{"title":"Popular Picks","description":null,"products":[{"product_id":"mughal-poppy-indigo-marigold-fabric","title":"Mughal Poppy, Indigo \/ Marigold Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA late seventeenth-century dastarkana—an Indian summer carpet hand-drawn in kalamkari and conserved at The Metropolitan Museum of Art—was the starting point for Mughal Poppy. Drawn down to three-fifths scale, every hand-painted line was translated to preserve the painterly look of the original kalam. Ground takes three-quarters of the surface, leaving wide, breathing fields around each plant so the density stays inside the motif without closing a room in.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eSomeone cut the original up. Twelve feet of hand-painted poppies, sliced into puzzle-piece shapes to fit around a column, or a tent post, or a smaller room—no one wrote down which. What reached the museum in 1982 was a little under half: plain-weave cotton from the Mughal period, mordant-painted and resist-dyed, the poppies drawn by hand rather than stamped from a block. Green was made by painting yellow over indigo. On most surviving kalamkaris the yellow is gone and only the blue is left; on this one it held.\u003c\/p\u003e\n\u003cp\u003eIt came in with the Alice and Nasli Heeramaneck Collection, a gift of Alice Heeramaneck, and then sat for thirty-two years because the border was too fragile to handle. Conservation ran past a hundred hours—the binding removed, tideline stains lifted with poultice, the cloth humidified flat until the creases relaxed. It went up in Gallery 464 in 2015, in the Department of Islamic Art, on a slanted board held by insect pins, because no one was willing to put a stitch through it.\u003c\/p\u003e\n\u003cp\u003eThe conservators chose not to join the fragments back together or reconstruct what was lost. That was deliberate, out of respect for what the object had actually lived through. The carpet as a whole stays broken. But the design was made to be lived with—walked on, sat beside, used—and it spent thirty-two years in a drawer. The fragments held a complete plant and the rhythm that placed it. That was enough to bring it back out.\u003c\/p\u003e\n\u003cp\u003eIt will never be a floorspread again. The poppies stop abruptly on a slant board in Gallery 464. Now they keep going—row after row, past the corner, the way they did before someone cut it up.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of a floorspread, late seventeenth century, India. The Metropolitan Museum of Art, accession 1982.239a\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in (12 in half-drop)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Cloth\u003c\/h2\u003e\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\r\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\r\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46265836404872,"sku":"164968-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46265836437640,"sku":"164968-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46265836470408,"sku":"164968-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46265836503176,"sku":"164968-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_012508_408969b6-e958-4ee2-b9ed-40f54d9d468c.png?v=1785691078"},{"product_id":"jk_printedquilt_linen_dustyblue-fabric-by-the-yard","title":"Flowering Pomegranate, Musée de la Toile de Jouy: Linen \/ Dusty Blue Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSinuous lace borders interlock to form an undulating ogee lattice through Flowering Pomegranate, framing a central blossom suspended between paired, swelling fruits — pomegranates, a Byzantine fashion carried from Renaissance silk to French cotton. The source is an 18th-century block-printed quilt in the Musée de la Toile de Jouy, photographed in the gallery and redrawn by hand. Heavy woodblock outlines set against a lattice that carries the eye up the wall, giving a room clear vertical structure at a 24-inch repeat.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eLong before French woodcutters carved its form into printing blocks, \u003cem\u003ePunica granatum\u003c\/em\u003e—the pomegranate—carried thousands of years of symbolic weight. Native to ancient Persia, the tree supplied both sustenance and craft: its bark yielded tannin for curing leather, while its rind and flowers produced textile dyes. Across global traditions, the fruit became an enduring emblem of health, fertility, and renewal—buried with the ancient Egyptians for the afterlife, embroidered around the hems of Hebrew high priests' robes, woven into Christian vestments and hangings as a symbol of resurrection, and gifted at Chinese weddings as an omen of posterity.\u003c\/p\u003e\n\u003cp\u003eBy the Renaissance, European silk weavers had adopted the fruit as a primary motif for luxury lampas and brocatelles, the fashion carried out of Byzantium and into Europe by way of Spain.\u003c\/p\u003e\n\u003cp\u003eThis design originates from a 280 × 200 cm quilted and piqué bedspread produced in a small French workshop—one the museum places below the level of the Oberkampf Manufactory. With its thick, hand-drawn outlines and limited palette—originally red, black, and a deep \"puce\"—it carries the colours and line weight of the jafracanis imported from India, grounding centuries of global botanical symbolism in the quiet rhythm of 18th-century printmaking.\u003c\/p\u003e\n\u003cp\u003eThe surviving quilt was donated to the Musée de la Toile de Jouy in 2019 by les Amis du Musée de la Toile de Jouy.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Block-printed cotton piqué bedspread, second half 18th century, French. Musée de la Toile de Jouy, donated by les Amis du Musée de la Toile de Jouy, 2019\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Gallery label, Musée de la Toile de Jouy. Dilys Blum, \u003cem\u003eAn Enduring Motif: The Pomegranate in Textiles\u003c\/em\u003e, Philadelphia Museum of Art, 2009–10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Cloth\u003c\/h2\u003e\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\r\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e\r\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n\u003cli\u003e\r\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46327751966856,"sku":"167973-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46327751999624,"sku":"167973-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46327752032392,"sku":"167973-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46327752065160,"sku":"167973-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260808_172253.png?v=1786285846"},{"product_id":"mt2009-300-953a_striae_ivory_pomegranate-fabric-by-the-yard","title":"Collins Stripe: Ivory \/ Pomegranate Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eFine vertical striations create subtle tonal movement through the deeper bands of Collins Stripe, keeping the stripe from sitting flat or still. Sourced from plain striped silk set into the pleated skirt of an 1857–60 American evening dress at The Metropolitan Museum of Art, the design isolates one section of that textile as an 8-inch repeat — bringing the movement and fine grain of the original silk to fabric and wallpaper.\u003c\/p\u003e\n\n\u003cp style=\"margin-bottom:0.6em;\"\u003eDeep pomegranate red against ivory in inch-wide bands. The red is dusty rather than bright — there is brown underneath it — and fine vertical striations create tonal movement through each red band. The ivory bands are flat, and the muted red keeps the high contrast from feeling hard. A bengal stripe in red and cream.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eSometime between 1857 and 1860, Mrs. James Bonner Collins wore a silk evening dress to a White House reception for President James Buchanan.\u003c\/p\u003e\n\u003cp\u003eSet into the pleats of its enormous skirt were lengths of plain striped silk. The Metropolitan Museum of Art singles them out in its record of the dress, noting that the vertical stripes helped lift and elongate the silhouette.\u003c\/p\u003e\n\u003cp\u003eThey were not the showiest part of the gown. They are the reason this pattern exists.\u003c\/p\u003e\n\u003cp\u003eUp close, the stripe is alive — blue shifting through fine vertical striations, bordered by narrow bands of cream and deeper color. One section of that striped silk is drawn here.\u003c\/p\u003e\n\u003cp\u003eCollins Stripe began as the quiet part of a dress worn to the White House.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Evening dress, 1857–60, American. Silk. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, accession 2009.300.953a, b, The Costume Institute. Gift of the Brooklyn Museum, 2009; Gift of Beatrice Collins, 1973\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e The Metropolitan Museum of Art object record 2009.300.953a, b\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Cloth\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDecor Chenille.\u003c\/strong\u003e A short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCotton Linen.\u003c\/strong\u003e A fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46327754293384,"sku":"167939-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46327754326152,"sku":"167939-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46327754358920,"sku":"167939-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46327754391688,"sku":"167939-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260807_010545_4c01fcdb-ed73-452b-9ea3-8ee715180b99.png?v=1786285851"},{"product_id":"gujarat-floral-bk-1980-773-b-forest-floor-pomegranate-fabric-by-the-yard","title":"Tambour Floral, Forest Floor \/ Pomegranate Fabric by the Yard","description":"\u003cp\u003ePomegranate blooms on a deep forest floor ground, with eucalyptus in the leaves. Green and pomegranate sit opposite one another, so contrast is high and the blooms sit forward off the ground from across a room. The eucalyptus foliage reads pale against the dark green, and up close honey holds the flower centers, with pomegranate carrying through the smaller blooms.\u003c\/p\u003e\n\u003cp\u003eA fragment of a tambour-embroidered coverlet, held by the Rijksmuseum in Amsterdam (accession BK-1980-773-B), is the source for this design. The fragment was worked in Gujarat c. 1720 – c. 1740, using a hooked needle pulled through twill-woven cotton to build up silk chain-stitch in continuous curving lines. The object measures 173 cm in height; its width was not recorded. What survived is a field of volutes and stylized flowers worked in polychrome silk on a cotton ground. Printed to order.\u003c\/p\u003e\n\u003cdetails\u003e\n\u003csummary\u003eRead More\u003c\/summary\u003e\n\u003ch3\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eGreat pattern doesn’t ask for permission; it stops you. In \u003cem\u003eArt Objects\u003c\/em\u003e, Jeanette Winterson described a painting with “more power to stop me than I had power to walk on.”\u003c\/p\u003e\n\u003cp\u003eThe source object—worked in Gujarat c. 1720 – c. 1740—demands that same attention. An embroiderer stretched cotton twill across a frame and pulled silk thread through the ground with a fine hooked needle, building continuous chain stitches line by line. What survived of that coverlet is a single 173 cm fragment, gifted to the Rijksmuseum in 1980 by the Stichting Twickel.\u003c\/p\u003e\n\u003cp\u003eThe original object is silk worked into cotton; the printed product is ink. Ink isn’t silk, but the line and the spacing translate directly. The colour is ours — the colorways are built from the Vintage Botanica palette, not sampled from the object.\u003c\/p\u003e\n\u003cp\u003e(Catalogued under Rijksmuseum accession BK-1980-773-B. Published in \u003cem\u003eAsian Splendour: Company Art in the Rijksmuseum\u003c\/em\u003e, p. 57, fig. 35. Public domain.)\u003c\/p\u003e\n\u003ch3\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of an embroidered coverlet. Cotton twill with silk embroidery. Gujarat, c. 1720 – c. 1740.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHolding institution:\u003c\/strong\u003e Rijksmuseum, Amsterdam. Accession BK-1980-773-B.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaker:\u003c\/strong\u003e Anonymous. Recorded maker role: embroiderer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Tambour embroidery, worked with a hooked needle. Twill ground.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 173 cm. Width not recorded.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcquisition:\u003c\/strong\u003e Gift of the Stichting Twickel, 1980.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRights:\u003c\/strong\u003e Public domain.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in. × 38.3 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Straight repeat.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46347851464840,"sku":"97846-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46347851497608,"sku":"97846-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46347851530376,"sku":"97846-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46347851563144,"sku":"97846-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260407_203939.png?v=1786457808"}],"url":"https:\/\/vintagebotanica.com\/collections\/popular-picks.oembed","provider":"vintagebotanica","version":"1.0","type":"link"}