{"title":"Green Fabric","description":null,"products":[{"product_id":"fb_ch1902_1185_pencil_stripe_linen_sage-fabric","title":"Pencil Stripe, Linen \/ Sage Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eNarrow stripes on a plain ground, printed with the texture of the woven original. Translated from a striped linen and silk fragment at Cooper Hewitt, Smithsonian Design Museum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eSage green pencil stripes on a pale linen ground. The grey-green sits softly on the pale ground, a stripe that registers from across a room without hardening. Up close the woven texture shows in both the stripe and the ground.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Striped woven textile fragment in linen and silk, plain weave.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Cooper Hewitt, Smithsonian Design Museum, 1902-1-185.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 13th century, as catalogued by Cooper Hewitt.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 6 in × 6.2 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Each stripe is about 0.3 in wide, spaced about 1.5 in apart, four stripes to the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Vertical stripes run the full height on a plain ground, very slightly uneven in spacing, as in a woven cloth. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Two colours, ground and stripe, both printed with a woven texture; flecks of the ground colour show through the stripe.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean, with a slightly serrated outline where individual threads end. The blue and brown bands of the original are reduced to one repeating stripe and recoloured.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46250607673480,"sku":"165166-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46250607706248,"sku":"165166-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46250607739016,"sku":"165166-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46250607771784,"sku":"165166-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260726_200653.png?v=1785800778"},{"product_id":"chintamani-imperial-eucalyptus-flax-fabric","title":"Chintamani Imperial, Eucalyptus \/ Flax Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003e'Chintamani Imperial' begins in a fragment of early Ottoman brocaded velvet, woven in an imperial workshop at Bursa. Held in the Cleveland Museum of Art, with a second example at The Metropolitan Museum of Art, each jewel was carefully redrawn by hand — a ring inside a ring, three dots at its centre — to retain the character of the original.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe cloth was made to be the most expensive thing in the room, and it succeeded.\u003c\/p\u003e\n\u003cp\u003eBursa was the Ottoman Empire's first capital and the centre of its silk trade — Iranian silk and domestic both, moving through the city and onto looms that turned it into the costliest cloth the empire produced. This piece came off a loom in an imperial workshop. The crimson pile is almost twice as dense as later monochrome velvets: density was the luxury, the part you could see from the doorway before you were close enough to see the pattern.\u003c\/p\u003e\n\u003cp\u003eWoven into it, the çintamani — Sanskrit for a jewel that grants what you wish for. In Ottoman hands it became three discs, a ring inside a ring with three dots at the centre, and two wavy bands beneath. It turns up so often in Ottoman art that Cleveland's own record calls it a favoured motif and possibly an unofficial imperial emblem. Possibly, because no sultan ever decreed it. It was never law. The court simply kept choosing it.\u003c\/p\u003e\n\u003cp\u003eThen the cloth came apart. What survives are fragments in two American cities — one in Cleveland, one in New York, the Met's piece twenty-eight inches by eleven and a half. That one was sold to the museum in 1915 by Indjoudjian Frères, dealers in Paris, and it went on show that same winter in the Special Exhibition of Textiles. Bought in one season, hung in the next. Four thousand miles from Bursa.\u003c\/p\u003e\n\u003cp\u003eThe velvet was cut down and the empire is gone. The emblem it carried was never granted by anyone and never taken away.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Brocaded silk velvet, Bursa, Turkey. The Cleveland Museum of Art, accession 1943.313\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSecond example:\u003c\/strong\u003e Silk Velvet Fragment with Tiger-Stripe and 'Cintamani' Design, 16th century, Turkey. The Metropolitan Museum of Art, accession 15.125.6, Gallery 460\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in horizontal, 10 in vertical, half-drop\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Louise W. Mackie, \u003cem\u003eSymbols of Power: Luxury Textiles from Islamic Lands, 7th–21st Century\u003c\/em\u003e (Cleveland Museum of Art \/ Yale, 2015), p. 291, fig. 8.10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46265835225224,"sku":"164343-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46265835257992,"sku":"164343-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46265835290760,"sku":"164343-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46265835323528,"sku":"164343-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260723_005350.png?v=1785691074"},{"product_id":"chintamani-imperial-verdigris-honey-fabric","title":"Chintamani Imperial, Verdigris \/ Honey Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003e'Chintamani Imperial' begins in a fragment of early Ottoman brocaded velvet, woven in an imperial workshop at Bursa. Held in the Cleveland Museum of Art, with a second example at The Metropolitan Museum of Art, each jewel was carefully redrawn by hand — a ring inside a ring, three dots at its centre — to retain the character of the original.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe cloth was made to be the most expensive thing in the room, and it succeeded.\u003c\/p\u003e\n\u003cp\u003eBursa was the Ottoman Empire's first capital and the centre of its silk trade — Iranian silk and domestic both, moving through the city and onto looms that turned it into the costliest cloth the empire produced. This piece came off a loom in an imperial workshop. The crimson pile is almost twice as dense as later monochrome velvets: density was the luxury, the part you could see from the doorway before you were close enough to see the pattern.\u003c\/p\u003e\n\u003cp\u003eWoven into it, the çintamani — Sanskrit for a jewel that grants what you wish for. In Ottoman hands it became three discs, a ring inside a ring with three dots at the centre, and two wavy bands beneath. It turns up so often in Ottoman art that Cleveland's own record calls it a favoured motif and possibly an unofficial imperial emblem. Possibly, because no sultan ever decreed it. It was never law. The court simply kept choosing it.\u003c\/p\u003e\n\u003cp\u003eThen the cloth came apart. What survives are fragments in two American cities — one in Cleveland, one in New York, the Met's piece twenty-eight inches by eleven and a half. That one was sold to the museum in 1915 by Indjoudjian Frères, dealers in Paris, and it went on show that same winter in the Special Exhibition of Textiles. Bought in one season, hung in the next. Four thousand miles from Bursa.\u003c\/p\u003e\n\u003cp\u003eThe velvet was cut down and the empire is gone. The emblem it carried was never granted by anyone and never taken away.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Brocaded silk velvet, Bursa, Turkey. The Cleveland Museum of Art, accession 1943.313\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSecond example:\u003c\/strong\u003e Silk Velvet Fragment with Tiger-Stripe and 'Cintamani' Design, 16th century, Turkey. The Metropolitan Museum of Art, accession 15.125.6, Gallery 460\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in horizontal, 10 in vertical, half-drop\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Louise W. Mackie, \u003cem\u003eSymbols of Power: Luxury Textiles from Islamic Lands, 7th–21st Century\u003c\/em\u003e (Cleveland Museum of Art \/ Yale, 2015), p. 291, fig. 8.10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46265835356296,"sku":"164639-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46265835389064,"sku":"164639-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46265835421832,"sku":"164639-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46265835454600,"sku":"164639-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260724_012844_67109204-fc71-42f7-ac05-b5ae8176c646.png?v=1785691073"},{"product_id":"chintamani-imperial-forest-floor-flax-fabric","title":"Chintamani Imperial, Forest Floor \/ Flax Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003e'Chintamani Imperial' begins in a fragment of early Ottoman brocaded velvet, woven in an imperial workshop at Bursa. Held in the Cleveland Museum of Art, with a second example at The Metropolitan Museum of Art, each jewel was carefully redrawn by hand — a ring inside a ring, three dots at its centre — to retain the character of the original.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe cloth was made to be the most expensive thing in the room, and it succeeded.\u003c\/p\u003e\n\u003cp\u003eBursa was the Ottoman Empire's first capital and the centre of its silk trade — Iranian silk and domestic both, moving through the city and onto looms that turned it into the costliest cloth the empire produced. This piece came off a loom in an imperial workshop. The crimson pile is almost twice as dense as later monochrome velvets: density was the luxury, the part you could see from the doorway before you were close enough to see the pattern.\u003c\/p\u003e\n\u003cp\u003eWoven into it, the çintamani — Sanskrit for a jewel that grants what you wish for. In Ottoman hands it became three discs, a ring inside a ring with three dots at the centre, and two wavy bands beneath. It turns up so often in Ottoman art that Cleveland's own record calls it a favoured motif and possibly an unofficial imperial emblem. Possibly, because no sultan ever decreed it. It was never law. The court simply kept choosing it.\u003c\/p\u003e\n\u003cp\u003eThen the cloth came apart. What survives are fragments in two American cities — one in Cleveland, one in New York, the Met's piece twenty-eight inches by eleven and a half. That one was sold to the museum in 1915 by Indjoudjian Frères, dealers in Paris, and it went on show that same winter in the Special Exhibition of Textiles. Bought in one season, hung in the next. Four thousand miles from Bursa.\u003c\/p\u003e\n\u003cp\u003eThe velvet was cut down and the empire is gone. The emblem it carried was never granted by anyone and never taken away.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Brocaded silk velvet, Bursa, Turkey. The Cleveland Museum of Art, accession 1943.313\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSecond example:\u003c\/strong\u003e Silk Velvet Fragment with Tiger-Stripe and 'Cintamani' Design, 16th century, Turkey. The Metropolitan Museum of Art, accession 15.125.6, Gallery 460\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in horizontal, 10 in vertical, half-drop\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Louise W. Mackie, \u003cem\u003eSymbols of Power: Luxury Textiles from Islamic Lands, 7th–21st Century\u003c\/em\u003e (Cleveland Museum of Art \/ Yale, 2015), p. 291, fig. 8.10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46265835487368,"sku":"164342-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46265835520136,"sku":"164342-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46265835552904,"sku":"164342-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46265835585672,"sku":"164342-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260723_005152.png?v=1785691074"},{"product_id":"mughal-poppy-linen-verdigris-fabric","title":"Mughal Poppy, Linen \/ Verdigris Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA late seventeenth-century dastarkana—an Indian summer carpet hand-drawn in kalamkari and conserved at The Metropolitan Museum of Art—was the starting point for Mughal Poppy. Drawn down to three-fifths scale, every hand-painted line was translated to preserve the painterly look of the original kalam. Ground takes three-quarters of the surface, leaving wide, breathing fields around each plant so the density stays inside the motif without closing a room in.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eSomeone cut the original up. Twelve feet of hand-painted poppies, sliced into puzzle-piece shapes to fit around a column, or a tent post, or a smaller room—no one wrote down which. What reached the museum in 1982 was a little under half: plain-weave cotton from the Mughal period, mordant-painted and resist-dyed, the poppies drawn by hand rather than stamped from a block. Green was made by painting yellow over indigo. On most surviving kalamkaris the yellow is gone and only the blue is left; on this one it held.\u003c\/p\u003e\n\u003cp\u003eIt came in with the Alice and Nasli Heeramaneck Collection, a gift of Alice Heeramaneck, and then sat for thirty-two years because the border was too fragile to handle. Conservation ran past a hundred hours—the binding removed, tideline stains lifted with poultice, the cloth humidified flat until the creases relaxed. It went up in Gallery 464 in 2015, in the Department of Islamic Art, on a slanted board held by insect pins, because no one was willing to put a stitch through it.\u003c\/p\u003e\n\u003cp\u003eThe conservators chose not to join the fragments back together or reconstruct what was lost. That was deliberate, out of respect for what the object had actually lived through. The carpet as a whole stays broken. But the design was made to be lived with—walked on, sat beside, used—and it spent thirty-two years in a drawer. The fragments held a complete plant and the rhythm that placed it. That was enough to bring it back out.\u003c\/p\u003e\n\u003cp\u003eIt will never be a floorspread again. The poppies stop abruptly on a slant board in Gallery 464. Now they keep going—row after row, past the corner, the way they did before someone cut it up.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of a floorspread, late seventeenth century, India. The Metropolitan Museum of Art, accession 1982.239a\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in (12 in half-drop)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46265836011656,"sku":"164973-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46265836044424,"sku":"164973-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46265836077192,"sku":"164973-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46265836109960,"sku":"164973-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_012513.png?v=1785691077"},{"product_id":"tetrels-saisons-des-fleurs-sage-mist-fabric-by-the-yard","title":"Tétrel's Saisons des Fleurs, Sage \/ Mist Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eLarge multi-petalled blooms, buds and grass-like blades overlap in an all-over field. Translated from Saisons des fleurs, a French woodblock-printed wallpaper designed by Prosper Tétrel, dated 1898–1899 by the Musée des Arts Décoratifs and shown at the Paris Universal Exhibition of 1900. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eMist blooms on a sage green ground. Pale blue-grey flowers on grey-green keep the values close, so the pattern is soft from a distance and fills in as you approach. Up close, a fine contour line holds every petal and blade.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper \"Saisons des fleurs\", designed by Prosper Tétrel and made by Desfossé et Karth, printed from wood blocks on a hand-brushed ground. Worked from photographs of another printing of the same wallpaper.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 987.521.1-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1898–1899, as dated by the Musée des Arts Décoratifs. Shown at the Paris Universal Exhibition of 1900.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 27 in. Half-drop match, offset 13.5 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e The largest bloom is about 5.9 in wide by 5.6 in high, a quarter of the repeat width.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e An all-over field with no border: large blooms, buds, clusters of small florets on branching stems, broad leaves and grass-like blades, overlapping across the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat printed colours with no gradients or shading: a contour line, three background planes, bloom fill, bloom shadow, a centre accent and stem shadow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Shapes are held by a fine contour line. The woodblock print and brushed ground of the original are reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269948526728,"sku":"164707-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269948559496,"sku":"164707-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269948592264,"sku":"164707-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269948625032,"sku":"164707-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260724_155940.png?v=1785801260"},{"product_id":"tambour-floral-linen-sage-fabric-by-the-yard","title":"Tambour Floral, Linen \/ Sage Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eEvery stem and blossom in this pattern was originally executed stitch by hand-drawn stitch using a tiny tambour hook—pulling vibrant silk thread through cotton twill in a continuous chain. Crafted in Gujarat between 1720 and 1740, the original animated an embroidered bedspread, its swirling vines, stylized pomegranates, and serrated leaves creating an expressive, undulating lattice across the cloth.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eWhat survives is a fragment of it, 173 centimetres high, the width no longer recorded. It entered the Rijksmuseum collection in 1980 as accession BK-1980-773-B, a gift of the Stichting Twickel, and has been known since mostly through catalogue figures — p. 57, fig. 35.\u003c\/p\u003e\n\u003cp\u003eTranslating raised, tactile embroidery into a flat repeat is not a job for a camera or a trace. The work was done by a practising embroiderer, who built a Photoshop tool for this design alone in order to hold the momentum and tension of tamboereren chain work — the way the hook pulls the line, the way the stitch decides where the vine goes next.\u003c\/p\u003e\n\u003cp\u003eThe chain runs continuous again. Not stitched, but drawn the way a stitch draws.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269948657800,"sku":"164974-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269948690568,"sku":"164974-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269948723336,"sku":"164974-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269948756104,"sku":"164974-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_013353.png?v=1785801260"},{"product_id":"madrasi-chintz-dusty-blue-rose-quartz-fabric-by-the-yard","title":"Madrasi Chintz, Dusty Blue \/ Rose Quartz Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eCollection: The Textile Museum Collection (GW 6.112)\u003cbr\u003eOrigin: Coromandel Coast (Madras), India | Date: 17th Century\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eOriginating from 17th-century Madras along India's famed Coromandel Coast, this pattern is a masterclass in early Indian textile art. Originally crafted as a painted cotton curtain, the design features closely repeating buti (botanical sprigs) with distinct spiky leaf bases and delicate, nodding blossoms.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eTrue to historic chintz production, the original piece was created using a complex multi-step process of hand-drawn wax resists and painted mordants prior to indigo and madder dyeing. The result is a rhythmically balanced, refined floral repeat that defined the 17th-century global trade in luxury painted cottons.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eExhibition \u0026amp; Publication History\u003c\/h3\u003e\n\u003cp\u003eA celebrated work in The Textile Museum's permanent collection, this fragment has been featured in four major exhibitions:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaster Dyers to the World: Technique and Trade in Early Indian Dyed Cotton Textiles (1982–1983)\u003c\/li\u003e\n\u003cli\u003eOld Yarns with a new Twist: Familiar Favorites from the Textile Museum's Collection (1984)\u003c\/li\u003e\n\u003cli\u003eSeldom Seen: Director's Choice from the Museum's Collections (2006)\u003c\/li\u003e\n\u003cli\u003e1,000 Years of Indian Textiles (2022)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe original textile is also documented and illustrated in key scholarship, including Mattiebelle Gittinger's landmark study Master Dyers to the World (1982), Walter Endrei's The First Hundred Years of European Textile-printing (1998), and Rahul Jain's Textiles and Garments at the Jaipur Court (2016).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269948788872,"sku":"164332-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269948821640,"sku":"164332-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269948854408,"sku":"164332-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269948887176,"sku":"164332-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260722_194904.png?v=1785801260"},{"product_id":"boteh-indigo-ivory-fabric-by-the-yard","title":"Varanasi Medallion, Indigo \/ Ivory Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003ePale flowers and medallion borders stand at high contrast against a near-black indigo ground, while the darker green linework inside reads quietly. The outlines and blossoms set a clean rhythm across a room; the stems, leaves and smaller flowers between the medallions add the detail back at close range. At 8 inches each medallion remains distinct across a broad surface. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eThis surviving Varanasi fragment combines silk and metallic-wrapped silk in a compound weave. 'Varanasi Medallion' translates that woven structure into flat colour at an 8-inch half-drop repeat. Each flowering plant sits inside its own pointed border, with smaller floral forms between them. The border, rather than the flower, organizes the field.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe enclosure and the plant it holds recall the boteh — the form commonly known in English as paisley — but the characteristic boteh curves at the tip, while this enclosure rises to a point.\u003c\/p\u003e\n\u003cp\u003eThe fragment was woven in Varanasi, India. It measures fifteen inches by fourteen and a half, and combines silk with metallic-wrapped silk in a compound woven structure. It entered The Textile Museum Collection as the gift of Sheridan Pressey Collins and is held as accession 2019.7.4.\u003c\/p\u003e\n\u003cp\u003eThe museum record is unusually spare. There is no recorded date. No maker is named. The museum record does not name the motif.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Textile fragment, Varanasi, India. Silk and metallic-wrapped silk; supplementary-weft patterning, twill weave, compound weave. 38.10 × 36.83 cm (15 × 14½ in.). Gift of Sheridan Pressey Collins. The Textile Museum Collection, The George Washington University Museum and The Textile Museum, accession 2019.7.4.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e not recorded by the museum.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 8 in. Layout: drop match, half-drop.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMotif scale:\u003c\/b\u003e [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e \u003ci\u003eThe Indian Boteh Motif\u003c\/i\u003e, RISD Museum, 27 January – 30 July 2017, text by Kate Irvin. John Irwin, \u003ci\u003eThe Kashmir Shawl\u003c\/i\u003e, Victoria and Albert Museum Monograph No. 29 (HMSO, 1973).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269949051016,"sku":"164980-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269949083784,"sku":"164980-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269949116552,"sku":"164980-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269949149320,"sku":"164980-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_024330.png?v=1785801260"},{"product_id":"architectural-stripe-forest-floor-flax-fabric-by-the-yard","title":"Architectural Stripe, Forest Floor \/ Flax Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eTwo broad bands run side by side, edged and divided by three fine lines, with wide plain ground between each group. Translated from a pair of 19th-century American striped muslin curtains at Cooper Hewitt, Smithsonian Design Museum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eWarm flax bands on a deep forest green ground. The pale gold stands clear of the dark green, so the stripe reads crisply from across a room. Up close, the fine lines edging each band show the ground colour between them.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Pair of curtains in thin white cotton muslin with woven stripes of denser weave, edged in hand-stitched cotton tape.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Cooper Hewitt, Smithsonian Design Museum, 1958-148-18-a,b.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e USA.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 19th century.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 3 in wide. The bands run continuously, so there is no vertical repeat. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Each group of two bands and three fine lines is 1.2 in across; each band is 0.37 in wide. Groups sit 1.8 in apart.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Vertical bands and lines, with each group centred in the 3 in repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Two flat printed colours: ground and stripe. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. The denser weave of the original stripes is reduced to flat colour with hard vertical edges.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269949444232,"sku":"166883-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269949477000,"sku":"166883-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269949509768,"sku":"166883-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269949542536,"sku":"166883-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260801_184517.png?v=1785801260"},{"product_id":"calimanco-forest-floor-cinnamon-fabric-by-the-yard","title":"Calimanco, Forest Floor \/ Cinnamon Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eStacked fan-shaped figures inside diamonds of fine line run in even vertical channels through 'Norwich Calimanco', sourced from a length of glazed worsted, ca. 1750, in The Metropolitan Museum of Art. Each element was hand-traced from the museum's photograph of the object to hold the stepped geometry the loom imposed on the wool. Wide ground between the channels gives a room vertical structure without weight, and the flowers read from across it.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eNorwich had wool and wanted silk money, so it engineered worsted cloth to catch the light.\u003c\/p\u003e\n\u003cp\u003eThey combed long-staple wool straight, spun it tight, and finished the woven yards under heated rollers or rubbed the face down with a stone. Norwich weavers built the floral sprigs directly into the worsted grid on the loom, which is why the petals step along the warp and weft rather than curve smoothly.\u003c\/p\u003e\n\u003cp\u003eThe result was an affordable, hard-wearing fabric that shed dirt and mimicked the luster of dress silk. Calimanco went into gowns, quilted petticoats, and men's waistcoats across England and the American colonies. When Defoe itemized the components of an ordinary countryman's suit—Yorkshire cloth, Berkshire lining, Devizes breeches—the waistcoat was callamanco from Norwich. It wore hard and sold in volume for a century.\u003c\/p\u003e\n\u003cp\u003eOrdinarily, a length went to a tailor, wore out, and was cut down a second time for a bedcover. Eight feet three inches came off a loom around 1750 and escaped that life entirely. The Metropolitan Museum of Art acquired the uncut length in 2017 with funds from the exchange of objects bequeathed by Alfred Duane Pell (accession 2017.268), alongside a matching second length (accession 2017.269).\u003c\/p\u003e\n\u003cp\u003eNobody cut it, so the whole pattern is still there. It is the pattern drawn here.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Length of wool Calimanco, ca. 1750, British, Norwich. Wool, woven. Overall 99½ × 19½ in. The Metropolitan Museum of Art, accession 2017.268 (not on view)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSecond example:\u003c\/strong\u003e Length of wool Calimanco, ca. 1750, British, Norwich. Wool, woven. Overall 97¾ × 19 in. The Metropolitan Museum of Art, accession 2017.269 (not on view)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Florence M. Montgomery, \u003cem\u003eTextiles in America 1650–1870\u003c\/em\u003e (Norton, 1984), pp. 185–187\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269949771912,"sku":"163854-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269949804680,"sku":"163854-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269949837448,"sku":"163854-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269949870216,"sku":"163854-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260721_203338.png?v=1785801261"},{"product_id":"ogee-sandstone-pomegranate-fabric-by-the-yard","title":"Ogee, Sandstone \/ Pomegranate Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA single scrap of plain-weave cotton from India, about the size of an index card, held just enough geometry to work out an entire room-scale lattice. Accession 6.177 at The Textile Museum in Washington, D.C., carries no recorded date and no maker's name—only eight inches by four of surviving cloth: a doubled-rope lattice, a four-petal flower at every intersection, and a diagonal vine of leaves and small buds threading the cells.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eGeorge Hewitt Myers acquired the fragment in 1951. He had founded The Textile Museum in 1925, in his own home on S Street in Washington, with 275 rugs and 60 related textiles he had been gathering since 1896. By the time 6.177 entered the collection, Myers had spent more than five decades gathering pieces across the globe—from Anatolian village rugs and Egyptian Mamluk carpets to archaeological textiles from Peru. Today, the museum he started holds more than 21,000 textiles spanning five thousand years.\u003c\/p\u003e\n\u003cp\u003eAt eight inches by four, the original fragment is densely packed. Almost none of its tight detail would read at an architectural scale. The translation opened the drawing—giving slightly larger flowers and more breathing room around the medallions while keeping the underlying ogee geometry exact, allowing painterly nuances the tiny original couldn't carry across a room.\u003c\/p\u003e\n\u003cp\u003eThe original piece survives in cream, indigo, madder red, and a brown-tan in the leaves. These renderings extend that historical palette without breaking the structural logic of the design. The lattice runs unbroken again, at full scale, for the first time in a very long while.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269950034056,"sku":"164978-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269950066824,"sku":"164978-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269950099592,"sku":"164978-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269950132360,"sku":"164978-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_013619.png?v=1785801263"},{"product_id":"tetrels-saisons-des-fleurs-sage-ivory-fabric-by-the-yard","title":"Tétrel's Saisons des Fleurs, Sage \/ Ivory Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eLarge multi-petalled blooms, buds and grass-like blades overlap in an all-over field. Translated from Saisons des fleurs, a French woodblock-printed wallpaper designed by Prosper Tétrel, dated 1898–1899 by the Musée des Arts Décoratifs and shown at the Paris Universal Exhibition of 1900. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eIvory blooms on a sage green ground. The pale flowers lift gently off the grey-green, so the pattern reads as a soft garden of white from across a room. Up close, a fine contour line holds every petal and blade.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper \"Saisons des fleurs\", designed by Prosper Tétrel and made by Desfossé et Karth, printed from wood blocks on a hand-brushed ground. Worked from photographs of another printing of the same wallpaper.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 987.521.1-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1898–1899, as dated by the Musée des Arts Décoratifs. Shown at the Paris Universal Exhibition of 1900.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 27 in. Half-drop match, offset 13.5 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e The largest bloom is about 5.9 in wide by 5.6 in high, a quarter of the repeat width.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e An all-over field with no border: large blooms, buds, clusters of small florets on branching stems, broad leaves and grass-like blades, overlapping across the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat printed colours with no gradients or shading: a contour line, three background planes, bloom fill, bloom shadow, a centre accent and stem shadow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Shapes are held by a fine contour line. The woodblock print and brushed ground of the original are reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269950722184,"sku":"164705-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269950754952,"sku":"164705-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269950787720,"sku":"164705-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269950820488,"sku":"164705-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260724_155940_5a03d1c0-d225-43a1-b2c3-344b94b2b365.png?v=1785801263"},{"product_id":"ragged-poppy-sandstone-verdigris-fabric-by-the-yard","title":"Ragged Poppy, Sandstone \/ Verdigris Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA green poppy on a pale, warm sandstone ground, which sets a cool motif against a warm field. Contrast is moderate, and the flower reads as foliage first and flower second — the closest this range comes to a botanical green. The poppy is drawn at full size within a two-foot repeat. Translated from a cotton tablecloth or bedcover block-printed in London in 1902, accession 1990.522, on wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eJohn Scarratt Rigby drew the poppy in 1902, block-printed on plain-weave cotton in London. 'Ragged Poppy' is translated from that cloth, now in the Art Institute of Chicago—redrawn by hand with its border removed, the field tiled to a 24-inch panel. The flower is open and dense at generous scale, and the pale ground reads as much as the motif at conversational distance.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eEight and a half feet of cotton, printed with poppies and closed on all four sides by a border of paired buds and scrolling leaves. It was made to be spread flat and looked down on. A tablecloth or a bedcover—the museum's catalogue will not say which, and gives the title only as probably “Ragged Poppy.”\u003c\/p\u003e\n\u003cp\u003eJohn Scarratt Rigby drew it in 1902. He supplied block prints and woven textiles to G.P. \u0026amp; J. Baker, A.H. Lee of Birkenhead, Alexander Morton, and Liberty \u0026amp; Co. This cloth reached the public under Liberty's name. He was honorary secretary of the Society of Designers.\u003c\/p\u003e\n\u003cp\u003eIn “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” Rigby conceded the field, writing that decorative art could not be discussed without constant reference to Morris's work. Morris's own Poppy, a design of 1881, sits in the Art Institute of Chicago. So does Rigby's cloth, which passed through the Antique Textile Company in London and was sold to the museum in 1990 on the Kelvyn G. Lilley Memorial Fund. Morris's is under his name. Rigby's is under a title someone thought to give it.\u003c\/p\u003e\n\u003cp\u003eRigby drew the field to stop at a border. Remove the border and the pattern keeps going.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Designed by John Scarratt Rigby (English, 1833–1914), produced by G.P. \u0026amp; J. Baker for Liberty \u0026amp; Co., London. Cotton, plain weave; block printed. 265.8 × 185.1 cm (104 5\/8 × 72 7\/8 in.); warp repeat 104.1 cm (41 in.). Kelvyn G. Lilley Memorial Fund. The Art Institute of Chicago, accession 1990.522.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSecond example:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Same designer and makers. Silk, plain weave; block printed. 182 × 184.2 cm (71 5\/8 × 72 1\/2 in.). Alexander Demond Fund. The Art Institute of Chicago, accession 1987.335.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 24 in × 16.1 in. Layout [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBordered rug:\u003c\/b\u003e available to trade. The rug carries a border, as the original does.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e J. Scarratt Rigby, “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” in Clive Edwards, ed., \u003ci\u003eNineteenth-Century Design\u003c\/i\u003e, vol. III (Routledge, 2021). Design sketches by John Scarratt Rigby, University of Glasgow Archive Services, Stoddard International design archive, GB 248 STOD\/DES\/142.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269951049864,"sku":"166549-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269951082632,"sku":"166549-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269951115400,"sku":"166549-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269951148168,"sku":"166549-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260731_181631.png?v=1785801265"},{"product_id":"tambour-floral-blackcurrant-pomegranate-fabric-by-the-yard","title":"Tambour Floral, Blackcurrant \/ Pomegranate Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eEvery stem and blossom in this pattern was originally executed stitch by hand-drawn stitch using a tiny tambour hook—pulling vibrant silk thread through cotton twill in a continuous chain. Crafted in Gujarat between 1720 and 1740, the original animated an embroidered bedspread, its swirling vines, stylized pomegranates, and serrated leaves creating an expressive, undulating lattice across the cloth.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eWhat survives is a fragment of it, 173 centimetres high, the width no longer recorded. It entered the Rijksmuseum collection in 1980 as accession BK-1980-773-B, a gift of the Stichting Twickel, and has been known since mostly through catalogue figures — p. 57, fig. 35.\u003c\/p\u003e\n\u003cp\u003eTranslating raised, tactile embroidery into a flat repeat is not a job for a camera or a trace. The work was done by a practising embroiderer, who built a Photoshop tool for this design alone in order to hold the momentum and tension of tamboereren chain work — the way the hook pulls the line, the way the stitch decides where the vine goes next.\u003c\/p\u003e\n\u003cp\u003eThe chain runs continuous again. Not stitched, but drawn the way a stitch draws.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269951312008,"sku":"164975-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269951344776,"sku":"164975-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269951377544,"sku":"164975-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269951410312,"sku":"164975-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_013350.png?v=1785801265"},{"product_id":"boteh-sandstone-ivory-fabric-by-the-yard","title":"Varanasi Medallion, Sandstone \/ Ivory Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSage-green borders sit at moderate contrast against a pale sandstone ground, and the pink flowers inside stay close to the ground in value. The pointed medallions establish the pattern first; the plants and the smaller blossoms between them come clear as you approach. The border is defined without becoming heavy, leaving enough quiet ground around the drawing for the individual forms to stay distinct. At 8 inches the medallions have presence without reading oversized. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eThis surviving Varanasi fragment combines silk and metallic-wrapped silk in a compound weave. 'Varanasi Medallion' translates that woven structure into flat colour at an 8-inch half-drop repeat. Each flowering plant sits inside its own pointed border, with smaller floral forms between them. The border, rather than the flower, organizes the field.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe enclosure and the plant it holds recall the boteh — the form commonly known in English as paisley — but the characteristic boteh curves at the tip, while this enclosure rises to a point.\u003c\/p\u003e\n\u003cp\u003eThe fragment was woven in Varanasi, India. It measures fifteen inches by fourteen and a half, and combines silk with metallic-wrapped silk in a compound woven structure. It entered The Textile Museum Collection as the gift of Sheridan Pressey Collins and is held as accession 2019.7.4.\u003c\/p\u003e\n\u003cp\u003eThe museum record is unusually spare. There is no recorded date. No maker is named. The museum record does not name the motif.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Textile fragment, Varanasi, India. Silk and metallic-wrapped silk; supplementary-weft patterning, twill weave, compound weave. 38.10 × 36.83 cm (15 × 14½ in.). Gift of Sheridan Pressey Collins. The Textile Museum Collection, The George Washington University Museum and The Textile Museum, accession 2019.7.4.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e not recorded by the museum.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 8 in. Layout: drop match, half-drop.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMotif scale:\u003c\/b\u003e [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e \u003ci\u003eThe Indian Boteh Motif\u003c\/i\u003e, RISD Museum, 27 January – 30 July 2017, text by Kate Irvin. John Irwin, \u003ci\u003eThe Kashmir Shawl\u003c\/i\u003e, Victoria and Albert Museum Monograph No. 29 (HMSO, 1973).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269951574152,"sku":"164983-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269951606920,"sku":"164983-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269951639688,"sku":"164983-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269951672456,"sku":"164983-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_024328.png?v=1785801266"},{"product_id":"tetrels-saisons-des-fleurs-slate-ivory-fabric-by-the-yard","title":"Tétrel's Saisons des Fleurs, Slate \/ Ivory Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eLarge multi-petalled blooms, buds and grass-like blades overlap in an all-over field. Translated from Saisons des fleurs, a French woodblock-printed wallpaper designed by Prosper Tétrel, dated 1898–1899 by the Musée des Arts Décoratifs and shown at the Paris Universal Exhibition of 1900. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eIvory blooms on a deep slate blue ground. The pale flowers stand off the dark ground, so the large blooms read clearly from across a room while the leaves and grasses sit back into the blue. Up close, a fine contour line holds every petal and blade.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper \"Saisons des fleurs\", designed by Prosper Tétrel and made by Desfossé et Karth, printed from wood blocks on a hand-brushed ground. Worked from photographs of another printing of the same wallpaper.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 987.521.1-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1898–1899, as dated by the Musée des Arts Décoratifs. Shown at the Paris Universal Exhibition of 1900.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 27 in. Half-drop match, offset 13.5 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e The largest bloom is about 5.9 in wide by 5.6 in high, a quarter of the repeat width.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e An all-over field with no border: large blooms, buds, clusters of small florets on branching stems, broad leaves and grass-like blades, overlapping across the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat printed colours with no gradients or shading: a contour line, three background planes, bloom fill, bloom shadow, a centre accent and stem shadow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Shapes are held by a fine contour line. The woodblock print and brushed ground of the original are reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269951737992,"sku":"164708-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269951770760,"sku":"164708-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269951803528,"sku":"164708-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269951836296,"sku":"164708-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260724_155943_51fb6e90-5dcc-4eda-9781-185483234e41.png?v=1785801266"},{"product_id":"madrasi-chintz-eucalyptus-terracotta-fabric-by-the-yard","title":"Madrasi Chintz, Eucalyptus \/ Terracotta Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eCollection: The Textile Museum Collection (GW 6.112)\u003cbr\u003eOrigin: Coromandel Coast (Madras), India | Date: 17th Century\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eOriginating from 17th-century Madras along India's famed Coromandel Coast, this pattern is a masterclass in early Indian textile art. Originally crafted as a painted cotton curtain, the design features closely repeating buti (botanical sprigs) with distinct spiky leaf bases and delicate, nodding blossoms.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eTrue to historic chintz production, the original piece was created using a complex multi-step process of hand-drawn wax resists and painted mordants prior to indigo and madder dyeing. The result is a rhythmically balanced, refined floral repeat that defined the 17th-century global trade in luxury painted cottons.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eExhibition \u0026amp; Publication History\u003c\/h3\u003e\n\u003cp\u003eA celebrated work in The Textile Museum's permanent collection, this fragment has been featured in four major exhibitions:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaster Dyers to the World: Technique and Trade in Early Indian Dyed Cotton Textiles (1982–1983)\u003c\/li\u003e\n\u003cli\u003eOld Yarns with a new Twist: Familiar Favorites from the Textile Museum's Collection (1984)\u003c\/li\u003e\n\u003cli\u003eSeldom Seen: Director's Choice from the Museum's Collections (2006)\u003c\/li\u003e\n\u003cli\u003e1,000 Years of Indian Textiles (2022)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe original textile is also documented and illustrated in key scholarship, including Mattiebelle Gittinger's landmark study Master Dyers to the World (1982), Walter Endrei's The First Hundred Years of European Textile-printing (1998), and Rahul Jain's Textiles and Garments at the Jaipur Court (2016).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269951869064,"sku":"164331-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269951901832,"sku":"164331-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269951934600,"sku":"164331-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269951967368,"sku":"164331-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260722_194902.png?v=1785801269"},{"product_id":"madrasi-chintz-sage-blackcurrant-fabric-by-the-yard","title":"Madrasi Chintz, Sage \/ Blackcurrant Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eCollection: The Textile Museum Collection (GW 6.112)\u003cbr\u003eOrigin: Coromandel Coast (Madras), India | Date: 17th Century\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eOriginating from 17th-century Madras along India's famed Coromandel Coast, this pattern is a masterclass in early Indian textile art. Originally crafted as a painted cotton curtain, the design features closely repeating buti (botanical sprigs) with distinct spiky leaf bases and delicate, nodding blossoms.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eTrue to historic chintz production, the original piece was created using a complex multi-step process of hand-drawn wax resists and painted mordants prior to indigo and madder dyeing. The result is a rhythmically balanced, refined floral repeat that defined the 17th-century global trade in luxury painted cottons.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eExhibition \u0026amp; Publication History\u003c\/h3\u003e\n\u003cp\u003eA celebrated work in The Textile Museum's permanent collection, this fragment has been featured in four major exhibitions:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaster Dyers to the World: Technique and Trade in Early Indian Dyed Cotton Textiles (1982–1983)\u003c\/li\u003e\n\u003cli\u003eOld Yarns with a new Twist: Familiar Favorites from the Textile Museum's Collection (1984)\u003c\/li\u003e\n\u003cli\u003eSeldom Seen: Director's Choice from the Museum's Collections (2006)\u003c\/li\u003e\n\u003cli\u003e1,000 Years of Indian Textiles (2022)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe original textile is also documented and illustrated in key scholarship, including Mattiebelle Gittinger's landmark study Master Dyers to the World (1982), Walter Endrei's The First Hundred Years of European Textile-printing (1998), and Rahul Jain's Textiles and Garments at the Jaipur Court (2016).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269952393352,"sku":"164330-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269952426120,"sku":"164330-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269952458888,"sku":"164330-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269952491656,"sku":"164330-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260722_194904_dda24630-f2c9-4fac-b9a2-2d9df8dda804.png?v=1785801269"},{"product_id":"calimanco-verdigris-cinnamon-fabric-by-the-yard","title":"Calimanco, Verdigris \/ Cinnamon Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eStacked fan-shaped figures inside diamonds of fine line run in even vertical channels through 'Norwich Calimanco', sourced from a length of glazed worsted, ca. 1750, in The Metropolitan Museum of Art. Each element was hand-traced from the museum's photograph of the object to hold the stepped geometry the loom imposed on the wool. Wide ground between the channels gives a room vertical structure without weight, and the flowers read from across it.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eNorwich had wool and wanted silk money, so it engineered worsted cloth to catch the light.\u003c\/p\u003e\n\u003cp\u003eThey combed long-staple wool straight, spun it tight, and finished the woven yards under heated rollers or rubbed the face down with a stone. Norwich weavers built the floral sprigs directly into the worsted grid on the loom, which is why the petals step along the warp and weft rather than curve smoothly.\u003c\/p\u003e\n\u003cp\u003eThe result was an affordable, hard-wearing fabric that shed dirt and mimicked the luster of dress silk. Calimanco went into gowns, quilted petticoats, and men's waistcoats across England and the American colonies. When Defoe itemized the components of an ordinary countryman's suit—Yorkshire cloth, Berkshire lining, Devizes breeches—the waistcoat was callamanco from Norwich. It wore hard and sold in volume for a century.\u003c\/p\u003e\n\u003cp\u003eOrdinarily, a length went to a tailor, wore out, and was cut down a second time for a bedcover. Eight feet three inches came off a loom around 1750 and escaped that life entirely. The Metropolitan Museum of Art acquired the uncut length in 2017 with funds from the exchange of objects bequeathed by Alfred Duane Pell (accession 2017.268), alongside a matching second length (accession 2017.269).\u003c\/p\u003e\n\u003cp\u003eNobody cut it, so the whole pattern is still there. It is the pattern drawn here.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Length of wool Calimanco, ca. 1750, British, Norwich. Wool, woven. Overall 99½ × 19½ in. The Metropolitan Museum of Art, accession 2017.268 (not on view)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSecond example:\u003c\/strong\u003e Length of wool Calimanco, ca. 1750, British, Norwich. Wool, woven. Overall 97¾ × 19 in. The Metropolitan Museum of Art, accession 2017.269 (not on view)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Florence M. Montgomery, \u003cem\u003eTextiles in America 1650–1870\u003c\/em\u003e (Norton, 1984), pp. 185–187\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269966680200,"sku":"163852-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269966712968,"sku":"163852-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269966745736,"sku":"163852-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269966778504,"sku":"163852-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260721_203338_5679b977-3d24-4ddd-940c-3fafa324a986.png?v=1785801610"},{"product_id":"ragged-poppy-flax-eucalyptus-fabric-by-the-yard","title":"Ragged Poppy, Flax \/ Eucalyptus Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eThe lowest contrast in the range by a wide margin. A soft green poppy on a deeper flax ground, both mid-tone, so the pattern reads as texture rather than motif at any distance beyond a few feet. Step close and the full repeat resolves. This is the tonal option — a large-scale Arts and Crafts floral that doesn't take the room. Wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eJohn Scarratt Rigby drew the poppy in 1902, block-printed on plain-weave cotton in London. 'Ragged Poppy' is translated from that cloth, now in the Art Institute of Chicago—redrawn by hand with its border removed, the field tiled to a 24-inch panel. The flower is open and dense at generous scale, and the pale ground reads as much as the motif at conversational distance.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eEight and a half feet of cotton, printed with poppies and closed on all four sides by a border of paired buds and scrolling leaves. It was made to be spread flat and looked down on. A tablecloth or a bedcover—the museum's catalogue will not say which, and gives the title only as probably “Ragged Poppy.”\u003c\/p\u003e\n\u003cp\u003eJohn Scarratt Rigby drew it in 1902. He supplied block prints and woven textiles to G.P. \u0026amp; J. Baker, A.H. Lee of Birkenhead, Alexander Morton, and Liberty \u0026amp; Co. This cloth reached the public under Liberty's name. He was honorary secretary of the Society of Designers.\u003c\/p\u003e\n\u003cp\u003eIn “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” Rigby conceded the field, writing that decorative art could not be discussed without constant reference to Morris's work. Morris's own Poppy, a design of 1881, sits in the Art Institute of Chicago. So does Rigby's cloth, which passed through the Antique Textile Company in London and was sold to the museum in 1990 on the Kelvyn G. Lilley Memorial Fund. Morris's is under his name. Rigby's is under a title someone thought to give it.\u003c\/p\u003e\n\u003cp\u003eRigby drew the field to stop at a border. Remove the border and the pattern keeps going.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Designed by John Scarratt Rigby (English, 1833–1914), produced by G.P. \u0026amp; J. Baker for Liberty \u0026amp; Co., London. Cotton, plain weave; block printed. 265.8 × 185.1 cm (104 5\/8 × 72 7\/8 in.); warp repeat 104.1 cm (41 in.). Kelvyn G. Lilley Memorial Fund. The Art Institute of Chicago, accession 1990.522.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSecond example:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Same designer and makers. Silk, plain weave; block printed. 182 × 184.2 cm (71 5\/8 × 72 1\/2 in.). Alexander Demond Fund. The Art Institute of Chicago, accession 1987.335.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 24 in × 16.1 in. Layout [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBordered rug:\u003c\/b\u003e available to trade. The rug carries a border, as the original does.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e J. Scarratt Rigby, “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” in Clive Edwards, ed., \u003ci\u003eNineteenth-Century Design\u003c\/i\u003e, vol. III (Routledge, 2021). Design sketches by John Scarratt Rigby, University of Glasgow Archive Services, Stoddard International design archive, GB 248 STOD\/DES\/142.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46270082220168,"sku":"166548-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46270082252936,"sku":"166548-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46270082285704,"sku":"166548-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46270082318472,"sku":"166548-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260731_181631_d2729876-79ff-4d0f-8390-cf2470dbeb74.png?v=1785805323"},{"product_id":"ogee-ivory-mist-fabric-by-the-yard","title":"Ogee, Ivory \/ Mist Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA single scrap of plain-weave cotton from India, about the size of an index card, held just enough geometry to work out an entire room-scale lattice. Accession 6.177 at The Textile Museum in Washington, D.C., carries no recorded date and no maker's name—only eight inches by four of surviving cloth: a doubled-rope lattice, a four-petal flower at every intersection, and a diagonal vine of leaves and small buds threading the cells.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eGeorge Hewitt Myers acquired the fragment in 1951. He had founded The Textile Museum in 1925, in his own home on S Street in Washington, with 275 rugs and 60 related textiles he had been gathering since 1896. By the time 6.177 entered the collection, Myers had spent more than five decades gathering pieces across the globe—from Anatolian village rugs and Egyptian Mamluk carpets to archaeological textiles from Peru. Today, the museum he started holds more than 21,000 textiles spanning five thousand years.\u003c\/p\u003e\n\u003cp\u003eAt eight inches by four, the original fragment is densely packed. Almost none of its tight detail would read at an architectural scale. The translation opened the drawing—giving slightly larger flowers and more breathing room around the medallions while keeping the underlying ogee geometry exact, allowing painterly nuances the tiny original couldn't carry across a room.\u003c\/p\u003e\n\u003cp\u003eThe original piece survives in cream, indigo, madder red, and a brown-tan in the leaves. These renderings extend that historical palette without breaking the structural logic of the design. The lattice runs unbroken again, at full scale, for the first time in a very long while.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46270082351240,"sku":"164976-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46270082384008,"sku":"164976-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46270082416776,"sku":"164976-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46270082449544,"sku":"164976-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_013622_11b02acd-fc44-4a67-94d6-58d3e1bbaa08.png?v=1785805322"},{"product_id":"boteh-slate-linen-fabric-by-the-yard","title":"Varanasi Medallion, Slate \/ Linen Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA cool blue-grey ground sits close in value to parts of the border, so some of the enclosure recedes and the pale flowers stay more visible. The pattern reads as a rhythm of light blossoms and pointed forms rather than a sharply drawn grid. Move in and the darker stems, leaves and connecting motifs come forward, and the full structure of each medallion becomes easier to see. The 8-inch scale keeps those units legible. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eThis surviving Varanasi fragment combines silk and metallic-wrapped silk in a compound weave. 'Varanasi Medallion' translates that woven structure into flat colour at an 8-inch half-drop repeat. Each flowering plant sits inside its own pointed border, with smaller floral forms between them. The border, rather than the flower, organizes the field.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe enclosure and the plant it holds recall the boteh — the form commonly known in English as paisley — but the characteristic boteh curves at the tip, while this enclosure rises to a point.\u003c\/p\u003e\n\u003cp\u003eThe fragment was woven in Varanasi, India. It measures fifteen inches by fourteen and a half, and combines silk with metallic-wrapped silk in a compound woven structure. It entered The Textile Museum Collection as the gift of Sheridan Pressey Collins and is held as accession 2019.7.4.\u003c\/p\u003e\n\u003cp\u003eThe museum record is unusually spare. There is no recorded date. No maker is named. The museum record does not name the motif.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Textile fragment, Varanasi, India. Silk and metallic-wrapped silk; supplementary-weft patterning, twill weave, compound weave. 38.10 × 36.83 cm (15 × 14½ in.). Gift of Sheridan Pressey Collins. The Textile Museum Collection, The George Washington University Museum and The Textile Museum, accession 2019.7.4.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e not recorded by the museum.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 8 in. Layout: drop match, half-drop.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMotif scale:\u003c\/b\u003e [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e \u003ci\u003eThe Indian Boteh Motif\u003c\/i\u003e, RISD Museum, 27 January – 30 July 2017, text by Kate Irvin. John Irwin, \u003ci\u003eThe Kashmir Shawl\u003c\/i\u003e, Victoria and Albert Museum Monograph No. 29 (HMSO, 1973).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46270083137672,"sku":"164979-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46270083170440,"sku":"164979-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46270083203208,"sku":"164979-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46270083235976,"sku":"164979-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_024329.png?v=1785805327"},{"product_id":"rjbk-1979-257-b_sluysthistle_linen_forest_floor_s1-fabric-by-the-yard","title":"Marguerite, Linen \/ Forest Floor Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSpiky, entwined stems form dense vertical channels through Marguerite, holding repeating floral heads and delicate nodding sprigs in a structured, architectural stripe. Sourced from a c. 1904 linen damask finger towel (vingerdoek) in the Rijksmuseum, the design translates a square table-linen border into a continuous vertical repeat—letting the thorny graphic vine carry a room's height while small isolated sprigs dot the open ground between columns.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eLinen manufacturers at the turn of the twentieth century actively recruited decorative artists to elevate industrial tableware, bringing modern graphic design straight to the dinner table. Moving away from heavy 19th-century historicism, Dutch artists embraced Art Nouveau, capturing organic forms through flat, geometric stylization suited to mechanical production.\u003c\/p\u003e\n\u003cp\u003eCornelis van der Sluys designed Marguerite—Design No. 500—for E.J.F. van Dissel \u0026amp; Zonen of Eindhoven, early in his career. Woven as a complete table service, this finger towel belongs to a set comprising eleven others, thirteen napkins, and a tablecloth. All carried the same motif: large daisy heads caught in a tangle of spined, sinuous vines, their blossoms massed heavily along the borders.\u003c\/p\u003e\n\u003cp\u003eThe original was entirely white-on-white. Linen damask creates its pattern solely by turning the weave structure against itself—so the daisies appeared only where light grazed the satiny warp floats, vanishing as the viewer moved. Cupboards of this white linen, carrying their subtle shadow-play of figures and patterns, were the pride of the woman of the house.\u003c\/p\u003e\n\u003cp\u003eTranslating a square, border-bound napkin into a continuous, room-scale repeat meant extracting the outer thorn-and-blossom vine and aligning it into a vertical stripe.\u003c\/p\u003e\n\u003cp\u003eThe service entered the Rijksmuseum in 1979 as a gift of J.E. van Schendel-Reesink.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Vingerdoek van linnendamast met dessin Marguerite, c. 1904, Dutch. Designed by Cornelis van der Sluys for E.J.F. van Dissel \u0026amp; Zonen, Eindhoven. Linen, damask weave, 42 × 40 cm. Rijksmuseum, accession BK-1979-257-B (Gift of J.E. van Schendel-Reesink, 1979)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRelated holdings:\u003c\/strong\u003e Damask woven to Dessin Marguerite (Design No. 500, c. 1903–1904), E.J.F. van Dissel \u0026amp; Zonen, TextielMuseum, Tilburg\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Rijksmuseum object record BK-1979-257-B. \u003cem\u003eSchitterend. Damast en Glas, van Klassiek tot Art Deco\u003c\/em\u003e, TextielMuseum, Tilburg. Sanny de Zoete, \u003cem\u003eArtistic Linen Damask from Brabant 1900–1960\u003c\/em\u003e (2020)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46320485466248,"sku":"167909-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46320485499016,"sku":"167909-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46320485531784,"sku":"167909-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46320485564552,"sku":"167909-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260807_004836.png?v=1786238459"},{"product_id":"jk_printedquilt_linen_terracotta-fabric-by-the-yard","title":"Flowering Pomegranate, Linen \/ Terracotta Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSinuous lace borders interlock to form an undulating ogee lattice through Flowering Pomegranate, framing a central blossom suspended between paired, swelling fruits — pomegranates, a Byzantine fashion carried from Renaissance silk to French cotton. The source is an 18th-century block-printed quilt in the Musée de la Toile de Jouy, photographed in the gallery and redrawn by hand. Heavy woodblock outlines set against a lattice that carries the eye up the wall, giving a room clear vertical structure at a 24-inch repeat.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eLong before French woodcutters carved its form into printing blocks, \u003cem\u003ePunica granatum\u003c\/em\u003e—the pomegranate—carried thousands of years of symbolic weight. Native to ancient Persia, the tree supplied both sustenance and craft: its bark yielded tannin for curing leather, while its rind and flowers produced textile dyes. Across global traditions, the fruit became an enduring emblem of health, fertility, and renewal—buried with the ancient Egyptians for the afterlife, embroidered around the hems of Hebrew high priests' robes, woven into Christian vestments and hangings as a symbol of resurrection, and gifted at Chinese weddings as an omen of posterity.\u003c\/p\u003e\n\u003cp\u003eBy the Renaissance, European silk weavers had adopted the fruit as a primary motif for luxury lampas and brocatelles, the fashion carried out of Byzantium and into Europe by way of Spain.\u003c\/p\u003e\n\u003cp\u003eThis design originates from a 280 × 200 cm quilted and piqué bedspread produced in a small French workshop—one the museum places below the level of the Oberkampf Manufactory. With its thick, hand-drawn outlines and limited palette—originally red, black, and a deep \"puce\"—it carries the colours and line weight of the jafracanis imported from India, grounding centuries of global botanical symbolism in the quiet rhythm of 18th-century printmaking.\u003c\/p\u003e\n\u003cp\u003eThe surviving quilt was donated to the Musée de la Toile de Jouy in 2019 by les Amis du Musée de la Toile de Jouy.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Block-printed cotton piqué bedspread, second half 18th century, French. Musée de la Toile de Jouy, donated by les Amis du Musée de la Toile de Jouy, 2019\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Gallery label, Musée de la Toile de Jouy. Dilys Blum, \u003cem\u003eAn Enduring Motif: The Pomegranate in Textiles\u003c\/em\u003e, Philadelphia Museum of Art, 2009–10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46327752654984,"sku":"167972-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46327752687752,"sku":"167972-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46327752720520,"sku":"167972-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46327752753288,"sku":"167972-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260808_172252.png?v=1786285847"},{"product_id":"jk_printedquilt_eucalyptus_terracotta-fabric-by-the-yard","title":"Flowering Pomegranate, Eucalyptus \/ Terracotta Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSinuous lace borders interlock to form an undulating ogee lattice through Flowering Pomegranate, framing a central blossom suspended between paired, swelling fruits — pomegranates, a Byzantine fashion carried from Renaissance silk to French cotton. The source is an 18th-century block-printed quilt in the Musée de la Toile de Jouy, photographed in the gallery and redrawn by hand. Heavy woodblock outlines set against a lattice that carries the eye up the wall, giving a room clear vertical structure at a 24-inch repeat.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eLong before French woodcutters carved its form into printing blocks, \u003cem\u003ePunica granatum\u003c\/em\u003e—the pomegranate—carried thousands of years of symbolic weight. Native to ancient Persia, the tree supplied both sustenance and craft: its bark yielded tannin for curing leather, while its rind and flowers produced textile dyes. Across global traditions, the fruit became an enduring emblem of health, fertility, and renewal—buried with the ancient Egyptians for the afterlife, embroidered around the hems of Hebrew high priests' robes, woven into Christian vestments and hangings as a symbol of resurrection, and gifted at Chinese weddings as an omen of posterity.\u003c\/p\u003e\n\u003cp\u003eBy the Renaissance, European silk weavers had adopted the fruit as a primary motif for luxury lampas and brocatelles, the fashion carried out of Byzantium and into Europe by way of Spain.\u003c\/p\u003e\n\u003cp\u003eThis design originates from a 280 × 200 cm quilted and piqué bedspread produced in a small French workshop—one the museum places below the level of the Oberkampf Manufactory. With its thick, hand-drawn outlines and limited palette—originally red, black, and a deep \"puce\"—it carries the colours and line weight of the jafracanis imported from India, grounding centuries of global botanical symbolism in the quiet rhythm of 18th-century printmaking.\u003c\/p\u003e\n\u003cp\u003eThe surviving quilt was donated to the Musée de la Toile de Jouy in 2019 by les Amis du Musée de la Toile de Jouy.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Block-printed cotton piqué bedspread, second half 18th century, French. Musée de la Toile de Jouy, donated by les Amis du Musée de la Toile de Jouy, 2019\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Gallery label, Musée de la Toile de Jouy. Dilys Blum, \u003cem\u003eAn Enduring Motif: The Pomegranate in Textiles\u003c\/em\u003e, Philadelphia Museum of Art, 2009–10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46327753015432,"sku":"167974-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46327753048200,"sku":"167974-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46327753080968,"sku":"167974-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46327753113736,"sku":"167974-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260808_172304.png?v=1786285848"},{"product_id":"mt2009-300-953a_striae_forest-floor-fabric-by-the-yard","title":"Collins Stripe: Forest Floor Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eFine vertical striations create subtle tonal movement through the deeper bands of Collins Stripe, keeping the stripe from sitting flat or still. Sourced from plain striped silk set into the pleated skirt of an 1857–60 American evening dress at The Metropolitan Museum of Art, the design isolates one section of that textile as an 8-inch repeat — bringing the movement and fine grain of the original silk to fabric and wallpaper.\u003c\/p\u003e\n\n\u003cp style=\"margin-bottom:0.6em;\"\u003eOne deep forest green at two depths, alternating an inch at a time. Dark overall. Fine vertical striations run through the deeper green, creating tonal movement down each band. The lighter green is flat. The stripe surfaces slowly — from across a room it reads as a green surface with rhythm in it. A vintage stripe in deep green.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eSometime between 1857 and 1860, Mrs. James Bonner Collins wore a silk evening dress to a White House reception for President James Buchanan.\u003c\/p\u003e\n\u003cp\u003eSet into the pleats of its enormous skirt were lengths of plain striped silk. The Metropolitan Museum of Art singles them out in its record of the dress, noting that the vertical stripes helped lift and elongate the silhouette.\u003c\/p\u003e\n\u003cp\u003eThey were not the showiest part of the gown. They are the reason this pattern exists.\u003c\/p\u003e\n\u003cp\u003eUp close, the stripe is alive — blue shifting through fine vertical striations, bordered by narrow bands of cream and deeper color. One section of that striped silk is drawn here.\u003c\/p\u003e\n\u003cp\u003eCollins Stripe began as the quiet part of a dress worn to the White House.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Evening dress, 1857–60, American. Silk. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, accession 2009.300.953a, b, The Costume Institute. Gift of the Brooklyn Museum, 2009; Gift of Beatrice Collins, 1973\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e The Metropolitan Museum of Art object record 2009.300.953a, b\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Cloth\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDecor Chenille.\u003c\/strong\u003e A short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCotton Linen.\u003c\/strong\u003e A fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46327753277576,"sku":"167946-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46327753310344,"sku":"167946-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46327753343112,"sku":"167946-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46327753375880,"sku":"167946-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260807_010905.png?v=1786285848"},{"product_id":"mt2009-300-953a_striae_ivory_verdigris-fabric-by-the-yard","title":"Collins Stripe: Ivory \/ Verdigris Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eFine vertical striations create subtle tonal movement through the deeper bands of Collins Stripe, keeping the stripe from sitting flat or still. Sourced from plain striped silk set into the pleated skirt of an 1857–60 American evening dress at The Metropolitan Museum of Art, the design isolates one section of that textile as an 8-inch repeat — bringing the movement and fine grain of the original silk to fabric and wallpaper.\u003c\/p\u003e\n\n\u003cp style=\"margin-bottom:0.6em;\"\u003eGreyed verdigris against ivory in equal inch-wide bands. Fine vertical striations move through the verdigris, creating tonal movement down the length of each band. The ivory is flat and still. The two meet at crisp edges. The verdigris is low in saturation, so the stripe reads clearly without going hard. A green and cream bengal stripe.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eSometime between 1857 and 1860, Mrs. James Bonner Collins wore a silk evening dress to a White House reception for President James Buchanan.\u003c\/p\u003e\n\u003cp\u003eSet into the pleats of its enormous skirt were lengths of plain striped silk. The Metropolitan Museum of Art singles them out in its record of the dress, noting that the vertical stripes helped lift and elongate the silhouette.\u003c\/p\u003e\n\u003cp\u003eThey were not the showiest part of the gown. They are the reason this pattern exists.\u003c\/p\u003e\n\u003cp\u003eUp close, the stripe is alive — blue shifting through fine vertical striations, bordered by narrow bands of cream and deeper color. One section of that striped silk is drawn here.\u003c\/p\u003e\n\u003cp\u003eCollins Stripe began as the quiet part of a dress worn to the White House.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Evening dress, 1857–60, American. Silk. Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, accession 2009.300.953a, b, The Costume Institute. Gift of the Brooklyn Museum, 2009; Gift of Beatrice Collins, 1973\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e The Metropolitan Museum of Art object record 2009.300.953a, b\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Cloth\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDecor Chenille.\u003c\/strong\u003e A short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCotton Linen.\u003c\/strong\u003e A fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46327753572488,"sku":"167942-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46327753605256,"sku":"167942-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46327753638024,"sku":"167942-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46327753670792,"sku":"167942-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260807_010549_6a720a32-95ad-4fba-b4ef-716edd7fe7fe.png?v=1786285849"},{"product_id":"jk_printedquilt_linen_honeyv2-fabric-by-the-yard","title":"Flowering Pomegranate, Linen \/ Honey Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSinuous lace borders interlock to form an undulating ogee lattice through Flowering Pomegranate, framing a central blossom suspended between paired, swelling fruits — pomegranates, a Byzantine fashion carried from Renaissance silk to French cotton. The source is an 18th-century block-printed quilt in the Musée de la Toile de Jouy, photographed in the gallery and redrawn by hand. Heavy woodblock outlines set against a lattice that carries the eye up the wall, giving a room clear vertical structure at a 24-inch repeat.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eLong before French woodcutters carved its form into printing blocks, \u003cem\u003ePunica granatum\u003c\/em\u003e—the pomegranate—carried thousands of years of symbolic weight. Native to ancient Persia, the tree supplied both sustenance and craft: its bark yielded tannin for curing leather, while its rind and flowers produced textile dyes. Across global traditions, the fruit became an enduring emblem of health, fertility, and renewal—buried with the ancient Egyptians for the afterlife, embroidered around the hems of Hebrew high priests' robes, woven into Christian vestments and hangings as a symbol of resurrection, and gifted at Chinese weddings as an omen of posterity.\u003c\/p\u003e\n\u003cp\u003eBy the Renaissance, European silk weavers had adopted the fruit as a primary motif for luxury lampas and brocatelles, the fashion carried out of Byzantium and into Europe by way of Spain.\u003c\/p\u003e\n\u003cp\u003eThis design originates from a 280 × 200 cm quilted and piqué bedspread produced in a small French workshop—one the museum places below the level of the Oberkampf Manufactory. With its thick, hand-drawn outlines and limited palette—originally red, black, and a deep \"puce\"—it carries the colours and line weight of the jafracanis imported from India, grounding centuries of global botanical symbolism in the quiet rhythm of 18th-century printmaking.\u003c\/p\u003e\n\u003cp\u003eThe surviving quilt was donated to the Musée de la Toile de Jouy in 2019 by les Amis du Musée de la Toile de Jouy.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Block-printed cotton piqué bedspread, second half 18th century, French. Musée de la Toile de Jouy, donated by les Amis du Musée de la Toile de Jouy, 2019\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Gallery label, Musée de la Toile de Jouy. Dilys Blum, \u003cem\u003eAn Enduring Motif: The Pomegranate in Textiles\u003c\/em\u003e, Philadelphia Museum of Art, 2009–10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46327753736328,"sku":"167971-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46327753769096,"sku":"167971-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46327753801864,"sku":"167971-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46327753834632,"sku":"167971-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260808_172253_30dac4d7-19d7-44d1-b7fa-d987489aa2d3.png?v=1786285849"},{"product_id":"boteh-forest-floor-ivory-fabric-by-the-yard","title":"Varanasi Medallion, Forest Floor \/ Ivory Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eRose-pink flowers and pale borders sit against a deep green ground, with the darker stems and interior flourishes settling back into the field. Flowers and pointed enclosures carry the repeat from a distance; the plant structure and the smaller forms between the medallions emerge as you move closer. At 8 inches the medallions stay recognizable when the fabric is broken by upholstery seams, curves or curtain folds, rather than dissolving into texture. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eThis surviving Varanasi fragment combines silk and metallic-wrapped silk in a compound weave. 'Varanasi Medallion' translates that woven structure into flat colour at an 8-inch half-drop repeat. Each flowering plant sits inside its own pointed border, with smaller floral forms between them. The border, rather than the flower, organizes the field.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe enclosure and the plant it holds recall the boteh — the form commonly known in English as paisley — but the characteristic boteh curves at the tip, while this enclosure rises to a point.\u003c\/p\u003e\n\u003cp\u003eThe fragment was woven in Varanasi, India. It measures fifteen inches by fourteen and a half, and combines silk with metallic-wrapped silk in a compound woven structure. It entered The Textile Museum Collection as the gift of Sheridan Pressey Collins and is held as accession 2019.7.4.\u003c\/p\u003e\n\u003cp\u003eThe museum record is unusually spare. There is no recorded date. No maker is named. The museum record does not name the motif.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Textile fragment, Varanasi, India. Silk and metallic-wrapped silk; supplementary-weft patterning, twill weave, compound weave. 38.10 × 36.83 cm (15 × 14½ in.). Gift of Sheridan Pressey Collins. The Textile Museum Collection, The George Washington University Museum and The Textile Museum, accession 2019.7.4.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e not recorded by the museum.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 8 in. Layout: drop match, half-drop.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMotif scale:\u003c\/b\u003e [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e \u003ci\u003eThe Indian Boteh Motif\u003c\/i\u003e, RISD Museum, 27 January – 30 July 2017, text by Kate Irvin. John Irwin, \u003ci\u003eThe Kashmir Shawl\u003c\/i\u003e, Victoria and Albert Museum Monograph No. 29 (HMSO, 1973).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46347851333768,"sku":"164981-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46347851366536,"sku":"164981-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46347851399304,"sku":"164981-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46347851432072,"sku":"164981-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_024329_8cb6b87e-de90-4c3d-bea5-f7ff044bf506.png?v=1786457808"},{"product_id":"gujarat-floral-bk-1980-773-b-forest-floor-pomegranate-fabric-by-the-yard","title":"Tambour Floral, Forest Floor \/ Pomegranate Fabric by the Yard","description":"\u003cp\u003ePomegranate blooms on a deep forest floor ground, with eucalyptus in the leaves. Green and pomegranate sit opposite one another, but the two are close in lightness, so contrast is low and the blooms settle into the ground. The eucalyptus foliage reads pale against the dark green, and up close honey holds the flower centers, with pomegranate carrying through the smaller blooms.\u003c\/p\u003e\n\u003cp\u003eA fragment of a tambour-embroidered coverlet, held by the Rijksmuseum in Amsterdam (accession BK-1980-773-B), is the source for this design. The fragment was worked in Gujarat c. 1720 – c. 1740, using a hooked needle pulled through twill-woven cotton to build up silk chain-stitch in continuous curving lines. The object measures 173 cm in height; its width was not recorded. What survived is a field of volutes and stylized flowers worked in polychrome silk on a cotton ground. Printed to order.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eGreat pattern doesn’t ask for permission; it stops you. In \u003cem\u003eArt Objects\u003c\/em\u003e, Jeanette Winterson described a painting with “more power to stop me than I had power to walk on.”\u003c\/p\u003e\n\u003cp\u003eThe source object—worked in Gujarat c. 1720 – c. 1740—demands that same attention. An embroiderer stretched cotton twill across a frame and pulled silk thread through the ground with a fine hooked needle, building continuous chain stitches line by line. What survived of that coverlet is a single 173 cm fragment, gifted to the Rijksmuseum in 1980 by the Stichting Twickel.\u003c\/p\u003e\n\u003cp\u003eThe original object is silk worked into cotton; the printed product is ink. Ink isn’t silk, but the line and the spacing translate directly. The colour is ours — the colorways are built from the Vintage Botanica palette, not sampled from the object.\u003c\/p\u003e\n\u003cp\u003e(Catalogued under Rijksmuseum accession BK-1980-773-B. Published in \u003cem\u003eAsian Splendour: Company Art in the Rijksmuseum\u003c\/em\u003e, p. 57, fig. 35. Public domain.)\u003c\/p\u003e\n\u003ch3\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of an embroidered coverlet. Cotton twill with silk embroidery. Gujarat, c. 1720 – c. 1740.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHolding institution:\u003c\/strong\u003e Rijksmuseum, Amsterdam. Accession BK-1980-773-B.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaker:\u003c\/strong\u003e Anonymous. Recorded maker role: embroiderer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Tambour embroidery, worked with a hooked needle. Twill ground.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 173 cm. Width not recorded.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcquisition:\u003c\/strong\u003e Gift of the Stichting Twickel, 1980.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRights:\u003c\/strong\u003e Public domain.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in. × 38.3 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Straight repeat.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46347851464840,"sku":"97846-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46347851497608,"sku":"97846-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46347851530376,"sku":"97846-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46347851563144,"sku":"97846-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260407_203939.png?v=1786457808"},{"product_id":"boteh-ivory-linen-fabric-by-the-yard","title":"Varanasi Medallion, Ivory \/ Linen Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSlate-blue borders define the medallions against a near-white ground, holding dark green stems and pale flowers inside. The enclosing shapes read clearly at distance while the plants stay soft; the smaller blossoms and interior linework only resolve close up. The open ground keeps the repeat from feeling dense even though the medallions are closely ordered. At 8 inches each unit registers on its own. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eThis surviving Varanasi fragment combines silk and metallic-wrapped silk in a compound weave. 'Varanasi Medallion' translates that woven structure into flat colour at an 8-inch half-drop repeat. Each flowering plant sits inside its own pointed border, with smaller floral forms between them. The border, rather than the flower, organizes the field.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe enclosure and the plant it holds recall the boteh — the form commonly known in English as paisley — but the characteristic boteh curves at the tip, while this enclosure rises to a point.\u003c\/p\u003e\n\u003cp\u003eThe fragment was woven in Varanasi, India. It measures fifteen inches by fourteen and a half, and combines silk with metallic-wrapped silk in a compound woven structure. It entered The Textile Museum Collection as the gift of Sheridan Pressey Collins and is held as accession 2019.7.4.\u003c\/p\u003e\n\u003cp\u003eThe museum record is unusually spare. There is no recorded date. No maker is named. The museum record does not name the motif.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Textile fragment, Varanasi, India. Silk and metallic-wrapped silk; supplementary-weft patterning, twill weave, compound weave. 38.10 × 36.83 cm (15 × 14½ in.). Gift of Sheridan Pressey Collins. The Textile Museum Collection, The George Washington University Museum and The Textile Museum, accession 2019.7.4.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e not recorded by the museum.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 8 in. Layout: drop match, half-drop.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMotif scale:\u003c\/b\u003e [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e \u003ci\u003eThe Indian Boteh Motif\u003c\/i\u003e, RISD Museum, 27 January – 30 July 2017, text by Kate Irvin. John Irwin, \u003ci\u003eThe Kashmir Shawl\u003c\/i\u003e, Victoria and Albert Museum Monograph No. 29 (HMSO, 1973).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46347851989128,"sku":"164982-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46347852021896,"sku":"164982-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46347852054664,"sku":"164982-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46347852087432,"sku":"164982-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_024330_a89390db-b63d-45a9-93ae-cd3f32760c36.png?v=1786457810"},{"product_id":"chintamani-tiger-08-109-23-forest-floor-flax-fabric-by-the-yard","title":"Chintamani Tiger, Forest Floor \/ Flax Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003e'Chintamani Tiger' begins in a fifteenth-century silk velvet woven on a Bursa loom. Translated from a loom-width fragment in The Metropolitan Museum of Art — one of several pieces cut from a single bolt, now scattered across several museums — the çintamani was carefully redrawn by hand to retain the character of the original, so a thousand-year-old emblem reads across a room.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe shape is older than the cloth by six hundred years, and it began as a wish.\u003c\/p\u003e\n\u003cp\u003eÇintamani is Sanskrit for a jewel that grants what you ask of it. In Buddhist art it sits as three flaming pearls in the headdress of a bodhisattva. By 1383 it is on coins struck at Samarkand — Timur had taken the three circles for his own badge, and what had been a jewel was now the mark of a conqueror. It kept moving. By the later fifteenth century it is in nearly every medium of Ottoman art, and it has changed species: Ottoman sources call it \u003cem\u003ebenekli\u003c\/em\u003e, spotted, and \u003cem\u003epelengi\u003c\/em\u003e, leopard-like. Walter Denny writes that the form gathered, alongside good luck and the warding off of evil spirits, a distinctly masculine aura — probably from the leopard-skin helmet and tiger-skin coat worn by Rustam, the hero of the Persian epic. The drawing never changed. The meaning kept turning into power.\u003c\/p\u003e\n\u003cp\u003eThen it was woven into this. A full loom width of silk velvet, twenty-nine and a half inches with a selvedge on both edges, the pile dyed dark purple-red with expensive insect dye, the pattern brocaded in ivory silk wrapped with thin strips of silver. Probably cut from the back of a garment. Someone wore this.\u003c\/p\u003e\n\u003cp\u003eThat did not last. The silver tarnished to dark grey, so what hangs in Gallery 459 is darker than what came off the loom. The bolt was cut apart and sold in pieces — others are at the Textile Museum in Washington and the Museum of Fine Arts in Boston. This piece reached Dikran Kelekian, a dealer in New York, who sold it to The Metropolitan Museum of Art in 1908.\u003c\/p\u003e\n\u003cp\u003eThe silver went dark and the bolt came apart. The shape did neither. It has been moving for a thousand years and it has never once depended on the cloth it was carried on.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragmentary Silk Velvet with Repeating Tiger-stripe and 'Chintamani' Design, second half 15th century, Bursa, Turkey. The Metropolitan Museum of Art, accession 08.109.23\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46347852382344,"sku":"168006-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46347852415112,"sku":"168006-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46347852447880,"sku":"168006-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46347852480648,"sku":"168006-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260809_023417_91771aad-a12f-4cb6-87fb-9b876ce01a4d.png?v=1786457809"},{"product_id":"hk-2025-01_koenigsbourg_acanthus_sandstone_forestfloor-fabric-by-the-yard","title":"Acanthus, Haut-Koenigsbourg: Sandstone \/ Forest Floor Fabric by the Yard","description":"\u003cp\u003eCarved acanthus scrollwork spirals inward through curled and lobed terminals. The source is a painted wood panel inside the Château du Haut-Koenigsbourg in Alsace, a medieval fortress destroyed, abandoned for centuries, and restored at the beginning of the twentieth century. The panel is one small detail within that much larger story. Translated here to wallpaper and fabric by the yard, the design keeps the diagonal primary spines that organize the composition, with the terminals appearing at three different scales across the 76-inch repeat. This is architectural-scale pattern, the kind that holds across a double-height space or reads clearly on a feature wall.\u003c\/p\u003e\n\u003cp\u003ePale sandstone ground with forest green scrollwork. The sandstone is a warm greige, nearly white but with enough colour to keep it from going cold. The forest green is deep and earthy. The pattern sits dark on light. A darker third value runs through selected interior curves, keeping the green forms legible against the pale ground.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe Château du Haut-Koenigsbourg has spent nearly nine centuries being built, fought over, destroyed, abandoned and brought back to life.\u003c\/p\u003e\n\u003cp\u003eRaised as a mountain fortress in the Middle Ages, it was besieged, pillaged and burned in 1633 during the Thirty Years' War. For more than two centuries afterward, its ruins stood above the Alsatian plain.\u003c\/p\u003e\n\u003cp\u003eIn 1899, the city of Sélestat offered the ruins to Kaiser Wilhelm II. He commissioned the Berlin architect Bodo Ebhardt to restore the castle completely. Ebhardt worked from the fragments on the site, from archive documents, and from other fortified castles of the period where the record ran out — and he designed a set of restoration marks: every replaced block carries one, a different symbol for each year of work, so the reconstruction could still be told from what survived. Between 1900 and 1908 the fortress rose again from the ridge.\u003c\/p\u003e\n\u003cp\u003eToday Haut-Koenigsbourg is a castle you can walk through: across the drawbridge, into the courtyards, up the spiral stairs, through the furnished rooms and the armouries and the towers.\u003c\/p\u003e\n\u003cp\u003eSomewhere inside it, on a painted teal ground, is the carved acanthus panel that became this design. Its maker and its date are not identified in the available record.\u003c\/p\u003e\n\u003cp\u003eIt was photographed there in August 2025 and translated into pattern.\u003c\/p\u003e\n\u003cp\u003eThe castle survived. This is one small piece of what you can still find inside it.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Carved wood panel with painted ground, installed in the interior of the Château du Haut-Koenigsbourg.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhotograph:\u003c\/strong\u003e Kat McDivitt, August 2025. Personal photograph.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLocation:\u003c\/strong\u003e Château du Haut-Koenigsbourg, 67600 Orschwiller, Alsace, France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e Not identified. The available record does not date this panel or name its carver. The castle itself was restored between 1900 and 1908, with interior fittings continuing until the First World War.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24.0 in horizontal by 76.0 in vertical. Straight match. Measured from the production TIFF, 7200 by 22800 px at 300 ppi, sRGB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Grand-scale. The terminals appear at three different scales within the 76-inch repeat; the largest measures approximately 18 in from spine to terminal.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Straight match. Diagonal primary spines organize the composition. Left and right edges align at the same vertical position; adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Three flat printed values: ground, scroll face, and a darker contour value following selected interior curves. No gradients and no modelled shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. The scrollwork meets the ground at defined edges. The source carving is modelled, bevelled and undercut; the printed design reduces that depth to flat value.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReference:\u003c\/strong\u003e Château du Haut-Koenigsbourg official site: haut-koenigsbourg.fr\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46457268699272,"sku":"170116-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46457268732040,"sku":"170116-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46457268764808,"sku":"170116-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46457268797576,"sku":"170116-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260821_205313.png?v=1787868392"},{"product_id":"hk-2025-01_koenigsbourg_acanthus_forestfloor_flax-fabric-by-the-yard","title":"Acanthus, Haut-Koenigsbourg: Forest Floor \/ Flax Fabric by the Yard","description":"\u003cp\u003eCarved acanthus scrollwork spirals inward through curled and lobed terminals. The source is a painted wood panel inside the Château du Haut-Koenigsbourg in Alsace, a medieval fortress destroyed, abandoned for centuries, and restored at the beginning of the twentieth century. The panel is one small detail within that much larger story. Translated here to wallpaper and fabric by the yard, the design keeps the diagonal primary spines that organize the composition, with the terminals appearing at three different scales across the 76-inch repeat. This is architectural-scale pattern, the kind that holds across a double-height space or reads clearly on a feature wall.\u003c\/p\u003e\n\u003cp\u003eDeep forest green ground with flax-coloured scrollwork. The green is dark and earthy, brown-toned rather than bright. The flax accent is a warm golden tan, bringing light into the composition without turning bright. Medium-high contrast. A muted ochre third value traces selected interior contours, carrying some of the carved relief of the source into an otherwise flat, graphic print.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe Château du Haut-Koenigsbourg has spent nearly nine centuries being built, fought over, destroyed, abandoned and brought back to life.\u003c\/p\u003e\n\u003cp\u003eRaised as a mountain fortress in the Middle Ages, it was besieged, pillaged and burned in 1633 during the Thirty Years' War. For more than two centuries afterward, its ruins stood above the Alsatian plain.\u003c\/p\u003e\n\u003cp\u003eIn 1899, the city of Sélestat offered the ruins to Kaiser Wilhelm II. He commissioned the Berlin architect Bodo Ebhardt to restore the castle completely. Ebhardt worked from the fragments on the site, from archive documents, and from other fortified castles of the period where the record ran out — and he designed a set of restoration marks: every replaced block carries one, a different symbol for each year of work, so the reconstruction could still be told from what survived. Between 1900 and 1908 the fortress rose again from the ridge.\u003c\/p\u003e\n\u003cp\u003eToday Haut-Koenigsbourg is a castle you can walk through: across the drawbridge, into the courtyards, up the spiral stairs, through the furnished rooms and the armouries and the towers.\u003c\/p\u003e\n\u003cp\u003eSomewhere inside it, on a painted teal ground, is the carved acanthus panel that became this design. Its maker and its date are not identified in the available record.\u003c\/p\u003e\n\u003cp\u003eIt was photographed there in August 2025 and translated into pattern.\u003c\/p\u003e\n\u003cp\u003eThe castle survived. This is one small piece of what you can still find inside it.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Carved wood panel with painted ground, installed in the interior of the Château du Haut-Koenigsbourg.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePhotograph:\u003c\/strong\u003e Kat McDivitt, August 2025. Personal photograph.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLocation:\u003c\/strong\u003e Château du Haut-Koenigsbourg, 67600 Orschwiller, Alsace, France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e Not identified. The available record does not date this panel or name its carver. The castle itself was restored between 1900 and 1908, with interior fittings continuing until the First World War.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24.0 in horizontal by 76.0 in vertical. Straight match. Measured from the production TIFF, 7200 by 22800 px at 300 ppi, sRGB.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Grand-scale. The terminals appear at three different scales within the 76-inch repeat; the largest measures approximately 18 in from spine to terminal.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Straight match. Diagonal primary spines organize the composition. Left and right edges align at the same vertical position; adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Three flat printed values: ground, scroll face, and a darker contour value following selected interior curves. No gradients and no modelled shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. The scrollwork meets the ground at defined edges. The source carving is modelled, bevelled and undercut; the printed design reduces that depth to flat value.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReference:\u003c\/strong\u003e Château du Haut-Koenigsbourg official site: haut-koenigsbourg.fr\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46457268961416,"sku":"170119-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46457268994184,"sku":"170119-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46457269026952,"sku":"170119-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46457269059720,"sku":"170119-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260821_205359.png?v=1787868392"},{"product_id":"branchagesondulants_golden-harvest_100pct_master-v2-fabric-by-the-yard","title":"Branchages Ondulants, Sandstone \/ Eucalyptus Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eVertical sprays of small leaves fill the ground, threaded with chains of berries. Translated from a wallpaper designed by Jacques-Emile Ruhlmann and printed in Paris in 1918, now in the Musée des Arts Décoratifs. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eEucalyptus green leaves on a pale sandstone ground, with terracotta berries. The leaves cover close to half the surface, so the cloth reads as muted green foliage with small points of terracotta running through it. Up close, a highlight along each leaf edge and a soft halo around the berries give the print its depth.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper designed by Jacques-Emile Ruhlmann (1879–1933) and made by Desfossé \u0026amp; Karth, Paris, cylinder-printed in two colours on a brushed white ground. Photographed at the Musée des Arts Décoratifs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 2002.78.1.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Paris, France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1918.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 26.9 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Leaves are about 1 in long and berries about 0.4 in across. The largest berry cluster is 6.5 in wide.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Vertical sprays of leaves fill the repeat. Berry chains run in two columns 12 in apart, the clusters in one column stepped from those in the next. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat colours for leaf, ground and berry, with a lighter centre in each berry, plus printed tone: a lighter tint on some leaves, a highlight along leaf edges, a shadow beside the leaves and a soft halo around the berries.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Leaves meet the ground at hard edges; the highlights and the berry halo are soft.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46544258728072,"sku":"174310-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46544258760840,"sku":"174310-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46544258793608,"sku":"174310-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46544258826376,"sku":"174310-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260918_184133.png?v=1789764125"},{"product_id":"rj6136_chintz_forest_floor-pomegranate-fabric-by-the-yard","title":"Flowering Vine Chintz, Forest Floor \/ Pomegranate Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSmall flowering vines curve across the cloth, scattered with flower heads, leaves and buds. Translated from an Indian cotton chintz of about 1750–1771, now in the Rijksmuseum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eFlowering vines on a deep forest green ground, with pomegranate red leading the flower heads. Red on dark green gives the small flowers a strong presence, and a pale outline lifts the vines off the ground. Up close, each flower, leaf and bud is drawn with a fine outline and filled in flat colour.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Cotton chintz fragment with a pattern of flowering sprigs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Rijksmuseum, Amsterdam, BK-1976-136.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e India.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e About 1750–1771.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in × 10 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Small-scale. The largest flower head is about 1 in across.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Flowering stems curve across the whole repeat, with flower heads, leaves and buds scattered along them. No stripe, border or medallion. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Seven flat printed colours: ground, an outline for linework and stems, and five fills for flower heads, leaves and centres. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean, with the slightly irregular contour of a brushed line. The staining and creasing of the original are not reproduced.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46544258891912,"sku":"174244-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46544258924680,"sku":"174244-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46544258957448,"sku":"174244-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46544258990216,"sku":"174244-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260918_172939.png?v=1789764127"},{"product_id":"rj6136_chintz_dusty_blue-rose-quartz-fabric-by-the-yard","title":"Flowering Vine Chintz, Dusty Blue \/ Rose Quartz Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSmall flowering vines curve across the cloth, scattered with flower heads, leaves and buds. Translated from an Indian cotton chintz of about 1750–1771, now in the Rijksmuseum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eFlowering vines on a dusty blue ground, with rose quartz pink leading the flower heads. Pink on blue sits close in value, so the small pattern stays soft from a few steps back. Up close, each flower, leaf and bud is drawn with a fine outline and filled in flat colour.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Cotton chintz fragment with a pattern of flowering sprigs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Rijksmuseum, Amsterdam, BK-1976-136.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e India.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e About 1750–1771.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in × 10 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Small-scale. The largest flower head is about 1 in across.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Flowering stems curve across the whole repeat, with flower heads, leaves and buds scattered along them. No stripe, border or medallion. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Seven flat printed colours: ground, an outline for linework and stems, and five fills for flower heads, leaves and centres. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean, with the slightly irregular contour of a brushed line. The staining and creasing of the original are not reproduced.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46544259022984,"sku":"174245-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46544259055752,"sku":"174245-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46544259088520,"sku":"174245-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46544259121288,"sku":"174245-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260918_172939_9d2b2f88-0e5c-4440-bde6-b3480085029f.png?v=1789764129"},{"product_id":"rj6136_chintz_sage-blackcurrant-fabric-by-the-yard","title":"Flowering Vine Chintz, Sage \/ Blackcurrant Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSmall flowering vines curve across the cloth, scattered with flower heads, leaves and buds. Translated from an Indian cotton chintz of about 1750–1771, now in the Rijksmuseum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eFlowering vines on a sage green ground, with deep blackcurrant leading the flower heads. The dark flowers sit firmly on the soft green, so the small pattern holds from a few steps back. Up close, each flower, leaf and bud is drawn with a fine outline and filled in flat colour.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Cotton chintz fragment with a pattern of flowering sprigs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Rijksmuseum, Amsterdam, BK-1976-136.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e India.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e About 1750–1771.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in × 10 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Small-scale. The largest flower head is about 1 in across.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Flowering stems curve across the whole repeat, with flower heads, leaves and buds scattered along them. No stripe, border or medallion. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Seven flat printed colours: ground, an outline for linework and stems, and five fills for flower heads, leaves and centres. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean, with the slightly irregular contour of a brushed line. The staining and creasing of the original are not reproduced.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46544259285128,"sku":"174241-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46544259317896,"sku":"174241-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46544259350664,"sku":"174241-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46544259383432,"sku":"174241-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260918_172934.png?v=1789764129"},{"product_id":"branchagesondulants_frosted-juniper_100pct_master-v2-fabric-by-the-yard","title":"Branchages Ondulants, Fog \/ Forest Floor Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eVertical sprays of small leaves fill the ground, threaded with chains of berries. Translated from a wallpaper designed by Jacques-Emile Ruhlmann and printed in Paris in 1918, now in the Musée des Arts Décoratifs. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eDeep forest green leaves on a fog grey ground, with marigold yellow berries. The leaves cover close to half the surface, so the cloth reads as dark green foliage with small points of yellow running through it. Up close, a highlight along each leaf edge and a soft halo around the berries give the print its depth.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper designed by Jacques-Emile Ruhlmann (1879–1933) and made by Desfossé \u0026amp; Karth, Paris, cylinder-printed in two colours on a brushed white ground. Photographed at the Musée des Arts Décoratifs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 2002.78.1.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Paris, France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1918.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 26.9 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Leaves are about 1 in long and berries about 0.4 in across. The largest berry cluster is 6.5 in wide.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Vertical sprays of leaves fill the repeat. Berry chains run in two columns 12 in apart, the clusters in one column stepped from those in the next. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat colours for leaf, ground and berry, with a lighter centre in each berry, plus printed tone: a lighter tint on some leaves, a highlight along leaf edges, a shadow beside the leaves and a soft halo around the berries.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Leaves meet the ground at hard edges; the highlights and the berry halo are soft.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46544259547272,"sku":"174307-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46544259580040,"sku":"174307-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46544259612808,"sku":"174307-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46544259645576,"sku":"174307-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260918_184123.png?v=1789764130"},{"product_id":"branchagesondulants_rustic-evergreen_100pct_master-v2-fabric-by-the-yard","title":"Branchages Ondulants, Travertine \/ Sage Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eVertical sprays of small leaves fill the ground, threaded with chains of berries. Translated from a wallpaper designed by Jacques-Emile Ruhlmann and printed in Paris in 1918, now in the Musée des Arts Décoratifs. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eSage green leaves on a travertine grey ground, with pomegranate red berries. The leaves cover close to half the surface, so the cloth reads as soft grey-green foliage with small points of red running through it. Up close, a highlight along each leaf edge and a soft halo around the berries give the print its depth.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper designed by Jacques-Emile Ruhlmann (1879–1933) and made by Desfossé \u0026amp; Karth, Paris, cylinder-printed in two colours on a brushed white ground. Photographed at the Musée des Arts Décoratifs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 2002.78.1.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Paris, France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1918.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 26.9 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Leaves are about 1 in long and berries about 0.4 in across. The largest berry cluster is 6.5 in wide.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Vertical sprays of leaves fill the repeat. Berry chains run in two columns 12 in apart, the clusters in one column stepped from those in the next. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat colours for leaf, ground and berry, with a lighter centre in each berry, plus printed tone: a lighter tint on some leaves, a highlight along leaf edges, a shadow beside the leaves and a soft halo around the berries.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Leaves meet the ground at hard edges; the highlights and the berry halo are soft.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46544260497544,"sku":"174308-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46544260530312,"sku":"174308-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46544260563080,"sku":"174308-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46544260595848,"sku":"174308-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260918_184123_20d56eae-1d16-4695-9118-672f49a072e7.png?v=1789764134"},{"product_id":"rjbk-1998-17_sepia_brocade_sage_ghost-fabric-by-the-yard","title":"Ghost Brocade, Sage Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003ePalmette-shaped bouquets alternate with flower rosettes, framed by scrolls of flowers and leaves, tone on tone. Translated from a silk brocade of about 1900–1930 in the Rijksmuseum, its pattern drawn from French silks of the early 18th century. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eA lighter sage pattern on a sage green ground, tone on tone. From a distance the cloth reads first as colour; the bouquets and scrolls come forward as you approach.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Length of silk brocade, woven in white and brown.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Rijksmuseum, Amsterdam, BK-1998-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Europe.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e About 1900–1930, after French silks of the early 18th century.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 19.3 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Each bouquet with its flanking scrolls measures about 12 in wide by 9.6 in high.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Bouquets sit in two columns 12 in apart, one column stepped about 5 in from the other. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Two flat printed colours, a ground and a lighter motif, recoloured tone on tone from the white and brown of the original. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Hard and defined. The woven original is reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46544260628616,"sku":"174276-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46544260661384,"sku":"174276-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46544260694152,"sku":"174276-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46544260726920,"sku":"174276-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260918_181926_9e4b7bb5-7713-4d6a-9008-1a603e83b457.png?v=1789764135"}],"url":"https:\/\/vintagebotanica.com\/collections\/green-fabric.oembed?page=2","provider":"vintagebotanica","version":"1.0","type":"link"}