Ogee, Sandstone / Pomegranate Fabric by the Yard
All of our fabric and wallpaper is printed just for you, one order at a time. Nothing sits on a shelf waiting, and nothing is mass-produced.
Start with a sample. Tape the wallpaper to the wall, drape the fabric over the chair it's meant for, and see how the color and texture look in morning and evening light. Most decisions settle themselves within a few days.
Once your order arrives, we want you to love it. If you don't, for any reason, let us know. This applies to all retail orders. You have 60 days from delivery to reach out, and we'll reprint your items or you can return them for a refund. Your choice.
To start, email connect@vintagebotanica.com with your order number and a quick note about why you'd like a reprint or return. If something arrived damaged or misprinted, please include photos.
Hung wallpaper and cut fabric are still eligible, as long as the product comes back to us. Every reprint or refund requires the original product to be returned. Return shipping is yours to cover unless the product is defective, in which case we cover it.
Refunds go back to your original payment method within 5 business days after we receive your return. They cover the purchased items plus tax. If the product is defective, we also refund your original shipping.
We currently ship within the United States, including Alaska, Hawaii, and US territories. We ship to APO and FPO addresses and to PO boxes where the carrier allows it.
- Standard shipping is $9.99 per order for fabric and wallpaper
- Production takes 5 to 10 business days
- Transit takes 2 to 7 business days after your order ships
- Most orders arrive 2 to 3 weeks after you place them
Delivery to Alaska, Hawaii, US territories, and military addresses may take longer than the estimate above.
You'll get tracking by email as soon as your order ships. Orders with multiple items may arrive in more than one package as different products are printed in different locations.
Weather, holidays, and carrier delays happen. If your order is running past the estimate, get in touch and we'll look into it.
Lost or missing packages
If tracking shows delivered but your package isn’t there, check around your delivery spot and with neighbors first. Packages often turn up within a day. If it’s still missing, email us and we’ll open a claim with the carrier. If the carrier confirms the package is lost, we’ll reprint your order or refund it.
Questions
Email us at connect@vintagebotanica.com. We're a small team and we read everything.
- Most orders arrive in 2 to 3 weeks
A single scrap of plain-weave cotton from India, about the size of an index card, held just enough geometry to work out an entire room-scale lattice. Accession 6.177 at The Textile Museum in Washington, D.C., carries no recorded date and no maker's name—only eight inches by four of surviving cloth: a doubled-rope lattice, a four-petal flower at every intersection, and a diagonal vine of leaves and small buds threading the cells.
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George Hewitt Myers acquired the fragment in 1951. He had founded The Textile Museum in 1925, in his own home on S Street in Washington, with 275 rugs and 60 related textiles he had been gathering since 1896. By the time 6.177 entered the collection, Myers had spent more than five decades gathering pieces across the globe—from Anatolian village rugs and Egyptian Mamluk carpets to archaeological textiles from Peru. Today, the museum he started holds more than 21,000 textiles spanning five thousand years.
At eight inches by four, the original fragment is densely packed. Almost none of its tight detail would read at an architectural scale. The translation opened the drawing—giving slightly larger flowers and more breathing room around the medallions while keeping the underlying ogee geometry exact, allowing painterly nuances the tiny original couldn't carry across a room.
The original piece survives in cream, indigo, madder red, and a brown-tan in the leaves. These renderings extend that historical palette without breaking the structural logic of the design. The lattice runs unbroken again, at full scale, for the first time in a very long while.
The Fabric
Decor Chenille
A short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the color. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.
- Composition: 100% polyester
- Width: 56 in printable (57 in full)
- Weight: 400 gsm
- For: Upholstery, cushions, headboards, heavy drapery
Cotton Linen
A fine, even linen-cotton weave. Color prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.
- Composition: 55% linen, 45% cotton
- Width: 54 in printable
- Weight: 250 gsm
- For: Upholstery, curtains, table linens, pillows
©Vintage Botanica
