn by Rustam, the hero of the Persian epic. The drawing never changed. The meaning kept turning into power.

Then it was woven into this. A full loom width of silk velvet, twenty-nine and a half inches with a selvedge on both edges, the pile dyed dark purple-red with expensive insect dye, the pattern brocaded in ivory silk wrapped with thin strips of silver. Probably cut from the back of a garment. Someone wore this.

That did not last. The silver tarnished to dark grey, so what hangs in Gallery 459 is darker than what came off the loom. The bolt was cut apart and sold in pieces — others are at the Textile Museum in Washington and the Museum of Fine Arts in Boston. This piece reached Dikran Kelekian, a dealer in New York, who sold it to The Metropolitan Museum of Art in 1908.

The silver went dark and the bolt came apart. The shape did neither. It has been moving for a thousand years and it has never once depended on the cloth it was carried on.

The Specifications

  • Source: Fragmentary Silk Velvet with Repeating Tiger-stripe and 'Chintamani' Design, second half 15th century, Bursa, Turkey. The Metropolitan Museum of Art, accession 08.109.23


The Wallpaper

Peel and Stick

A self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.

  • Install: Peel and stick, no paste
  • Walls: Smooth, clean, fully cured paint
  • For: Rentals and rooms where paste-free installation or easier removal matters

Clay-Coated

A traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.

  • Install: Unpasted; paste is applied to the back of each panel before hanging
  • For: Traditional installations, including full rooms and powder rooms away from direct water

Start with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.



©Vintage Botanica

Material Options

Peel and Stick Wallpaper

PVC-free wallpaper with a matte, linen-like texture that shows through the print. Goes up without paste on smooth interior walls and is removable when you're ready for a change.

  • Peel-and-stick application
  • Repositionable during installation
  • Class A fire rated
Specifications and Installation

Clay-Coated Wallpaper

PVC-free wallpaper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the pattern's finest details stay crisp. For full rooms, entryways, and powder rooms.

  • Paste applied to the back of each panel
  • Seams double-cut for a flush finish
  • Class A fire rated
Specifications and Installation

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Documented Origins

Every pattern is translated from a documented source, from museum textiles to design books to a carved panel inside a castle, with its origins recorded for you to explore.

Translated by Human Artists

Line by line, our artists redraw each source by hand. The drawing stays true to the original, then is translated into colorways so you can choose the one that suits your room.

Satisfaction Guarantee

Every order is printed for you, and we want you to love it. Within sixty days of delivery, choose a reprint or return it for a refund, for any reason.