{"title":"Floral \u0026 Botanical Wallpaper","description":null,"products":[{"product_id":"ghost-brocade-sage-wallpaper","title":"Ghost Brocade, Sage Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003ePalmette-shaped bouquets alternate with flower rosettes, framed by scrolls of flowers and leaves, tone on tone. Translated from a silk brocade of about 1900–1930 in the Rijksmuseum, its pattern drawn from French silks of the early 18th century. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eA lighter sage pattern on a sage green ground, tone on tone. From a distance the cloth reads first as colour; the bouquets and scrolls come forward as you approach.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Length of silk brocade, woven in white and brown.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Rijksmuseum, Amsterdam, BK-1998-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Europe.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e About 1900–1930, after French silks of the early 18th century.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 19.3 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Each bouquet with its flanking scrolls measures about 12 in wide by 9.6 in high.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Bouquets sit in two columns 12 in apart, one column stepped about 5 in from the other. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Two flat printed colours, a ground and a lighter motif, recoloured tone on tone from the white and brown of the original. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Hard and defined. The woven original is reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67610503970952,"sku":"174276-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67610504003720,"sku":"174276-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67610504036488,"sku":"174276-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67610504069256,"sku":"174276-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261004_231901.webp?v=1791156103"},{"product_id":"ghost-brocade-flax-wallpaper","title":"Ghost Brocade, Flax Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003ePalmette-shaped bouquets alternate with flower rosettes, framed by scrolls of flowers and leaves, tone on tone. Translated from a silk brocade of about 1900–1930 in the Rijksmuseum, its pattern drawn from French silks of the early 18th century. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eA lighter flax pattern on a warm flax ground, tone on tone. From a distance the cloth reads first as colour; the bouquets and scrolls come forward as you approach.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Length of silk brocade, woven in white and brown.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Rijksmuseum, Amsterdam, BK-1998-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Europe.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e About 1900–1930, after French silks of the early 18th century.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 19.3 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Each bouquet with its flanking scrolls measures about 12 in wide by 9.6 in high.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Bouquets sit in two columns 12 in apart, one column stepped about 5 in from the other. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Two flat printed colours, a ground and a lighter motif, recoloured tone on tone from the white and brown of the original. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Hard and defined. The woven original is reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67610504102024,"sku":"174278-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67610504134792,"sku":"174278-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67610504167560,"sku":"174278-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67610504200328,"sku":"174278-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261004_231908.webp?v=1791156105"},{"product_id":"ghost-brocade-blackcurrant-wallpaper","title":"Ghost Brocade, Blackcurrant Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003ePalmette-shaped bouquets alternate with flower rosettes, framed by scrolls of flowers and leaves, tone on tone. Translated from a silk brocade of about 1900–1930 in the Rijksmuseum, its pattern drawn from French silks of the early 18th century. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eA lighter blackcurrant pattern on a deep blackcurrant ground, tone on tone. From a distance the cloth reads first as colour; the bouquets and scrolls come forward as you approach.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Length of silk brocade, woven in white and brown.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Rijksmuseum, Amsterdam, BK-1998-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Europe.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e About 1900–1930, after French silks of the early 18th century.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 19.3 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Each bouquet with its flanking scrolls measures about 12 in wide by 9.6 in high.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Bouquets sit in two columns 12 in apart, one column stepped about 5 in from the other. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Two flat printed colours, a ground and a lighter motif, recoloured tone on tone from the white and brown of the original. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Hard and defined. The woven original is reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67610504233096,"sku":"174275-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67610504265864,"sku":"174275-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67610504298632,"sku":"174275-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67610504331400,"sku":"174275-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261004_231904.webp?v=1791156106"},{"product_id":"ghost-brocade-indigo-wallpaper","title":"Ghost Brocade, Indigo Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003ePalmette-shaped bouquets alternate with flower rosettes, framed by scrolls of flowers and leaves, tone on tone. Translated from a silk brocade of about 1900–1930 in the Rijksmuseum, its pattern drawn from French silks of the early 18th century. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eA lighter indigo pattern on a deep indigo ground, tone on tone. From a distance the cloth reads first as colour; the bouquets and scrolls come forward as you approach.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Length of silk brocade, woven in white and brown.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Rijksmuseum, Amsterdam, BK-1998-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Europe.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e About 1900–1930, after French silks of the early 18th century.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 19.3 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Each bouquet with its flanking scrolls measures about 12 in wide by 9.6 in high.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Bouquets sit in two columns 12 in apart, one column stepped about 5 in from the other. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Two flat printed colours, a ground and a lighter motif, recoloured tone on tone from the white and brown of the original. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Hard and defined. The woven original is reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67610504364168,"sku":"174277-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67610504396936,"sku":"174277-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67610504429704,"sku":"174277-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67610504462472,"sku":"174277-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261004_231902.webp?v=1791156105"},{"product_id":"ghost-brocade-ivory-wallpaper","title":"Ghost Brocade, Ivory Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003ePalmette-shaped bouquets alternate with flower rosettes, framed by scrolls of flowers and leaves, tone on tone. Translated from a silk brocade of about 1900–1930 in the Rijksmuseum, its pattern drawn from French silks of the early 18th century. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eA pale ivory pattern on an ivory ground, tone on tone. The two tones sit so close that the cloth reads as plain ivory from across a room, and the bouquets and scrolls appear only at close range.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Length of silk brocade, woven in white and brown.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Rijksmuseum, Amsterdam, BK-1998-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Europe.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e About 1900–1930, after French silks of the early 18th century.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 19.3 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Each bouquet with its flanking scrolls measures about 12 in wide by 9.6 in high.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Bouquets sit in two columns 12 in apart, one column stepped about 5 in from the other. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Two flat printed colours, a ground and a lighter motif, recoloured tone on tone from the white and brown of the original. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Hard and defined. The woven original is reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67610504495240,"sku":"174274-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67610504528008,"sku":"174274-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67610504560776,"sku":"174274-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67610504593544,"sku":"174274-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261004_231902_e7a5e414-e2d9-4cbd-808c-da67bbfb8654.webp?v=1791156106"},{"product_id":"madrasi-chintz-dusty-blue-rose-quartz-wallpaper","title":"Madrasi Chintz, Dusty Blue \/ Rose Quartz Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eCollection: The Textile Museum Collection (GW 6.112)\u003cbr\u003eOrigin: Coromandel Coast (Madras), India | Date: 17th Century\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eOriginating from 17th-century Madras along India's famed Coromandel Coast, this pattern is a masterclass in early Indian textile art. Originally crafted as a painted cotton curtain, the design features closely repeating buti (botanical sprigs) with distinct spiky leaf bases and delicate, nodding blossoms.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eTrue to historic chintz production, the original piece was created using a complex multi-step process of hand-drawn wax resists and painted mordants prior to indigo and madder dyeing. The result is a rhythmically balanced, refined floral repeat that defined the 17th-century global trade in luxury painted cottons.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eExhibition \u0026amp; Publication History\u003c\/h3\u003e\n\u003cp\u003eA celebrated work in The Textile Museum's permanent collection, this fragment has been featured in four major exhibitions:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaster Dyers to the World: Technique and Trade in Early Indian Dyed Cotton Textiles (1982–1983)\u003c\/li\u003e\n\u003cli\u003eOld Yarns with a new Twist: Familiar Favorites from the Textile Museum's Collection (1984)\u003c\/li\u003e\n\u003cli\u003eSeldom Seen: Director's Choice from the Museum's Collections (2006)\u003c\/li\u003e\n\u003cli\u003e1,000 Years of Indian Textiles (2022)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe original textile is also documented and illustrated in key scholarship, including Mattiebelle Gittinger's landmark study Master Dyers to the World (1982), Walter Endrei's The First Hundred Years of European Textile-printing (1998), and Rahul Jain's Textiles and Garments at the Jaipur Court (2016).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648809468040,"sku":"164332-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648809500808,"sku":"164332-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648809533576,"sku":"164332-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648809566344,"sku":"164332-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201845.webp?v=1791578360"},{"product_id":"madrasi-chintz-museum-accurate-colors-wallpaper","title":"Madrasi Chintz, Museum Accurate Colors Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eCollection: The Textile Museum Collection (GW 6.112)\u003cbr\u003eOrigin: Coromandel Coast (Madras), India | Date: 17th Century\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eOriginating from 17th-century Madras along India's famed Coromandel Coast, this pattern is a masterclass in early Indian textile art. Originally crafted as a painted cotton curtain, the design features closely repeating buti (botanical sprigs) with distinct spiky leaf bases and delicate, nodding blossoms.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eTrue to historic chintz production, the original piece was created using a complex multi-step process of hand-drawn wax resists and painted mordants prior to indigo and madder dyeing. The result is a rhythmically balanced, refined floral repeat that defined the 17th-century global trade in luxury painted cottons.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eExhibition \u0026amp; Publication History\u003c\/h3\u003e\n\u003cp\u003eA celebrated work in The Textile Museum's permanent collection, this fragment has been featured in four major exhibitions:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaster Dyers to the World: Technique and Trade in Early Indian Dyed Cotton Textiles (1982–1983)\u003c\/li\u003e\n\u003cli\u003eOld Yarns with a new Twist: Familiar Favorites from the Textile Museum's Collection (1984)\u003c\/li\u003e\n\u003cli\u003eSeldom Seen: Director's Choice from the Museum's Collections (2006)\u003c\/li\u003e\n\u003cli\u003e1,000 Years of Indian Textiles (2022)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe original textile is also documented and illustrated in key scholarship, including Mattiebelle Gittinger's landmark study Master Dyers to the World (1982), Walter Endrei's The First Hundred Years of European Textile-printing (1998), and Rahul Jain's Textiles and Garments at the Jaipur Court (2016).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648809730184,"sku":"164333-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648809762952,"sku":"164333-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648809795720,"sku":"164333-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648809828488,"sku":"164333-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201837.webp?v=1791578360"},{"product_id":"mughal-poppy-linen-verdigris-wallpaper","title":"Mughal Poppy, Linen \/ Verdigris Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA late seventeenth-century dastarkana—an Indian summer carpet hand-drawn in kalamkari and conserved at The Metropolitan Museum of Art—was the starting point for Mughal Poppy. Drawn down to three-fifths scale, every hand-painted line was translated to preserve the painterly look of the original kalam. Ground takes three-quarters of the surface, leaving wide, breathing fields around each plant so the density stays inside the motif without closing a room in.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eSomeone cut the original up. Twelve feet of hand-painted poppies, sliced into puzzle-piece shapes to fit around a column, or a tent post, or a smaller room—no one wrote down which. What reached the museum in 1982 was a little under half: plain-weave cotton from the Mughal period, mordant-painted and resist-dyed, the poppies drawn by hand rather than stamped from a block. Green was made by painting yellow over indigo. On most surviving kalamkaris the yellow is gone and only the blue is left; on this one it held.\u003c\/p\u003e\n\u003cp\u003eIt came in with the Alice and Nasli Heeramaneck Collection, a gift of Alice Heeramaneck, and then sat for thirty-two years because the border was too fragile to handle. Conservation ran past a hundred hours—the binding removed, tideline stains lifted with poultice, the cloth humidified flat until the creases relaxed. It went up in Gallery 464 in 2015, in the Department of Islamic Art, on a slanted board held by insect pins, because no one was willing to put a stitch through it.\u003c\/p\u003e\n\u003cp\u003eThe conservators chose not to join the fragments back together or reconstruct what was lost. That was deliberate, out of respect for what the object had actually lived through. The carpet as a whole stays broken. But the design was made to be lived with—walked on, sat beside, used—and it spent thirty-two years in a drawer. The fragments held a complete plant and the rhythm that placed it. That was enough to bring it back out.\u003c\/p\u003e\n\u003cp\u003eIt will never be a floorspread again. The poppies stop abruptly on a slant board in Gallery 464. Now they keep going—row after row, past the corner, the way they did before someone cut it up.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of a floorspread, late seventeenth century, India. The Metropolitan Museum of Art, accession 1982.239a\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in (12 in half-drop)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648810254472,"sku":"164973-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648810287240,"sku":"164973-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648810320008,"sku":"164973-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648810352776,"sku":"164973-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201700.webp?v=1791578362"},{"product_id":"flowering-pomegranate-linen-dusty-blue-wallpaper","title":"Flowering Pomegranate, Linen \/ Dusty Blue Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSinuous lace borders interlock to form an undulating ogee lattice through Flowering Pomegranate, framing a central blossom suspended between paired, swelling fruits — pomegranates, a Byzantine fashion carried from Renaissance silk to French cotton. The source is an 18th-century block-printed quilt in the Musée de la Toile de Jouy, photographed in the gallery and redrawn by hand. Heavy woodblock outlines set against a lattice that carries the eye up the wall, giving a room clear vertical structure at a 24-inch repeat.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eLong before French woodcutters carved its form into printing blocks, \u003cem\u003ePunica granatum\u003c\/em\u003e—the pomegranate—carried thousands of years of symbolic weight. Native to ancient Persia, the tree supplied both sustenance and craft: its bark yielded tannin for curing leather, while its rind and flowers produced textile dyes. Across global traditions, the fruit became an enduring emblem of health, fertility, and renewal—buried with the ancient Egyptians for the afterlife, embroidered around the hems of Hebrew high priests' robes, woven into Christian vestments and hangings as a symbol of resurrection, and gifted at Chinese weddings as an omen of posterity.\u003c\/p\u003e\n\u003cp\u003eBy the Renaissance, European silk weavers had adopted the fruit as a primary motif for luxury lampas and brocatelles, the fashion carried out of Byzantium and into Europe by way of Spain.\u003c\/p\u003e\n\u003cp\u003eThis design originates from a 280 × 200 cm quilted and piqué bedspread produced in a small French workshop—one the museum places below the level of the Oberkampf Manufactory. With its thick, hand-drawn outlines and limited palette—originally red, black, and a deep \"puce\"—it carries the colours and line weight of the jafracanis imported from India, grounding centuries of global botanical symbolism in the quiet rhythm of 18th-century printmaking.\u003c\/p\u003e\n\u003cp\u003eThe surviving quilt was donated to the Musée de la Toile de Jouy in 2019 by les Amis du Musée de la Toile de Jouy.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Block-printed cotton piqué bedspread, second half 18th century, French. Musée de la Toile de Jouy, donated by les Amis du Musée de la Toile de Jouy, 2019\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Gallery label, Musée de la Toile de Jouy. Dilys Blum, \u003cem\u003eAn Enduring Motif: The Pomegranate in Textiles\u003c\/em\u003e, Philadelphia Museum of Art, 2009–10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648810385544,"sku":"167973-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648810418312,"sku":"167973-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648810451080,"sku":"167973-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648810483848,"sku":"167973-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201624.webp?v=1791578362"},{"product_id":"tetrels-saisons-des-fleurs-slate-ivory-wallpaper","title":"Tétrel's Saisons des Fleurs, Slate \/ Ivory Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eLarge multi-petalled blooms, buds and grass-like blades overlap in an all-over field. Translated from Saisons des fleurs, a French woodblock-printed wallpaper designed by Prosper Tétrel, dated 1898–1899 by the Musée des Arts Décoratifs and shown at the Paris Universal Exhibition of 1900. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eIvory blooms on a deep slate blue ground. The pale flowers stand off the dark ground, so the large blooms read clearly from across a room while the leaves and grasses sit back into the blue. Up close, a fine contour line holds every petal and blade.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper \"Saisons des fleurs\", designed by Prosper Tétrel and made by Desfossé et Karth, printed from wood blocks on a hand-brushed ground. Worked from photographs of another printing of the same wallpaper.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 987.521.1-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1898–1899, as dated by the Musée des Arts Décoratifs. Shown at the Paris Universal Exhibition of 1900.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 27 in. Half-drop match, offset 13.5 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e The largest bloom is about 5.9 in wide by 5.6 in high, a quarter of the repeat width.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e An all-over field with no border: large blooms, buds, clusters of small florets on branching stems, broad leaves and grass-like blades, overlapping across the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat printed colours with no gradients or shading: a contour line, three background planes, bloom fill, bloom shadow, a centre accent and stem shadow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Shapes are held by a fine contour line. The woodblock print and brushed ground of the original are reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648810647688,"sku":"164708-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648810680456,"sku":"164708-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648810713224,"sku":"164708-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648810745992,"sku":"164708-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201756.webp?v=1791578364"},{"product_id":"tulip-ivory-slate-wallpaper","title":"Tulip, Ivory \/ Slate Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA small open tulip in blue-grey on warm ivory, scattered across an open four-inch repeat. The grey keeps the pattern cool and soft, clear from a distance without asserting itself. Up close the opacity variation shows: the tulip is not evenly filled, and the soft edge is visible across the shape.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eThe design was translated from drawing 4608 in a volume of French textile designs held at the Clark Art Institute Library. The drawing is a watercolour record of a printed cloth, not a piece of fabric. The motif is small and the scatter is open, so the pattern holds its place beside a larger design rather than competing with it. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eDrawing 4608 comes from a volume of nineteenth-century French textile designs with no title page and no publisher named. The drawings are mounted watercolours, each on its own sheet. This one is worked in a single colour, with a numbered list of twelve colours written down the right margin in ink — nine for the motif and two for the ground, in the same hand that numbered the page.\u003c\/p\u003e\n\u003cp\u003eA label inside the front cover identifies the firm as Maison Robert, with Victor Ducroquet listed as son-in-law and successor. The label gives an address in Paris and names the firm as a depot for papers made by another manufacturer. Two medals on the label are dated 1844. The library catalogues the volume to about 1863.\u003c\/p\u003e\n\u003cp\u003eThe volume is part of the Mary Ann Beinecke Decorative Art Collection at the Clark Art Institute Library, a collection of over 1,200 volumes on textiles and decorative art assembled by the weaver and textile artist Mary Ann Beinecke. The small floral motif and open scatter hold their place beside a larger design rather than competing with it.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Watercolour drawing of a textile design, number 4608, mounted in a bound volume of French textile designs. Maison Robert, Paris. Sterling and Francine Clark Art Institute Library, Williamstown, Massachusetts, call number NK8849 M28. Mary Ann Beinecke Decorative Art Collection\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e Catalogued by the library as approximately 1863. The trade label carries two medals dated 1844\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLabel:\u003c\/strong\u003e Mounted inside the front cover: Maison Robert, Victor Ducroquet, gendre et successeur, no. 78312\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVolume:\u003c\/strong\u003e 169 pages, 220 mounted colour illustrations, designs numbered 4495 to 4735. No title page, contents page or copyright page. Title from the spine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 4 in. square, straight match\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e 0.31 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Internet Archive frenchtextiles00unse, page n99. OCLC 1045562508\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648810778760,"sku":"170149-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648810811528,"sku":"170149-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648810844296,"sku":"170149-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648810877064,"sku":"170149-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201654.webp?v=1791578363"},{"product_id":"flowering-pomegranate-linen-honey-wallpaper","title":"Flowering Pomegranate, Linen \/ Honey Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSinuous lace borders interlock to form an undulating ogee lattice through Flowering Pomegranate, framing a central blossom suspended between paired, swelling fruits — pomegranates, a Byzantine fashion carried from Renaissance silk to French cotton. The source is an 18th-century block-printed quilt in the Musée de la Toile de Jouy, photographed in the gallery and redrawn by hand. Heavy woodblock outlines set against a lattice that carries the eye up the wall, giving a room clear vertical structure at a 24-inch repeat.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eLong before French woodcutters carved its form into printing blocks, \u003cem\u003ePunica granatum\u003c\/em\u003e—the pomegranate—carried thousands of years of symbolic weight. Native to ancient Persia, the tree supplied both sustenance and craft: its bark yielded tannin for curing leather, while its rind and flowers produced textile dyes. Across global traditions, the fruit became an enduring emblem of health, fertility, and renewal—buried with the ancient Egyptians for the afterlife, embroidered around the hems of Hebrew high priests' robes, woven into Christian vestments and hangings as a symbol of resurrection, and gifted at Chinese weddings as an omen of posterity.\u003c\/p\u003e\n\u003cp\u003eBy the Renaissance, European silk weavers had adopted the fruit as a primary motif for luxury lampas and brocatelles, the fashion carried out of Byzantium and into Europe by way of Spain.\u003c\/p\u003e\n\u003cp\u003eThis design originates from a 280 × 200 cm quilted and piqué bedspread produced in a small French workshop—one the museum places below the level of the Oberkampf Manufactory. With its thick, hand-drawn outlines and limited palette—originally red, black, and a deep \"puce\"—it carries the colours and line weight of the jafracanis imported from India, grounding centuries of global botanical symbolism in the quiet rhythm of 18th-century printmaking.\u003c\/p\u003e\n\u003cp\u003eThe surviving quilt was donated to the Musée de la Toile de Jouy in 2019 by les Amis du Musée de la Toile de Jouy.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Block-printed cotton piqué bedspread, second half 18th century, French. Musée de la Toile de Jouy, donated by les Amis du Musée de la Toile de Jouy, 2019\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Gallery label, Musée de la Toile de Jouy. Dilys Blum, \u003cem\u003eAn Enduring Motif: The Pomegranate in Textiles\u003c\/em\u003e, Philadelphia Museum of Art, 2009–10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648811040904,"sku":"167971-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648811073672,"sku":"167971-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648811106440,"sku":"167971-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648811139208,"sku":"167971-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201836.webp?v=1791578364"},{"product_id":"mughal-poppy-blackcurrant-marigold-wallpaper","title":"Mughal Poppy, Blackcurrant \/ Marigold Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA late seventeenth-century dastarkana—an Indian summer carpet hand-drawn in kalamkari and conserved at The Metropolitan Museum of Art—was the starting point for Mughal Poppy. Drawn down to three-fifths scale, every hand-painted line was translated to preserve the painterly look of the original kalam. Ground takes three-quarters of the surface, leaving wide, breathing fields around each plant so the density stays inside the motif without closing a room in.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eSomeone cut the original up. Twelve feet of hand-painted poppies, sliced into puzzle-piece shapes to fit around a column, or a tent post, or a smaller room—no one wrote down which. What reached the museum in 1982 was a little under half: plain-weave cotton from the Mughal period, mordant-painted and resist-dyed, the poppies drawn by hand rather than stamped from a block. Green was made by painting yellow over indigo. On most surviving kalamkaris the yellow is gone and only the blue is left; on this one it held.\u003c\/p\u003e\n\u003cp\u003eIt came in with the Alice and Nasli Heeramaneck Collection, a gift of Alice Heeramaneck, and then sat for thirty-two years because the border was too fragile to handle. Conservation ran past a hundred hours—the binding removed, tideline stains lifted with poultice, the cloth humidified flat until the creases relaxed. It went up in Gallery 464 in 2015, in the Department of Islamic Art, on a slanted board held by insect pins, because no one was willing to put a stitch through it.\u003c\/p\u003e\n\u003cp\u003eThe conservators chose not to join the fragments back together or reconstruct what was lost. That was deliberate, out of respect for what the object had actually lived through. The carpet as a whole stays broken. But the design was made to be lived with—walked on, sat beside, used—and it spent thirty-two years in a drawer. The fragments held a complete plant and the rhythm that placed it. That was enough to bring it back out.\u003c\/p\u003e\n\u003cp\u003eIt will never be a floorspread again. The poppies stop abruptly on a slant board in Gallery 464. Now they keep going—row after row, past the corner, the way they did before someone cut it up.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of a floorspread, late seventeenth century, India. The Metropolitan Museum of Art, accession 1982.239a\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in (12 in half-drop)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648811171976,"sku":"164972-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648811204744,"sku":"164972-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648811237512,"sku":"164972-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648811270280,"sku":"164972-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201754.webp?v=1791578365"},{"product_id":"branchages-ondulants-fog-forest-floor-wallpaper","title":"Branchages Ondulants, Fog \/ Forest Floor Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eVertical sprays of small leaves fill the ground, threaded with chains of berries. Translated from a wallpaper designed by Jacques-Emile Ruhlmann and printed in Paris in 1918, now in the Musée des Arts Décoratifs. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eDeep forest green leaves on a fog grey ground, with marigold yellow berries. The leaves cover close to half the surface, so the cloth reads as dark green foliage with small points of yellow running through it. Up close, a highlight along each leaf edge and a soft halo around the berries give the print its depth.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper designed by Jacques-Emile Ruhlmann (1879–1933) and made by Desfossé \u0026amp; Karth, Paris, cylinder-printed in two colours on a brushed white ground. Photographed at the Musée des Arts Décoratifs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 2002.78.1.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Paris, France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1918.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 26.9 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Leaves are about 1 in long and berries about 0.4 in across. The largest berry cluster is 6.5 in wide.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Vertical sprays of leaves fill the repeat. Berry chains run in two columns 12 in apart, the clusters in one column stepped from those in the next. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat colours for leaf, ground and berry, with a lighter centre in each berry, plus printed tone: a lighter tint on some leaves, a highlight along leaf edges, a shadow beside the leaves and a soft halo around the berries.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Leaves meet the ground at hard edges; the highlights and the berry halo are soft.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648811434120,"sku":"174307-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648811466888,"sku":"174307-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648811499656,"sku":"174307-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648811532424,"sku":"174307-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201921.webp?v=1791578364"},{"product_id":"tetrels-saisons-des-fleurs-sage-ivory-wallpaper","title":"Tétrel's Saisons des Fleurs, Sage \/ Ivory Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eLarge multi-petalled blooms, buds and grass-like blades overlap in an all-over field. Translated from Saisons des fleurs, a French woodblock-printed wallpaper designed by Prosper Tétrel, dated 1898–1899 by the Musée des Arts Décoratifs and shown at the Paris Universal Exhibition of 1900. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eIvory blooms on a sage green ground. The pale flowers lift gently off the grey-green, so the pattern reads as a soft garden of white from across a room. Up close, a fine contour line holds every petal and blade.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper \"Saisons des fleurs\", designed by Prosper Tétrel and made by Desfossé et Karth, printed from wood blocks on a hand-brushed ground. Worked from photographs of another printing of the same wallpaper.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 987.521.1-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1898–1899, as dated by the Musée des Arts Décoratifs. Shown at the Paris Universal Exhibition of 1900.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 27 in. Half-drop match, offset 13.5 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e The largest bloom is about 5.9 in wide by 5.6 in high, a quarter of the repeat width.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e An all-over field with no border: large blooms, buds, clusters of small florets on branching stems, broad leaves and grass-like blades, overlapping across the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat printed colours with no gradients or shading: a contour line, three background planes, bloom fill, bloom shadow, a centre accent and stem shadow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Shapes are held by a fine contour line. The woodblock print and brushed ground of the original are reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648811565192,"sku":"164705-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648811597960,"sku":"164705-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648811630728,"sku":"164705-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648811663496,"sku":"164705-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201523.webp?v=1791578366"},{"product_id":"ragged-poppy-flax-eucalyptus-wallpaper","title":"Ragged Poppy, Flax \/ Eucalyptus Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eThe lowest contrast in the range by a wide margin. A soft green poppy on a deeper flax ground, both mid-tone, so the pattern reads as texture rather than motif at any distance beyond a few feet. Step close and the full repeat resolves. This is the tonal option — a large-scale Arts and Crafts floral that doesn't take the room. Wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eJohn Scarratt Rigby drew the poppy in 1902, block-printed on plain-weave cotton in London. 'Ragged Poppy' is translated from that cloth, now in the Art Institute of Chicago—redrawn by hand with its border removed, the field tiled to a 24-inch panel. The flower is open and dense at generous scale, and the pale ground reads as much as the motif at conversational distance.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eEight and a half feet of cotton, printed with poppies and closed on all four sides by a border of paired buds and scrolling leaves. It was made to be spread flat and looked down on. A tablecloth or a bedcover—the museum's catalogue will not say which, and gives the title only as probably “Ragged Poppy.”\u003c\/p\u003e\n\u003cp\u003eJohn Scarratt Rigby drew it in 1902. He supplied block prints and woven textiles to G.P. \u0026amp; J. Baker, A.H. Lee of Birkenhead, Alexander Morton, and Liberty \u0026amp; Co. This cloth reached the public under Liberty's name. He was honorary secretary of the Society of Designers.\u003c\/p\u003e\n\u003cp\u003eIn “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” Rigby conceded the field, writing that decorative art could not be discussed without constant reference to Morris's work. Morris's own Poppy, a design of 1881, sits in the Art Institute of Chicago. So does Rigby's cloth, which passed through the Antique Textile Company in London and was sold to the museum in 1990 on the Kelvyn G. Lilley Memorial Fund. Morris's is under his name. Rigby's is under a title someone thought to give it.\u003c\/p\u003e\n\u003cp\u003eRigby drew the field to stop at a border. Remove the border and the pattern keeps going.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Designed by John Scarratt Rigby (English, 1833–1914), produced by G.P. \u0026amp; J. Baker for Liberty \u0026amp; Co., London. Cotton, plain weave; block printed. 265.8 × 185.1 cm (104 5\/8 × 72 7\/8 in.); warp repeat 104.1 cm (41 in.). Kelvyn G. Lilley Memorial Fund. The Art Institute of Chicago, accession 1990.522.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSecond example:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Same designer and makers. Silk, plain weave; block printed. 182 × 184.2 cm (71 5\/8 × 72 1\/2 in.). Alexander Demond Fund. The Art Institute of Chicago, accession 1987.335.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 24 in × 16.1 in. Layout [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBordered rug:\u003c\/b\u003e available to trade. The rug carries a border, as the original does.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e J. Scarratt Rigby, “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” in Clive Edwards, ed., \u003ci\u003eNineteenth-Century Design\u003c\/i\u003e, vol. III (Routledge, 2021). Design sketches by John Scarratt Rigby, University of Glasgow Archive Services, Stoddard International design archive, GB 248 STOD\/DES\/142.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648811958408,"sku":"166548-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648811991176,"sku":"166548-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648812023944,"sku":"166548-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648812056712,"sku":"166548-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201631.webp?v=1791578365"},{"product_id":"flowering-pomegranate-linen-blackcurrant-wallpaper","title":"Flowering Pomegranate, Linen \/ Blackcurrant Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSinuous lace borders interlock to form an undulating ogee lattice through Flowering Pomegranate, framing a central blossom suspended between paired, swelling fruits — pomegranates, a Byzantine fashion carried from Renaissance silk to French cotton. The source is an 18th-century block-printed quilt in the Musée de la Toile de Jouy, photographed in the gallery and redrawn by hand. Heavy woodblock outlines set against a lattice that carries the eye up the wall, giving a room clear vertical structure at a 24-inch repeat.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eLong before French woodcutters carved its form into printing blocks, \u003cem\u003ePunica granatum\u003c\/em\u003e—the pomegranate—carried thousands of years of symbolic weight. Native to ancient Persia, the tree supplied both sustenance and craft: its bark yielded tannin for curing leather, while its rind and flowers produced textile dyes. Across global traditions, the fruit became an enduring emblem of health, fertility, and renewal—buried with the ancient Egyptians for the afterlife, embroidered around the hems of Hebrew high priests' robes, woven into Christian vestments and hangings as a symbol of resurrection, and gifted at Chinese weddings as an omen of posterity.\u003c\/p\u003e\n\u003cp\u003eBy the Renaissance, European silk weavers had adopted the fruit as a primary motif for luxury lampas and brocatelles, the fashion carried out of Byzantium and into Europe by way of Spain.\u003c\/p\u003e\n\u003cp\u003eThis design originates from a 280 × 200 cm quilted and piqué bedspread produced in a small French workshop—one the museum places below the level of the Oberkampf Manufactory. With its thick, hand-drawn outlines and limited palette—originally red, black, and a deep \"puce\"—it carries the colours and line weight of the jafracanis imported from India, grounding centuries of global botanical symbolism in the quiet rhythm of 18th-century printmaking.\u003c\/p\u003e\n\u003cp\u003eThe surviving quilt was donated to the Musée de la Toile de Jouy in 2019 by les Amis du Musée de la Toile de Jouy.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Block-printed cotton piqué bedspread, second half 18th century, French. Musée de la Toile de Jouy, donated by les Amis du Musée de la Toile de Jouy, 2019\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Gallery label, Musée de la Toile de Jouy. Dilys Blum, \u003cem\u003eAn Enduring Motif: The Pomegranate in Textiles\u003c\/em\u003e, Philadelphia Museum of Art, 2009–10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648811827336,"sku":"167975-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648811860104,"sku":"167975-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648811892872,"sku":"167975-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648811925640,"sku":"167975-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201807.webp?v=1791578365"},{"product_id":"branchages-ondulants-sandstone-eucalyptus-wallpaper","title":"Branchages Ondulants, Sandstone \/ Eucalyptus Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eVertical sprays of small leaves fill the ground, threaded with chains of berries. Translated from a wallpaper designed by Jacques-Emile Ruhlmann and printed in Paris in 1918, now in the Musée des Arts Décoratifs. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eEucalyptus green leaves on a pale sandstone ground, with terracotta berries. The leaves cover close to half the surface, so the cloth reads as muted green foliage with small points of terracotta running through it. Up close, a highlight along each leaf edge and a soft halo around the berries give the print its depth.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper designed by Jacques-Emile Ruhlmann (1879–1933) and made by Desfossé \u0026amp; Karth, Paris, cylinder-printed in two colours on a brushed white ground. Photographed at the Musée des Arts Décoratifs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 2002.78.1.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Paris, France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1918.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 26.9 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Leaves are about 1 in long and berries about 0.4 in across. The largest berry cluster is 6.5 in wide.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Vertical sprays of leaves fill the repeat. Berry chains run in two columns 12 in apart, the clusters in one column stepped from those in the next. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat colours for leaf, ground and berry, with a lighter centre in each berry, plus printed tone: a lighter tint on some leaves, a highlight along leaf edges, a shadow beside the leaves and a soft halo around the berries.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Leaves meet the ground at hard edges; the highlights and the berry halo are soft.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648812220552,"sku":"174310-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648812253320,"sku":"174310-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648812286088,"sku":"174310-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648812318856,"sku":"174310-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201727.webp?v=1791578365"},{"product_id":"varanasi-medallion-slate-linen-wallpaper","title":"Varanasi Medallion, Slate \/ Linen Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA cool blue-grey ground sits close in value to parts of the border, so some of the enclosure recedes and the pale flowers stay more visible. The pattern reads as a rhythm of light blossoms and pointed forms rather than a sharply drawn grid. Move in and the darker stems, leaves and connecting motifs come forward, and the full structure of each medallion becomes easier to see. The 8-inch scale keeps those units legible. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eThis surviving Varanasi fragment combines silk and metallic-wrapped silk in a compound weave. 'Varanasi Medallion' translates that woven structure into flat colour at an 8-inch half-drop repeat. Each flowering plant sits inside its own pointed border, with smaller floral forms between them. The border, rather than the flower, organizes the field.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe enclosure and the plant it holds recall the boteh — the form commonly known in English as paisley — but the characteristic boteh curves at the tip, while this enclosure rises to a point.\u003c\/p\u003e\n\u003cp\u003eThe fragment was woven in Varanasi, India. It measures fifteen inches by fourteen and a half, and combines silk with metallic-wrapped silk in a compound woven structure. It entered The Textile Museum Collection as the gift of Sheridan Pressey Collins and is held as accession 2019.7.4.\u003c\/p\u003e\n\u003cp\u003eThe museum record is unusually spare. There is no recorded date. No maker is named. The museum record does not name the motif.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Textile fragment, Varanasi, India. Silk and metallic-wrapped silk; supplementary-weft patterning, twill weave, compound weave. 38.10 × 36.83 cm (15 × 14½ in.). Gift of Sheridan Pressey Collins. The Textile Museum Collection, The George Washington University Museum and The Textile Museum, accession 2019.7.4.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e not recorded by the museum.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 8 in. Layout: drop match, half-drop.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMotif scale:\u003c\/b\u003e [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e \u003ci\u003eThe Indian Boteh Motif\u003c\/i\u003e, RISD Museum, 27 January – 30 July 2017, text by Kate Irvin. John Irwin, \u003ci\u003eThe Kashmir Shawl\u003c\/i\u003e, Victoria and Albert Museum Monograph No. 29 (HMSO, 1973).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648812613768,"sku":"164979-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648812646536,"sku":"164979-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648812679304,"sku":"164979-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648812712072,"sku":"164979-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201713.webp?v=1791578367"},{"product_id":"madrasi-chintz-sage-blackcurrant-wallpaper","title":"Madrasi Chintz, Sage \/ Blackcurrant Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eCollection: The Textile Museum Collection (GW 6.112)\u003cbr\u003eOrigin: Coromandel Coast (Madras), India | Date: 17th Century\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eOriginating from 17th-century Madras along India's famed Coromandel Coast, this pattern is a masterclass in early Indian textile art. Originally crafted as a painted cotton curtain, the design features closely repeating buti (botanical sprigs) with distinct spiky leaf bases and delicate, nodding blossoms.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eTrue to historic chintz production, the original piece was created using a complex multi-step process of hand-drawn wax resists and painted mordants prior to indigo and madder dyeing. The result is a rhythmically balanced, refined floral repeat that defined the 17th-century global trade in luxury painted cottons.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eExhibition \u0026amp; Publication History\u003c\/h3\u003e\n\u003cp\u003eA celebrated work in The Textile Museum's permanent collection, this fragment has been featured in four major exhibitions:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaster Dyers to the World: Technique and Trade in Early Indian Dyed Cotton Textiles (1982–1983)\u003c\/li\u003e\n\u003cli\u003eOld Yarns with a new Twist: Familiar Favorites from the Textile Museum's Collection (1984)\u003c\/li\u003e\n\u003cli\u003eSeldom Seen: Director's Choice from the Museum's Collections (2006)\u003c\/li\u003e\n\u003cli\u003e1,000 Years of Indian Textiles (2022)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe original textile is also documented and illustrated in key scholarship, including Mattiebelle Gittinger's landmark study Master Dyers to the World (1982), Walter Endrei's The First Hundred Years of European Textile-printing (1998), and Rahul Jain's Textiles and Garments at the Jaipur Court (2016).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648812744840,"sku":"164330-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648812777608,"sku":"164330-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648812810376,"sku":"164330-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648812843144,"sku":"164330-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201618.webp?v=1791578367"},{"product_id":"tambour-floral-travertine-rose-quartz-wallpaper","title":"Tambour Floral, Travertine \/ Rose Quartz Wallpaper","description":"\u003cp\u003eRose quartz blooms on a warm travertine ground, the foliage held close to the ground in value. Contrast is low throughout: at a distance the pattern reads as texture rather than as flowers, and nothing pulls forward. Up close the drawing is fully present—fog and mist shifting through the petals, dusty blue at a few flower centers, a fine pink line tracing the leaves.\u003c\/p\u003e\n\u003cp\u003eA fragment of a tambour-embroidered coverlet, held by the Rijksmuseum in Amsterdam (accession BK-1980-773-B), is the source for this design. The fragment was worked in Gujarat c. 1720 – c. 1740, using a hooked needle pulled through twill-woven cotton to build up silk chain-stitch in continuous curving lines. The object measures 173 cm in height; its width was not recorded. What survived is a field of volutes and stylized flowers worked in polychrome silk on a cotton ground. Printed to order.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eGreat pattern doesn’t ask for permission; it stops you. In \u003cem\u003eArt Objects\u003c\/em\u003e, Jeanette Winterson described a painting with “more power to stop me than I had power to walk on.”\u003c\/p\u003e\n\u003cp\u003eThe source object—worked in Gujarat c. 1720 – c. 1740—demands that same attention. An embroiderer stretched cotton twill across a frame and pulled silk thread through the ground with a fine hooked needle, building continuous chain stitches line by line. What survived of that coverlet is a single 173 cm fragment, gifted to the Rijksmuseum in 1980 by the Stichting Twickel.\u003c\/p\u003e\n\u003cp\u003eThe original object is silk worked into cotton; the printed product is ink. Ink isn’t silk, but the line and the spacing translate directly. The colour is ours — the colorways are built from the Vintage Botanica palette, not sampled from the object.\u003c\/p\u003e\n\u003cp\u003e(Catalogued under Rijksmuseum accession BK-1980-773-B. Published in \u003cem\u003eAsian Splendour: Company Art in the Rijksmuseum\u003c\/em\u003e, p. 57, fig. 35. Public domain.)\u003c\/p\u003e\n\u003ch3\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of an embroidered coverlet. Cotton twill with silk embroidery. Gujarat, c. 1720 – c. 1740.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHolding institution:\u003c\/strong\u003e Rijksmuseum, Amsterdam. Accession BK-1980-773-B.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaker:\u003c\/strong\u003e Anonymous. Recorded maker role: embroiderer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Tambour embroidery, worked with a hooked needle. Twill ground.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 173 cm. Width not recorded.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcquisition:\u003c\/strong\u003e Gift of the Stichting Twickel, 1980.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRights:\u003c\/strong\u003e Public domain.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in. × 38.3 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Straight repeat.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648812875912,"sku":"97851-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648812908680,"sku":"97851-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648812941448,"sku":"97851-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648812974216,"sku":"97851-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201926.webp?v=1791578368"},{"product_id":"mughal-poppy-ivory-marigold-wallpaper","title":"Mughal Poppy, Ivory \/ Marigold Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA late seventeenth-century dastarkana—an Indian summer carpet hand-drawn in kalamkari and conserved at The Metropolitan Museum of Art—was the starting point for Mughal Poppy. Drawn down to three-fifths scale, every hand-painted line was translated to preserve the painterly look of the original kalam. Ground takes three-quarters of the surface, leaving wide, breathing fields around each plant so the density stays inside the motif without closing a room in.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eSomeone cut the original up. Twelve feet of hand-painted poppies, sliced into puzzle-piece shapes to fit around a column, or a tent post, or a smaller room—no one wrote down which. What reached the museum in 1982 was a little under half: plain-weave cotton from the Mughal period, mordant-painted and resist-dyed, the poppies drawn by hand rather than stamped from a block. Green was made by painting yellow over indigo. On most surviving kalamkaris the yellow is gone and only the blue is left; on this one it held.\u003c\/p\u003e\n\u003cp\u003eIt came in with the Alice and Nasli Heeramaneck Collection, a gift of Alice Heeramaneck, and then sat for thirty-two years because the border was too fragile to handle. Conservation ran past a hundred hours—the binding removed, tideline stains lifted with poultice, the cloth humidified flat until the creases relaxed. It went up in Gallery 464 in 2015, in the Department of Islamic Art, on a slanted board held by insect pins, because no one was willing to put a stitch through it.\u003c\/p\u003e\n\u003cp\u003eThe conservators chose not to join the fragments back together or reconstruct what was lost. That was deliberate, out of respect for what the object had actually lived through. The carpet as a whole stays broken. But the design was made to be lived with—walked on, sat beside, used—and it spent thirty-two years in a drawer. The fragments held a complete plant and the rhythm that placed it. That was enough to bring it back out.\u003c\/p\u003e\n\u003cp\u003eIt will never be a floorspread again. The poppies stop abruptly on a slant board in Gallery 464. Now they keep going—row after row, past the corner, the way they did before someone cut it up.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of a floorspread, late seventeenth century, India. The Metropolitan Museum of Art, accession 1982.239a\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in (12 in half-drop)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648813269128,"sku":"164969-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648813301896,"sku":"164969-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648813334664,"sku":"164969-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648813367432,"sku":"164969-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201919.webp?v=1791578368"},{"product_id":"flowering-vine-chintz-blackcurrant-marigold-wallpaper","title":"Flowering Vine Chintz, Blackcurrant \/ Marigold Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSmall flowering vines curve across the cloth, scattered with flower heads, leaves and buds. Translated from an Indian cotton chintz of about 1750–1771, now in the Rijksmuseum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eFlowering vines on a deep blackcurrant ground, with marigold yellow leading the flower heads. The yellow flowers stand brightly off the dark ground, and a pale outline lifts the vines. Up close, each flower, leaf and bud is drawn with a fine outline and filled in flat colour.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Cotton chintz fragment with a pattern of flowering sprigs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Rijksmuseum, Amsterdam, BK-1976-136.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e India.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e About 1750–1771.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in × 10 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Small-scale. The largest flower head is about 1 in across.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Flowering stems curve across the whole repeat, with flower heads, leaves and buds scattered along them. No stripe, border or medallion. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Seven flat printed colours: ground, an outline for linework and stems, and five fills for flower heads, leaves and centres. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean, with the slightly irregular contour of a brushed line. The staining and creasing of the original are not reproduced.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648813432968,"sku":"174246-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648813465736,"sku":"174246-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648813498504,"sku":"174246-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648813531272,"sku":"174246-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201708.webp?v=1791578369"},{"product_id":"tambour-floral-linen-sage-wallpaper","title":"Tambour Floral, Linen \/ Sage Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eEvery stem and blossom in this pattern was originally executed stitch by hand-drawn stitch using a tiny tambour hook—pulling vibrant silk thread through cotton twill in a continuous chain. Crafted in Gujarat between 1720 and 1740, the original animated an embroidered bedspread, its swirling vines, stylized pomegranates, and serrated leaves creating an expressive, undulating lattice across the cloth.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eWhat survives is a fragment of it, 173 centimetres high, the width no longer recorded. It entered the Rijksmuseum collection in 1980 as accession BK-1980-773-B, a gift of the Stichting Twickel, and has been known since mostly through catalogue figures — p. 57, fig. 35.\u003c\/p\u003e\n\u003cp\u003eTranslating raised, tactile embroidery into a flat repeat is not a job for a camera or a trace. The work was done by a practising embroiderer, who built a Photoshop tool for this design alone in order to hold the momentum and tension of tamboereren chain work — the way the hook pulls the line, the way the stitch decides where the vine goes next.\u003c\/p\u003e\n\u003cp\u003eThe chain runs continuous again. Not stitched, but drawn the way a stitch draws.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648813564040,"sku":"164974-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648813596808,"sku":"164974-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648813629576,"sku":"164974-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648813662344,"sku":"164974-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201834.webp?v=1791578369"},{"product_id":"ragged-poppy-travertine-blackcurrant-wallpaper","title":"Ragged Poppy, Travertine \/ Blackcurrant Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eThe highest contrast in the range by a wide margin: a very dark plum poppy on a pale grey travertine ground. The flower reads almost as silhouette and the drawing turns graphic rather than botanical, with the block-printed outline doing most of the work. At two feet across, the scale is unmistakable from anywhere in a room. Translated from a block-printed cloth of 1902, on wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eJohn Scarratt Rigby drew the poppy in 1902, block-printed on plain-weave cotton in London. 'Ragged Poppy' is translated from that cloth, now in the Art Institute of Chicago—redrawn by hand with its border removed, the field tiled to a 24-inch panel. The flower is open and dense at generous scale, and the pale ground reads as much as the motif at conversational distance.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eEight and a half feet of cotton, printed with poppies and closed on all four sides by a border of paired buds and scrolling leaves. It was made to be spread flat and looked down on. A tablecloth or a bedcover—the museum's catalogue will not say which, and gives the title only as probably “Ragged Poppy.”\u003c\/p\u003e\n\u003cp\u003eJohn Scarratt Rigby drew it in 1902. He supplied block prints and woven textiles to G.P. \u0026amp; J. Baker, A.H. Lee of Birkenhead, Alexander Morton, and Liberty \u0026amp; Co. This cloth reached the public under Liberty's name. He was honorary secretary of the Society of Designers.\u003c\/p\u003e\n\u003cp\u003eIn “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” Rigby conceded the field, writing that decorative art could not be discussed without constant reference to Morris's work. Morris's own Poppy, a design of 1881, sits in the Art Institute of Chicago. So does Rigby's cloth, which passed through the Antique Textile Company in London and was sold to the museum in 1990 on the Kelvyn G. Lilley Memorial Fund. Morris's is under his name. Rigby's is under a title someone thought to give it.\u003c\/p\u003e\n\u003cp\u003eRigby drew the field to stop at a border. Remove the border and the pattern keeps going.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Designed by John Scarratt Rigby (English, 1833–1914), produced by G.P. \u0026amp; J. Baker for Liberty \u0026amp; Co., London. Cotton, plain weave; block printed. 265.8 × 185.1 cm (104 5\/8 × 72 7\/8 in.); warp repeat 104.1 cm (41 in.). Kelvyn G. Lilley Memorial Fund. The Art Institute of Chicago, accession 1990.522.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSecond example:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Same designer and makers. Silk, plain weave; block printed. 182 × 184.2 cm (71 5\/8 × 72 1\/2 in.). Alexander Demond Fund. The Art Institute of Chicago, accession 1987.335.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 24 in × 16.1 in. Layout [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBordered rug:\u003c\/b\u003e available to trade. The rug carries a border, as the original does.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e J. Scarratt Rigby, “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” in Clive Edwards, ed., \u003ci\u003eNineteenth-Century Design\u003c\/i\u003e, vol. III (Routledge, 2021). Design sketches by John Scarratt Rigby, University of Glasgow Archive Services, Stoddard International design archive, GB 248 STOD\/DES\/142.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648813695112,"sku":"166550-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648813727880,"sku":"166550-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648813760648,"sku":"166550-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648813793416,"sku":"166550-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201855.webp?v=1791578371"},{"product_id":"varanasi-medallion-ivory-linen-wallpaper","title":"Varanasi Medallion, Ivory \/ Linen Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSlate-blue borders define the medallions against a near-white ground, holding dark green stems and pale flowers inside. The enclosing shapes read clearly at distance while the plants stay soft; the smaller blossoms and interior linework only resolve close up. The open ground keeps the repeat from feeling dense even though the medallions are closely ordered. At 8 inches each unit registers on its own. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eThis surviving Varanasi fragment combines silk and metallic-wrapped silk in a compound weave. 'Varanasi Medallion' translates that woven structure into flat colour at an 8-inch half-drop repeat. Each flowering plant sits inside its own pointed border, with smaller floral forms between them. The border, rather than the flower, organizes the field.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe enclosure and the plant it holds recall the boteh — the form commonly known in English as paisley — but the characteristic boteh curves at the tip, while this enclosure rises to a point.\u003c\/p\u003e\n\u003cp\u003eThe fragment was woven in Varanasi, India. It measures fifteen inches by fourteen and a half, and combines silk with metallic-wrapped silk in a compound woven structure. It entered The Textile Museum Collection as the gift of Sheridan Pressey Collins and is held as accession 2019.7.4.\u003c\/p\u003e\n\u003cp\u003eThe museum record is unusually spare. There is no recorded date. No maker is named. The museum record does not name the motif.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Textile fragment, Varanasi, India. Silk and metallic-wrapped silk; supplementary-weft patterning, twill weave, compound weave. 38.10 × 36.83 cm (15 × 14½ in.). Gift of Sheridan Pressey Collins. The Textile Museum Collection, The George Washington University Museum and The Textile Museum, accession 2019.7.4.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e not recorded by the museum.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 8 in. Layout: drop match, half-drop.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMotif scale:\u003c\/b\u003e [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e \u003ci\u003eThe Indian Boteh Motif\u003c\/i\u003e, RISD Museum, 27 January – 30 July 2017, text by Kate Irvin. John Irwin, \u003ci\u003eThe Kashmir Shawl\u003c\/i\u003e, Victoria and Albert Museum Monograph No. 29 (HMSO, 1973).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648813826184,"sku":"164982-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648813858952,"sku":"164982-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648813891720,"sku":"164982-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648813924488,"sku":"164982-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201730.webp?v=1791578369"},{"product_id":"flowering-vine-chintz-ivory-marigold-wallpaper","title":"Flowering Vine Chintz, Ivory \/ Marigold Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSmall flowering vines curve across the cloth, scattered with flower heads, leaves and buds. Translated from an Indian cotton chintz of about 1750–1771, now in the Rijksmuseum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eFlowering vines on an ivory ground, with marigold yellow leading the flower heads. The pale ground keeps the small pattern open and light, and the yellow warms it. Up close, each flower, leaf and bud is drawn with a fine outline and filled in flat colour.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Cotton chintz fragment with a pattern of flowering sprigs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Rijksmuseum, Amsterdam, BK-1976-136.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e India.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e About 1750–1771.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in × 10 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Small-scale. The largest flower head is about 1 in across.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Flowering stems curve across the whole repeat, with flower heads, leaves and buds scattered along them. No stripe, border or medallion. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Seven flat printed colours: ground, an outline for linework and stems, and five fills for flower heads, leaves and centres. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean, with the slightly irregular contour of a brushed line. The staining and creasing of the original are not reproduced.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648813957256,"sku":"174243-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648813990024,"sku":"174243-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648814022792,"sku":"174243-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648814055560,"sku":"174243-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201626.webp?v=1791578370"},{"product_id":"tambour-floral-blackcurrant-pomegranate-wallpaper","title":"Tambour Floral, Blackcurrant \/ Pomegranate Wallpaper","description":"\u003cp\u003ePomegranate blooms on a deep blackcurrant ground, with eucalyptus in the leaves. The ground is dark and the foliage light against it, so the leaves read as pale tracery and the flowers as the solid forms. At a distance the ground drops back and the flowers carry forward off it; up close honey comes up at the centers, with eucalyptus running through the smaller leaves.\u003c\/p\u003e\n\u003cp\u003eA fragment of a tambour-embroidered coverlet, held by the Rijksmuseum in Amsterdam (accession BK-1980-773-B), is the source for this design. The fragment was worked in Gujarat c. 1720 – c. 1740, using a hooked needle pulled through twill-woven cotton to build up silk chain-stitch in continuous curving lines. The object measures 173 cm in height; its width was not recorded. What survived is a field of volutes and stylized flowers worked in polychrome silk on a cotton ground. Printed to order.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eGreat pattern doesn’t ask for permission; it stops you. In \u003cem\u003eArt Objects\u003c\/em\u003e, Jeanette Winterson described a painting with “more power to stop me than I had power to walk on.”\u003c\/p\u003e\n\u003cp\u003eThe source object—worked in Gujarat c. 1720 – c. 1740—demands that same attention. An embroiderer stretched cotton twill across a frame and pulled silk thread through the ground with a fine hooked needle, building continuous chain stitches line by line. What survived of that coverlet is a single 173 cm fragment, gifted to the Rijksmuseum in 1980 by the Stichting Twickel.\u003c\/p\u003e\n\u003cp\u003eThe original object is silk worked into cotton; the printed product is ink. Ink isn’t silk, but the line and the spacing translate directly. The colour is ours — the colorways are built from the Vintage Botanica palette, not sampled from the object.\u003c\/p\u003e\n\u003cp\u003e(Catalogued under Rijksmuseum accession BK-1980-773-B. Published in \u003cem\u003eAsian Splendour: Company Art in the Rijksmuseum\u003c\/em\u003e, p. 57, fig. 35. Public domain.)\u003c\/p\u003e\n\u003ch3\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of an embroidered coverlet. Cotton twill with silk embroidery. Gujarat, c. 1720 – c. 1740.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHolding institution:\u003c\/strong\u003e Rijksmuseum, Amsterdam. Accession BK-1980-773-B.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaker:\u003c\/strong\u003e Anonymous. Recorded maker role: embroiderer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Tambour embroidery, worked with a hooked needle. Twill ground.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 173 cm. Width not recorded.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcquisition:\u003c\/strong\u003e Gift of the Stichting Twickel, 1980.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRights:\u003c\/strong\u003e Public domain.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in. × 38.3 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Straight repeat.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648814088328,"sku":"97849-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648814121096,"sku":"97849-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648814153864,"sku":"97849-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648814186632,"sku":"97849-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201546_049f615f-c3e2-4b4f-b3a8-3980e2daac0f.webp?v=1791578371"},{"product_id":"flowering-vine-chintz-ivory-pomegranate-wallpaper","title":"Flowering Vine Chintz, Ivory \/ Pomegranate Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSmall flowering vines curve across the cloth, scattered with flower heads, leaves and buds. Translated from an Indian cotton chintz of about 1750–1771, now in the Rijksmuseum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eFlowering vines on an ivory ground, with pomegranate red leading the flower heads. The pale ground keeps the small pattern open and light, and the red carries it from a few steps back. Up close, each flower, leaf and bud is drawn with a fine outline and filled in flat colour.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Cotton chintz fragment with a pattern of flowering sprigs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Rijksmuseum, Amsterdam, BK-1976-136.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e India.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e About 1750–1771.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in × 10 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Small-scale. The largest flower head is about 1 in across.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Flowering stems curve across the whole repeat, with flower heads, leaves and buds scattered along them. No stripe, border or medallion. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Seven flat printed colours: ground, an outline for linework and stems, and five fills for flower heads, leaves and centres. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean, with the slightly irregular contour of a brushed line. The staining and creasing of the original are not reproduced.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648814219400,"sku":"174242-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648814252168,"sku":"174242-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648814284936,"sku":"174242-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648814317704,"sku":"174242-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201520_156d430b-a3fc-446d-8542-bf4b1b645ea9.webp?v=1791578371"},{"product_id":"branchages-ondulants-travertine-sage-wallpaper","title":"Branchages Ondulants, Travertine \/ Sage Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eVertical sprays of small leaves fill the ground, threaded with chains of berries. Translated from a wallpaper designed by Jacques-Emile Ruhlmann and printed in Paris in 1918, now in the Musée des Arts Décoratifs. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eSage green leaves on a travertine grey ground, with pomegranate red berries. The leaves cover close to half the surface, so the cloth reads as soft grey-green foliage with small points of red running through it. Up close, a highlight along each leaf edge and a soft halo around the berries give the print its depth.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper designed by Jacques-Emile Ruhlmann (1879–1933) and made by Desfossé \u0026amp; Karth, Paris, cylinder-printed in two colours on a brushed white ground. Photographed at the Musée des Arts Décoratifs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 2002.78.1.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Paris, France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1918.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 26.9 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Leaves are about 1 in long and berries about 0.4 in across. The largest berry cluster is 6.5 in wide.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Vertical sprays of leaves fill the repeat. Berry chains run in two columns 12 in apart, the clusters in one column stepped from those in the next. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat colours for leaf, ground and berry, with a lighter centre in each berry, plus printed tone: a lighter tint on some leaves, a highlight along leaf edges, a shadow beside the leaves and a soft halo around the berries.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Leaves meet the ground at hard edges; the highlights and the berry halo are soft.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648814481544,"sku":"174308-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648814514312,"sku":"174308-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648814547080,"sku":"174308-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648814579848,"sku":"174308-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201737.webp?v=1791578371"},{"product_id":"flowering-vine-chintz-sage-blackcurrant-wallpaper","title":"Flowering Vine Chintz, Sage \/ Blackcurrant Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSmall flowering vines curve across the cloth, scattered with flower heads, leaves and buds. Translated from an Indian cotton chintz of about 1750–1771, now in the Rijksmuseum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eFlowering vines on a sage green ground, with deep blackcurrant leading the flower heads. The dark flowers sit firmly on the soft green, so the small pattern holds from a few steps back. Up close, each flower, leaf and bud is drawn with a fine outline and filled in flat colour.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Cotton chintz fragment with a pattern of flowering sprigs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Rijksmuseum, Amsterdam, BK-1976-136.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e India.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e About 1750–1771.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in × 10 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Small-scale. The largest flower head is about 1 in across.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Flowering stems curve across the whole repeat, with flower heads, leaves and buds scattered along them. No stripe, border or medallion. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Seven flat printed colours: ground, an outline for linework and stems, and five fills for flower heads, leaves and centres. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean, with the slightly irregular contour of a brushed line. The staining and creasing of the original are not reproduced.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648814612616,"sku":"174241-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648814645384,"sku":"174241-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648814678152,"sku":"174241-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648814710920,"sku":"174241-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201607.webp?v=1791578373"},{"product_id":"tulip-travertine-blackcurrant-wallpaper","title":"Tulip, Travertine \/ Blackcurrant Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA small open tulip in deep red-brown on cool pale grey, scattered across an open four-inch repeat. The ground is cool and the motif warm, so the pattern is legible without sharpening. Up close the dark bloom holds its shape without filling evenly.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eThe design was translated from drawing 4608 in a volume of French textile designs held at the Clark Art Institute Library. The drawing is a watercolour record of a printed cloth, not a piece of fabric. The motif is small and the scatter is open, so the pattern holds its place beside a larger design rather than competing with it. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eDrawing 4608 comes from a volume of nineteenth-century French textile designs with no title page and no publisher named. The drawings are mounted watercolours, each on its own sheet. This one is worked in a single colour, with a numbered list of twelve colours written down the right margin in ink — nine for the motif and two for the ground, in the same hand that numbered the page.\u003c\/p\u003e\n\u003cp\u003eA label inside the front cover identifies the firm as Maison Robert, with Victor Ducroquet listed as son-in-law and successor. The label gives an address in Paris and names the firm as a depot for papers made by another manufacturer. Two medals on the label are dated 1844. The library catalogues the volume to about 1863.\u003c\/p\u003e\n\u003cp\u003eThe volume is part of the Mary Ann Beinecke Decorative Art Collection at the Clark Art Institute Library, a collection of over 1,200 volumes on textiles and decorative art assembled by the weaver and textile artist Mary Ann Beinecke. The small floral motif and open scatter hold their place beside a larger design rather than competing with it.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Watercolour drawing of a textile design, number 4608, mounted in a bound volume of French textile designs. Maison Robert, Paris. Sterling and Francine Clark Art Institute Library, Williamstown, Massachusetts, call number NK8849 M28. Mary Ann Beinecke Decorative Art Collection\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e Catalogued by the library as approximately 1863. The trade label carries two medals dated 1844\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLabel:\u003c\/strong\u003e Mounted inside the front cover: Maison Robert, Victor Ducroquet, gendre et successeur, no. 78312\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVolume:\u003c\/strong\u003e 169 pages, 220 mounted colour illustrations, designs numbered 4495 to 4735. No title page, contents page or copyright page. Title from the spine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 4 in. square, straight match\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e 0.31 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Internet Archive frenchtextiles00unse, page n99. OCLC 1045562508\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648815038600,"sku":"170151-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648815071368,"sku":"170151-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648815104136,"sku":"170151-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648815136904,"sku":"170151-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201809.webp?v=1791578374"},{"product_id":"tambour-floral-ivory-terracotta-wallpaper","title":"Tambour Floral, Ivory \/ Terracotta Wallpaper","description":"\u003cp\u003eTerracotta and cinnamon blooms on an ivory ground, with the stems and leaves worked in forest floor green. At a distance the pattern reads almost entirely warm: the dark foliage holds the structure, but the eye takes the salmon and the marigold first. Up close the cool notes surface—slate at the center of the open flowers, sage in the narrower leaves, flax running along the vine.\u003c\/p\u003e\n\u003cp\u003eA fragment of a tambour-embroidered coverlet, held by the Rijksmuseum in Amsterdam (accession BK-1980-773-B), is the source for this design. The fragment was worked in Gujarat c. 1720 – c. 1740, using a hooked needle pulled through twill-woven cotton to build up silk chain-stitch in continuous curving lines. The object measures 173 cm in height; its width was not recorded. What survived is a field of volutes and stylized flowers worked in polychrome silk on a cotton ground. Printed to order.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eGreat pattern doesn’t ask for permission; it stops you. In \u003cem\u003eArt Objects\u003c\/em\u003e, Jeanette Winterson described a painting with “more power to stop me than I had power to walk on.”\u003c\/p\u003e\n\u003cp\u003eThe source object—worked in Gujarat c. 1720 – c. 1740—demands that same attention. An embroiderer stretched cotton twill across a frame and pulled silk thread through the ground with a fine hooked needle, building continuous chain stitches line by line. What survived of that coverlet is a single 173 cm fragment, gifted to the Rijksmuseum in 1980 by the Stichting Twickel.\u003c\/p\u003e\n\u003cp\u003eThe original object is silk worked into cotton; the printed product is ink. Ink isn’t silk, but the line and the spacing translate directly. The colour is ours — the colorways are built from the Vintage Botanica palette, not sampled from the object.\u003c\/p\u003e\n\u003cp\u003e(Catalogued under Rijksmuseum accession BK-1980-773-B. Published in \u003cem\u003eAsian Splendour: Company Art in the Rijksmuseum\u003c\/em\u003e, p. 57, fig. 35. Public domain.)\u003c\/p\u003e\n\u003ch3\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of an embroidered coverlet. Cotton twill with silk embroidery. Gujarat, c. 1720 – c. 1740.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHolding institution:\u003c\/strong\u003e Rijksmuseum, Amsterdam. Accession BK-1980-773-B.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaker:\u003c\/strong\u003e Anonymous. Recorded maker role: embroiderer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Tambour embroidery, worked with a hooked needle. Twill ground.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 173 cm. Width not recorded.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcquisition:\u003c\/strong\u003e Gift of the Stichting Twickel, 1980.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRights:\u003c\/strong\u003e Public domain.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in. × 38.3 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Straight repeat.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648815562888,"sku":"97847-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648815595656,"sku":"97847-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648815628424,"sku":"97847-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648815661192,"sku":"97847-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201748.webp?v=1791578375"},{"product_id":"tetrels-saisons-des-fleurs-slate-mist-wallpaper","title":"Tétrel's Saisons des Fleurs, Slate \/ Mist Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eLarge multi-petalled blooms, buds and grass-like blades overlap in an all-over field. Translated from Saisons des fleurs, a French woodblock-printed wallpaper designed by Prosper Tétrel, dated 1898–1899 by the Musée des Arts Décoratifs and shown at the Paris Universal Exhibition of 1900. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eMist blooms on a slate blue ground. Blue-grey flowers on a deeper blue keep the whole pattern within one colour family, reading as tone and movement from across a room. Up close, a fine contour line holds every petal and blade.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper \"Saisons des fleurs\", designed by Prosper Tétrel and made by Desfossé et Karth, printed from wood blocks on a hand-brushed ground. Worked from photographs of another printing of the same wallpaper.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 987.521.1-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1898–1899, as dated by the Musée des Arts Décoratifs. Shown at the Paris Universal Exhibition of 1900.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 27 in. Half-drop match, offset 13.5 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e The largest bloom is about 5.9 in wide by 5.6 in high, a quarter of the repeat width.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e An all-over field with no border: large blooms, buds, clusters of small florets on branching stems, broad leaves and grass-like blades, overlapping across the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat printed colours with no gradients or shading: a contour line, three background planes, bloom fill, bloom shadow, a centre accent and stem shadow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Shapes are held by a fine contour line. The woodblock print and brushed ground of the original are reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648816087176,"sku":"164706-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648816119944,"sku":"164706-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648816152712,"sku":"164706-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648816185480,"sku":"164706-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201823.webp?v=1791578376"},{"product_id":"mughal-poppy-indigo-marigold-wallpaper","title":"Mughal Poppy, Indigo \/ Marigold Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA late seventeenth-century dastarkana—an Indian summer carpet hand-drawn in kalamkari and conserved at The Metropolitan Museum of Art—was the starting point for Mughal Poppy. Drawn down to three-fifths scale, every hand-painted line was translated to preserve the painterly look of the original kalam. Ground takes three-quarters of the surface, leaving wide, breathing fields around each plant so the density stays inside the motif without closing a room in.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eSomeone cut the original up. Twelve feet of hand-painted poppies, sliced into puzzle-piece shapes to fit around a column, or a tent post, or a smaller room—no one wrote down which. What reached the museum in 1982 was a little under half: plain-weave cotton from the Mughal period, mordant-painted and resist-dyed, the poppies drawn by hand rather than stamped from a block. Green was made by painting yellow over indigo. On most surviving kalamkaris the yellow is gone and only the blue is left; on this one it held.\u003c\/p\u003e\n\u003cp\u003eIt came in with the Alice and Nasli Heeramaneck Collection, a gift of Alice Heeramaneck, and then sat for thirty-two years because the border was too fragile to handle. Conservation ran past a hundred hours—the binding removed, tideline stains lifted with poultice, the cloth humidified flat until the creases relaxed. It went up in Gallery 464 in 2015, in the Department of Islamic Art, on a slanted board held by insect pins, because no one was willing to put a stitch through it.\u003c\/p\u003e\n\u003cp\u003eThe conservators chose not to join the fragments back together or reconstruct what was lost. That was deliberate, out of respect for what the object had actually lived through. The carpet as a whole stays broken. But the design was made to be lived with—walked on, sat beside, used—and it spent thirty-two years in a drawer. The fragments held a complete plant and the rhythm that placed it. That was enough to bring it back out.\u003c\/p\u003e\n\u003cp\u003eIt will never be a floorspread again. The poppies stop abruptly on a slant board in Gallery 464. Now they keep going—row after row, past the corner, the way they did before someone cut it up.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of a floorspread, late seventeenth century, India. The Metropolitan Museum of Art, accession 1982.239a\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in (12 in half-drop)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648816218248,"sku":"164968-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648816251016,"sku":"164968-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648816283784,"sku":"164968-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648816316552,"sku":"164968-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201753.webp?v=1791578377"},{"product_id":"tambour-floral-travertine-sage-wallpaper","title":"Tambour Floral, Travertine \/ Sage Wallpaper","description":"\u003cp\u003eSage and eucalyptus blooms on a warm travertine ground, with forest floor green in the leaves. The value range is narrow, so at a distance the flowers recede and the foliage does the drawing—dark leaves cutting through a single soft field. Up close the blooms separate out: rose quartz and honey in the petals, sage shadow in the folds, a thin pink line at the leaf edge.\u003c\/p\u003e\n\u003cp\u003eA fragment of a tambour-embroidered coverlet, held by the Rijksmuseum in Amsterdam (accession BK-1980-773-B), is the source for this design. The fragment was worked in Gujarat c. 1720 – c. 1740, using a hooked needle pulled through twill-woven cotton to build up silk chain-stitch in continuous curving lines. The object measures 173 cm in height; its width was not recorded. What survived is a field of volutes and stylized flowers worked in polychrome silk on a cotton ground. Printed to order.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eGreat pattern doesn’t ask for permission; it stops you. In \u003cem\u003eArt Objects\u003c\/em\u003e, Jeanette Winterson described a painting with “more power to stop me than I had power to walk on.”\u003c\/p\u003e\n\u003cp\u003eThe source object—worked in Gujarat c. 1720 – c. 1740—demands that same attention. An embroiderer stretched cotton twill across a frame and pulled silk thread through the ground with a fine hooked needle, building continuous chain stitches line by line. What survived of that coverlet is a single 173 cm fragment, gifted to the Rijksmuseum in 1980 by the Stichting Twickel.\u003c\/p\u003e\n\u003cp\u003eThe original object is silk worked into cotton; the printed product is ink. Ink isn’t silk, but the line and the spacing translate directly. The colour is ours — the colorways are built from the Vintage Botanica palette, not sampled from the object.\u003c\/p\u003e\n\u003cp\u003e(Catalogued under Rijksmuseum accession BK-1980-773-B. Published in \u003cem\u003eAsian Splendour: Company Art in the Rijksmuseum\u003c\/em\u003e, p. 57, fig. 35. Public domain.)\u003c\/p\u003e\n\u003ch3\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of an embroidered coverlet. Cotton twill with silk embroidery. Gujarat, c. 1720 – c. 1740.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHolding institution:\u003c\/strong\u003e Rijksmuseum, Amsterdam. Accession BK-1980-773-B.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaker:\u003c\/strong\u003e Anonymous. Recorded maker role: embroiderer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Tambour embroidery, worked with a hooked needle. Twill ground.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 173 cm. Width not recorded.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcquisition:\u003c\/strong\u003e Gift of the Stichting Twickel, 1980.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRights:\u003c\/strong\u003e Public domain.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in. × 38.3 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Straight repeat.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648816349320,"sku":"97848-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648816382088,"sku":"97848-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648816414856,"sku":"97848-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648816447624,"sku":"97848-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201726.webp?v=1791578378"},{"product_id":"tambour-floral-forest-floor-pomegranate-wallpaper","title":"Tambour Floral, Forest Floor \/ Pomegranate Wallpaper","description":"\u003cp\u003ePomegranate blooms on a deep forest floor ground, with eucalyptus in the leaves. Green and pomegranate sit opposite one another, but the two are close in lightness, so contrast is low and the blooms settle into the ground. The eucalyptus foliage reads pale against the dark green, and up close honey holds the flower centers, with pomegranate carrying through the smaller blooms.\u003c\/p\u003e\n\u003cp\u003eA fragment of a tambour-embroidered coverlet, held by the Rijksmuseum in Amsterdam (accession BK-1980-773-B), is the source for this design. The fragment was worked in Gujarat c. 1720 – c. 1740, using a hooked needle pulled through twill-woven cotton to build up silk chain-stitch in continuous curving lines. The object measures 173 cm in height; its width was not recorded. What survived is a field of volutes and stylized flowers worked in polychrome silk on a cotton ground. Printed to order.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eGreat pattern doesn’t ask for permission; it stops you. In \u003cem\u003eArt Objects\u003c\/em\u003e, Jeanette Winterson described a painting with “more power to stop me than I had power to walk on.”\u003c\/p\u003e\n\u003cp\u003eThe source object—worked in Gujarat c. 1720 – c. 1740—demands that same attention. An embroiderer stretched cotton twill across a frame and pulled silk thread through the ground with a fine hooked needle, building continuous chain stitches line by line. What survived of that coverlet is a single 173 cm fragment, gifted to the Rijksmuseum in 1980 by the Stichting Twickel.\u003c\/p\u003e\n\u003cp\u003eThe original object is silk worked into cotton; the printed product is ink. Ink isn’t silk, but the line and the spacing translate directly. The colour is ours — the colorways are built from the Vintage Botanica palette, not sampled from the object.\u003c\/p\u003e\n\u003cp\u003e(Catalogued under Rijksmuseum accession BK-1980-773-B. Published in \u003cem\u003eAsian Splendour: Company Art in the Rijksmuseum\u003c\/em\u003e, p. 57, fig. 35. Public domain.)\u003c\/p\u003e\n\u003ch3\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of an embroidered coverlet. Cotton twill with silk embroidery. Gujarat, c. 1720 – c. 1740.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHolding institution:\u003c\/strong\u003e Rijksmuseum, Amsterdam. Accession BK-1980-773-B.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaker:\u003c\/strong\u003e Anonymous. Recorded maker role: embroiderer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Tambour embroidery, worked with a hooked needle. Twill ground.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 173 cm. Width not recorded.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcquisition:\u003c\/strong\u003e Gift of the Stichting Twickel, 1980.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRights:\u003c\/strong\u003e Public domain.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in. × 38.3 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Straight repeat.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648816742536,"sku":"97846-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648816775304,"sku":"97846-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648816808072,"sku":"97846-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648816840840,"sku":"97846-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201648.webp?v=1791578377"},{"product_id":"flowering-pomegranate-linen-forest-floor-wallpaper","title":"Flowering Pomegranate, Linen \/ Forest Floor Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSinuous lace borders interlock to form an undulating ogee lattice through Flowering Pomegranate, framing a central blossom suspended between paired, swelling fruits — pomegranates, a Byzantine fashion carried from Renaissance silk to French cotton. The source is an 18th-century block-printed quilt in the Musée de la Toile de Jouy, photographed in the gallery and redrawn by hand. Heavy woodblock outlines set against a lattice that carries the eye up the wall, giving a room clear vertical structure at a 24-inch repeat.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eLong before French woodcutters carved its form into printing blocks, \u003cem\u003ePunica granatum\u003c\/em\u003e—the pomegranate—carried thousands of years of symbolic weight. Native to ancient Persia, the tree supplied both sustenance and craft: its bark yielded tannin for curing leather, while its rind and flowers produced textile dyes. Across global traditions, the fruit became an enduring emblem of health, fertility, and renewal—buried with the ancient Egyptians for the afterlife, embroidered around the hems of Hebrew high priests' robes, woven into Christian vestments and hangings as a symbol of resurrection, and gifted at Chinese weddings as an omen of posterity.\u003c\/p\u003e\n\u003cp\u003eBy the Renaissance, European silk weavers had adopted the fruit as a primary motif for luxury lampas and brocatelles, the fashion carried out of Byzantium and into Europe by way of Spain.\u003c\/p\u003e\n\u003cp\u003eThis design originates from a 280 × 200 cm quilted and piqué bedspread produced in a small French workshop—one the museum places below the level of the Oberkampf Manufactory. With its thick, hand-drawn outlines and limited palette—originally red, black, and a deep \"puce\"—it carries the colours and line weight of the jafracanis imported from India, grounding centuries of global botanical symbolism in the quiet rhythm of 18th-century printmaking.\u003c\/p\u003e\n\u003cp\u003eThe surviving quilt was donated to the Musée de la Toile de Jouy in 2019 by les Amis du Musée de la Toile de Jouy.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Block-printed cotton piqué bedspread, second half 18th century, French. Musée de la Toile de Jouy, donated by les Amis du Musée de la Toile de Jouy, 2019\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Gallery label, Musée de la Toile de Jouy. Dilys Blum, \u003cem\u003eAn Enduring Motif: The Pomegranate in Textiles\u003c\/em\u003e, Philadelphia Museum of Art, 2009–10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648817135752,"sku":"172591-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648817168520,"sku":"172591-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648817201288,"sku":"172591-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648817234056,"sku":"172591-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201824.webp?v=1791578378"},{"product_id":"tulip-ivory-indigo-wallpaper","title":"Tulip, Ivory \/ Indigo Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA small open tulip in near-black blue on warm ivory, scattered across an open four-inch repeat. The indigo is dark enough that the silhouette closes fully and the shape holds from across a room. The edge stays soft, but the contrast is high enough that the pattern reads as graphic.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eThe design was translated from drawing 4608 in a volume of French textile designs held at the Clark Art Institute Library. The drawing is a watercolour record of a printed cloth, not a piece of fabric. The motif is small and the scatter is open, so the pattern holds its place beside a larger design rather than competing with it. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eDrawing 4608 comes from a volume of nineteenth-century French textile designs with no title page and no publisher named. The drawings are mounted watercolours, each on its own sheet. This one is worked in a single colour, with a numbered list of twelve colours written down the right margin in ink — nine for the motif and two for the ground, in the same hand that numbered the page.\u003c\/p\u003e\n\u003cp\u003eA label inside the front cover identifies the firm as Maison Robert, with Victor Ducroquet listed as son-in-law and successor. The label gives an address in Paris and names the firm as a depot for papers made by another manufacturer. Two medals on the label are dated 1844. The library catalogues the volume to about 1863.\u003c\/p\u003e\n\u003cp\u003eThe volume is part of the Mary Ann Beinecke Decorative Art Collection at the Clark Art Institute Library, a collection of over 1,200 volumes on textiles and decorative art assembled by the weaver and textile artist Mary Ann Beinecke. The small floral motif and open scatter hold their place beside a larger design rather than competing with it.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Watercolour drawing of a textile design, number 4608, mounted in a bound volume of French textile designs. Maison Robert, Paris. Sterling and Francine Clark Art Institute Library, Williamstown, Massachusetts, call number NK8849 M28. Mary Ann Beinecke Decorative Art Collection\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e Catalogued by the library as approximately 1863. The trade label carries two medals dated 1844\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLabel:\u003c\/strong\u003e Mounted inside the front cover: Maison Robert, Victor Ducroquet, gendre et successeur, no. 78312\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVolume:\u003c\/strong\u003e 169 pages, 220 mounted colour illustrations, designs numbered 4495 to 4735. No title page, contents page or copyright page. Title from the spine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 4 in. square, straight match\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e 0.31 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Internet Archive frenchtextiles00unse, page n99. OCLC 1045562508\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648817266824,"sku":"170150-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648817299592,"sku":"170150-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648817332360,"sku":"170150-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648817365128,"sku":"170150-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201807_dbc6d8d6-6750-4f44-bc26-1579e05a9cd5.webp?v=1791578379"},{"product_id":"ragged-poppy-sandstone-terracotta-wallpaper","title":"Ragged Poppy, Sandstone \/ Terracotta Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eThe colorway closest to the printed original: a warm terracotta poppy on a pale sandstone ground. Contrast is moderate, so the flower separates clearly without going graphic and the pattern reads as drawing rather than silhouette. A generous 24-inch repeat sets a full poppy well inside a standard wall panel. Translated from a block-printed Arts and Crafts cloth of 1902, on wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eJohn Scarratt Rigby drew the poppy in 1902, block-printed on plain-weave cotton in London. 'Ragged Poppy' is translated from that cloth, now in the Art Institute of Chicago—redrawn by hand with its border removed, the field tiled to a 24-inch panel. The flower is open and dense at generous scale, and the pale ground reads as much as the motif at conversational distance.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eEight and a half feet of cotton, printed with poppies and closed on all four sides by a border of paired buds and scrolling leaves. It was made to be spread flat and looked down on. A tablecloth or a bedcover—the museum's catalogue will not say which, and gives the title only as probably “Ragged Poppy.”\u003c\/p\u003e\n\u003cp\u003eJohn Scarratt Rigby drew it in 1902. He supplied block prints and woven textiles to G.P. \u0026amp; J. Baker, A.H. Lee of Birkenhead, Alexander Morton, and Liberty \u0026amp; Co. This cloth reached the public under Liberty's name. He was honorary secretary of the Society of Designers.\u003c\/p\u003e\n\u003cp\u003eIn “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” Rigby conceded the field, writing that decorative art could not be discussed without constant reference to Morris's work. Morris's own Poppy, a design of 1881, sits in the Art Institute of Chicago. So does Rigby's cloth, which passed through the Antique Textile Company in London and was sold to the museum in 1990 on the Kelvyn G. Lilley Memorial Fund. Morris's is under his name. Rigby's is under a title someone thought to give it.\u003c\/p\u003e\n\u003cp\u003eRigby drew the field to stop at a border. Remove the border and the pattern keeps going.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Designed by John Scarratt Rigby (English, 1833–1914), produced by G.P. \u0026amp; J. Baker for Liberty \u0026amp; Co., London. Cotton, plain weave; block printed. 265.8 × 185.1 cm (104 5\/8 × 72 7\/8 in.); warp repeat 104.1 cm (41 in.). Kelvyn G. Lilley Memorial Fund. The Art Institute of Chicago, accession 1990.522.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSecond example:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Same designer and makers. Silk, plain weave; block printed. 182 × 184.2 cm (71 5\/8 × 72 1\/2 in.). Alexander Demond Fund. The Art Institute of Chicago, accession 1987.335.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 24 in × 16.1 in. Layout [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBordered rug:\u003c\/b\u003e available to trade. The rug carries a border, as the original does.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e J. Scarratt Rigby, “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” in Clive Edwards, ed., \u003ci\u003eNineteenth-Century Design\u003c\/i\u003e, vol. III (Routledge, 2021). Design sketches by John Scarratt Rigby, University of Glasgow Archive Services, Stoddard International design archive, GB 248 STOD\/DES\/142.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648817397896,"sku":"166544-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648817430664,"sku":"166544-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648817463432,"sku":"166544-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648817496200,"sku":"166544-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201519.webp?v=1791578379"},{"product_id":"tetrels-saisons-des-fleurs-indigo-ivory-wallpaper","title":"Tétrel's Saisons des Fleurs, Indigo \/ Ivory Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eLarge multi-petalled blooms, buds and grass-like blades overlap in an all-over field. Translated from Saisons des fleurs, a French woodblock-printed wallpaper designed by Prosper Tétrel, dated 1898–1899 by the Musée des Arts Décoratifs and shown at the Paris Universal Exhibition of 1900. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eIvory blooms on a near-black indigo ground. The white flowers stand sharply off the dark ground and carry the pattern from across a room. Up close, a fine contour line holds every petal and blade.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper \"Saisons des fleurs\", designed by Prosper Tétrel and made by Desfossé et Karth, printed from wood blocks on a hand-brushed ground. Worked from photographs of another printing of the same wallpaper.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 987.521.1-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1898–1899, as dated by the Musée des Arts Décoratifs. Shown at the Paris Universal Exhibition of 1900.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 27 in. Half-drop match, offset 13.5 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e The largest bloom is about 5.9 in wide by 5.6 in high, a quarter of the repeat width.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e An all-over field with no border: large blooms, buds, clusters of small florets on branching stems, broad leaves and grass-like blades, overlapping across the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat printed colours with no gradients or shading: a contour line, three background planes, bloom fill, bloom shadow, a centre accent and stem shadow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Shapes are held by a fine contour line. The woodblock print and brushed ground of the original are reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648817791112,"sku":"164704-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648817823880,"sku":"164704-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648817856648,"sku":"164704-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648817889416,"sku":"164704-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201521_dfdde5a3-dd52-4589-a518-28e4b4e82610.webp?v=1791578379"},{"product_id":"branchages-ondulants-linen-indigo-wallpaper","title":"Branchages Ondulants, Linen \/ Indigo Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eVertical sprays of small leaves fill the ground, threaded with chains of berries. Translated from a wallpaper designed by Jacques-Emile Ruhlmann and printed in Paris in 1918, now in the Musée des Arts Décoratifs. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eIndigo leaves on a pale linen ground, with pomegranate red berries. The leaves cover close to half the surface, so the cloth reads as dark blue foliage on a pale ground, with small points of red running through it. Up close, a highlight along each leaf edge and a soft halo around the berries give the print its depth.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper designed by Jacques-Emile Ruhlmann (1879–1933) and made by Desfossé \u0026amp; Karth, Paris, cylinder-printed in two colours on a brushed white ground. Photographed at the Musée des Arts Décoratifs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 2002.78.1.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e Paris, France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1918.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 26.9 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Leaves are about 1 in long and berries about 0.4 in across. The largest berry cluster is 6.5 in wide.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Vertical sprays of leaves fill the repeat. Berry chains run in two columns 12 in apart, the clusters in one column stepped from those in the next. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat colours for leaf, ground and berry, with a lighter centre in each berry, plus printed tone: a lighter tint on some leaves, a highlight along leaf edges, a shadow beside the leaves and a soft halo around the berries.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Leaves meet the ground at hard edges; the highlights and the berry halo are soft.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648818708616,"sku":"174309-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648818741384,"sku":"174309-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648818774152,"sku":"174309-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648818806920,"sku":"174309-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201728.webp?v=1791578383"},{"product_id":"ragged-poppy-sandstone-verdigris-wallpaper","title":"Ragged Poppy, Sandstone \/ Verdigris Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA green poppy on a pale, warm sandstone ground, which sets a cool motif against a warm field. Contrast is moderate, and the flower reads as foliage first and flower second — the closest this range comes to a botanical green. The poppy is drawn at full size within a two-foot repeat. Translated from a cotton tablecloth or bedcover block-printed in London in 1902, accession 1990.522, on wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eJohn Scarratt Rigby drew the poppy in 1902, block-printed on plain-weave cotton in London. 'Ragged Poppy' is translated from that cloth, now in the Art Institute of Chicago—redrawn by hand with its border removed, the field tiled to a 24-inch panel. The flower is open and dense at generous scale, and the pale ground reads as much as the motif at conversational distance.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eEight and a half feet of cotton, printed with poppies and closed on all four sides by a border of paired buds and scrolling leaves. It was made to be spread flat and looked down on. A tablecloth or a bedcover—the museum's catalogue will not say which, and gives the title only as probably “Ragged Poppy.”\u003c\/p\u003e\n\u003cp\u003eJohn Scarratt Rigby drew it in 1902. He supplied block prints and woven textiles to G.P. \u0026amp; J. Baker, A.H. Lee of Birkenhead, Alexander Morton, and Liberty \u0026amp; Co. This cloth reached the public under Liberty's name. He was honorary secretary of the Society of Designers.\u003c\/p\u003e\n\u003cp\u003eIn “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” Rigby conceded the field, writing that decorative art could not be discussed without constant reference to Morris's work. Morris's own Poppy, a design of 1881, sits in the Art Institute of Chicago. So does Rigby's cloth, which passed through the Antique Textile Company in London and was sold to the museum in 1990 on the Kelvyn G. Lilley Memorial Fund. Morris's is under his name. Rigby's is under a title someone thought to give it.\u003c\/p\u003e\n\u003cp\u003eRigby drew the field to stop at a border. Remove the border and the pattern keeps going.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Designed by John Scarratt Rigby (English, 1833–1914), produced by G.P. \u0026amp; J. Baker for Liberty \u0026amp; Co., London. Cotton, plain weave; block printed. 265.8 × 185.1 cm (104 5\/8 × 72 7\/8 in.); warp repeat 104.1 cm (41 in.). Kelvyn G. Lilley Memorial Fund. The Art Institute of Chicago, accession 1990.522.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSecond example:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Same designer and makers. Silk, plain weave; block printed. 182 × 184.2 cm (71 5\/8 × 72 1\/2 in.). Alexander Demond Fund. The Art Institute of Chicago, accession 1987.335.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 24 in × 16.1 in. Layout [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBordered rug:\u003c\/b\u003e available to trade. The rug carries a border, as the original does.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e J. Scarratt Rigby, “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” in Clive Edwards, ed., \u003ci\u003eNineteenth-Century Design\u003c\/i\u003e, vol. III (Routledge, 2021). Design sketches by John Scarratt Rigby, University of Glasgow Archive Services, Stoddard International design archive, GB 248 STOD\/DES\/142.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648818970760,"sku":"166549-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648819003528,"sku":"166549-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648819036296,"sku":"166549-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648819069064,"sku":"166549-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201645.webp?v=1791578385"},{"product_id":"tetrels-saisons-des-fleurs-sage-mist-wallpaper","title":"Tétrel's Saisons des Fleurs, Sage \/ Mist Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eLarge multi-petalled blooms, buds and grass-like blades overlap in an all-over field. Translated from Saisons des fleurs, a French woodblock-printed wallpaper designed by Prosper Tétrel, dated 1898–1899 by the Musée des Arts Décoratifs and shown at the Paris Universal Exhibition of 1900. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eMist blooms on a sage green ground. Pale blue-grey flowers on grey-green keep the values close, so the pattern is soft from a distance and fills in as you approach. Up close, a fine contour line holds every petal and blade.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper \"Saisons des fleurs\", designed by Prosper Tétrel and made by Desfossé et Karth, printed from wood blocks on a hand-brushed ground. Worked from photographs of another printing of the same wallpaper.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 987.521.1-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1898–1899, as dated by the Musée des Arts Décoratifs. Shown at the Paris Universal Exhibition of 1900.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 27 in. Half-drop match, offset 13.5 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e The largest bloom is about 5.9 in wide by 5.6 in high, a quarter of the repeat width.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e An all-over field with no border: large blooms, buds, clusters of small florets on branching stems, broad leaves and grass-like blades, overlapping across the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat printed colours with no gradients or shading: a contour line, three background planes, bloom fill, bloom shadow, a centre accent and stem shadow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Shapes are held by a fine contour line. The woodblock print and brushed ground of the original are reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648819101832,"sku":"164707-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648819134600,"sku":"164707-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648819167368,"sku":"164707-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648819200136,"sku":"164707-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201540.webp?v=1791578385"},{"product_id":"flowering-pomegranate-eucalyptus-terracotta-wallpaper","title":"Flowering Pomegranate, Eucalyptus \/ Terracotta Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSinuous lace borders interlock to form an undulating ogee lattice through Flowering Pomegranate, framing a central blossom suspended between paired, swelling fruits — pomegranates, a Byzantine fashion carried from Renaissance silk to French cotton. The source is an 18th-century block-printed quilt in the Musée de la Toile de Jouy, photographed in the gallery and redrawn by hand. Heavy woodblock outlines set against a lattice that carries the eye up the wall, giving a room clear vertical structure at a 24-inch repeat.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eLong before French woodcutters carved its form into printing blocks, \u003cem\u003ePunica granatum\u003c\/em\u003e—the pomegranate—carried thousands of years of symbolic weight. Native to ancient Persia, the tree supplied both sustenance and craft: its bark yielded tannin for curing leather, while its rind and flowers produced textile dyes. Across global traditions, the fruit became an enduring emblem of health, fertility, and renewal—buried with the ancient Egyptians for the afterlife, embroidered around the hems of Hebrew high priests' robes, woven into Christian vestments and hangings as a symbol of resurrection, and gifted at Chinese weddings as an omen of posterity.\u003c\/p\u003e\n\u003cp\u003eBy the Renaissance, European silk weavers had adopted the fruit as a primary motif for luxury lampas and brocatelles, the fashion carried out of Byzantium and into Europe by way of Spain.\u003c\/p\u003e\n\u003cp\u003eThis design originates from a 280 × 200 cm quilted and piqué bedspread produced in a small French workshop—one the museum places below the level of the Oberkampf Manufactory. With its thick, hand-drawn outlines and limited palette—originally red, black, and a deep \"puce\"—it carries the colours and line weight of the jafracanis imported from India, grounding centuries of global botanical symbolism in the quiet rhythm of 18th-century printmaking.\u003c\/p\u003e\n\u003cp\u003eThe surviving quilt was donated to the Musée de la Toile de Jouy in 2019 by les Amis du Musée de la Toile de Jouy.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Block-printed cotton piqué bedspread, second half 18th century, French. Musée de la Toile de Jouy, donated by les Amis du Musée de la Toile de Jouy, 2019\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Gallery label, Musée de la Toile de Jouy. Dilys Blum, \u003cem\u003eAn Enduring Motif: The Pomegranate in Textiles\u003c\/em\u003e, Philadelphia Museum of Art, 2009–10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648819232904,"sku":"167974-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648819265672,"sku":"167974-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648819298440,"sku":"167974-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648819331208,"sku":"167974-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201901.webp?v=1791578384"},{"product_id":"tambour-floral-fog-indigo-wallpaper","title":"Tambour Floral, Fog \/ Indigo Wallpaper","description":"\u003cp\u003eIndigo and slate blooms on a cool fog ground, with forest floor green in the leaves. The ground is cool and the palette carries no warm tone at scale, so at a distance it reads graphic rather than floral—the dark blues close their silhouettes and the pattern holds its shape from across a room. Up close the warmth appears in small quantities: honey at the flower centers, a blackcurrant line along the leaf edge.\u003c\/p\u003e\n\u003cp\u003eA fragment of a tambour-embroidered coverlet, held by the Rijksmuseum in Amsterdam (accession BK-1980-773-B), is the source for this design. The fragment was worked in Gujarat c. 1720 – c. 1740, using a hooked needle pulled through twill-woven cotton to build up silk chain-stitch in continuous curving lines. The object measures 173 cm in height; its width was not recorded. What survived is a field of volutes and stylized flowers worked in polychrome silk on a cotton ground. Printed to order.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eGreat pattern doesn’t ask for permission; it stops you. In \u003cem\u003eArt Objects\u003c\/em\u003e, Jeanette Winterson described a painting with “more power to stop me than I had power to walk on.”\u003c\/p\u003e\n\u003cp\u003eThe source object—worked in Gujarat c. 1720 – c. 1740—demands that same attention. An embroiderer stretched cotton twill across a frame and pulled silk thread through the ground with a fine hooked needle, building continuous chain stitches line by line. What survived of that coverlet is a single 173 cm fragment, gifted to the Rijksmuseum in 1980 by the Stichting Twickel.\u003c\/p\u003e\n\u003cp\u003eThe original object is silk worked into cotton; the printed product is ink. Ink isn’t silk, but the line and the spacing translate directly. The colour is ours — the colorways are built from the Vintage Botanica palette, not sampled from the object.\u003c\/p\u003e\n\u003cp\u003e(Catalogued under Rijksmuseum accession BK-1980-773-B. Published in \u003cem\u003eAsian Splendour: Company Art in the Rijksmuseum\u003c\/em\u003e, p. 57, fig. 35. Public domain.)\u003c\/p\u003e\n\u003ch3\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of an embroidered coverlet. Cotton twill with silk embroidery. Gujarat, c. 1720 – c. 1740.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHolding institution:\u003c\/strong\u003e Rijksmuseum, Amsterdam. Accession BK-1980-773-B.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaker:\u003c\/strong\u003e Anonymous. Recorded maker role: embroiderer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Tambour embroidery, worked with a hooked needle. Twill ground.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 173 cm. Width not recorded.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcquisition:\u003c\/strong\u003e Gift of the Stichting Twickel, 1980.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRights:\u003c\/strong\u003e Public domain.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in. × 38.3 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Straight repeat.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648820478088,"sku":"97852-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648820510856,"sku":"97852-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648820543624,"sku":"97852-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648820576392,"sku":"97852-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201810.webp?v=1791578386"},{"product_id":"tulip-flax-pomegranate-wallpaper","title":"Tulip, Flax \/ Pomegranate Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA small open tulip in dusty red on warm tan, scattered across an open four-inch repeat. The two colours sit close in value, so the surface reads as warm colour with a rhythm in it rather than as sharp pattern. The tulip emerges rather than announces itself, and up close the soft edge is plainly visible.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eThe design was translated from drawing 4608 in a volume of French textile designs held at the Clark Art Institute Library. The drawing is a watercolour record of a printed cloth, not a piece of fabric. The motif is small and the scatter is open, so the pattern holds its place beside a larger design rather than competing with it. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eDrawing 4608 comes from a volume of nineteenth-century French textile designs with no title page and no publisher named. The drawings are mounted watercolours, each on its own sheet. This one is worked in a single colour, with a numbered list of twelve colours written down the right margin in ink — nine for the motif and two for the ground, in the same hand that numbered the page.\u003c\/p\u003e\n\u003cp\u003eA label inside the front cover identifies the firm as Maison Robert, with Victor Ducroquet listed as son-in-law and successor. The label gives an address in Paris and names the firm as a depot for papers made by another manufacturer. Two medals on the label are dated 1844. The library catalogues the volume to about 1863.\u003c\/p\u003e\n\u003cp\u003eThe volume is part of the Mary Ann Beinecke Decorative Art Collection at the Clark Art Institute Library, a collection of over 1,200 volumes on textiles and decorative art assembled by the weaver and textile artist Mary Ann Beinecke. The small floral motif and open scatter hold their place beside a larger design rather than competing with it.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Watercolour drawing of a textile design, number 4608, mounted in a bound volume of French textile designs. Maison Robert, Paris. Sterling and Francine Clark Art Institute Library, Williamstown, Massachusetts, call number NK8849 M28. Mary Ann Beinecke Decorative Art Collection\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e Catalogued by the library as approximately 1863. The trade label carries two medals dated 1844\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLabel:\u003c\/strong\u003e Mounted inside the front cover: Maison Robert, Victor Ducroquet, gendre et successeur, no. 78312\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eVolume:\u003c\/strong\u003e 169 pages, 220 mounted colour illustrations, designs numbered 4495 to 4735. No title page, contents page or copyright page. Title from the spine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 4 in. square, straight match\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e 0.31 in\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Internet Archive frenchtextiles00unse, page n99. OCLC 1045562508\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648820740232,"sku":"170153-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648820773000,"sku":"170153-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648820805768,"sku":"170153-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648820838536,"sku":"170153-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201915.webp?v=1791578386"},{"product_id":"tetrels-saisons-des-fleurs-slate-mist-wallpaper-1","title":"Tétrel's Saisons des Fleurs, Slate \/ Mist Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eLarge multi-petalled blooms, buds and grass-like blades overlap in an all-over field. Translated from Saisons des fleurs, a French woodblock-printed wallpaper designed by Prosper Tétrel, dated 1898–1899 by the Musée des Arts Décoratifs and shown at the Paris Universal Exhibition of 1900. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eMist blooms on a slate blue ground. Blue-grey flowers on a deeper blue keep the whole pattern within one colour family, reading as tone and movement from across a room. Up close, a fine contour line holds every petal and blade.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper \"Saisons des fleurs\", designed by Prosper Tétrel and made by Desfossé et Karth, printed from wood blocks on a hand-brushed ground. Worked from photographs of another printing of the same wallpaper.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 987.521.1-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1898–1899, as dated by the Musée des Arts Décoratifs. Shown at the Paris Universal Exhibition of 1900.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 27 in. Half-drop match, offset 13.5 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e The largest bloom is about 5.9 in wide by 5.6 in high, a quarter of the repeat width.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e An all-over field with no border: large blooms, buds, clusters of small florets on branching stems, broad leaves and grass-like blades, overlapping across the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat printed colours with no gradients or shading: a contour line, three background planes, bloom fill, bloom shadow, a centre accent and stem shadow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Shapes are held by a fine contour line. The woodblock print and brushed ground of the original are reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648821002376,"sku":"165595-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648821035144,"sku":"165595-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648821067912,"sku":"165595-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648821100680,"sku":"165595-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201707.webp?v=1791578386"},{"product_id":"flowering-vine-chintz-forest-floor-pomegranate-wallpaper","title":"Flowering Vine Chintz, Forest Floor \/ Pomegranate Wallpaper","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSmall flowering vines curve across the cloth, scattered with flower heads, leaves and buds. Translated from an Indian cotton chintz of about 1750–1771, now in the Rijksmuseum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eFlowering vines on a deep forest green ground, with pomegranate red leading the flower heads. Red on dark green gives the small flowers a strong presence, and a pale outline lifts the vines off the ground. Up close, each flower, leaf and bud is drawn with a fine outline and filled in flat colour.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Cotton chintz fragment with a pattern of flowering sprigs.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Rijksmuseum, Amsterdam, BK-1976-136.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e India.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e About 1750–1771.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in × 10 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Small-scale. The largest flower head is about 1 in across.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Flowering stems curve across the whole repeat, with flower heads, leaves and buds scattered along them. No stripe, border or medallion. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Seven flat printed colours: ground, an outline for linework and stems, and five fills for flower heads, leaves and centres. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean, with the slightly irregular contour of a brushed line. The staining and creasing of the original are not reproduced.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648821133448,"sku":"174244-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648821166216,"sku":"174244-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648821198984,"sku":"174244-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648821231752,"sku":"174244-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201555.webp?v=1791578388"},{"product_id":"tambour-floral-ivory-pomegranate-wallpaper","title":"Tambour Floral, Ivory \/ Pomegranate Wallpaper","description":"\u003cp\u003ePomegranate and indigo vines coil across an ivory ground, distributed openly enough that the background remains visible between motifs. At a distance the pattern reads as a warm-and-cool scatter: pomegranate red and terracotta as the dominant tones, indigo and blackcurrant as the structural darks, honey and eucalyptus where the stems turn. Up close the embroidery’s layered construction emerges—flax as the lightest thread, blackcurrant and terracotta in the shadowed folds of each volute.\u003c\/p\u003e\n\u003cp\u003eA fragment of a tambour-embroidered coverlet, held by the Rijksmuseum in Amsterdam (accession BK-1980-773-B), is the source for this design. The fragment was worked in Gujarat c. 1720 – c. 1740, using a hooked needle pulled through twill-woven cotton to build up silk chain-stitch in continuous curving lines. The object measures 173 cm in height; its width was not recorded. What survived is a field of volutes and stylized flowers worked in polychrome silk on a cotton ground. Printed to order.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eGreat pattern doesn’t ask for permission; it stops you. In \u003cem\u003eArt Objects\u003c\/em\u003e, Jeanette Winterson described a painting with “more power to stop me than I had power to walk on.”\u003c\/p\u003e\n\u003cp\u003eThe source object—worked in Gujarat c. 1720 – c. 1740—demands that same attention. An embroiderer stretched cotton twill across a frame and pulled silk thread through the ground with a fine hooked needle, building continuous chain stitches line by line. What survived of that coverlet is a single 173 cm fragment, gifted to the Rijksmuseum in 1980 by the Stichting Twickel.\u003c\/p\u003e\n\u003cp\u003eThe original object is silk worked into cotton; the printed product is ink. Ink isn’t silk, but the line and the spacing translate directly. The colour is ours — the colorways are built from the Vintage Botanica palette, not sampled from the object.\u003c\/p\u003e\n\u003cp\u003e(Catalogued under Rijksmuseum accession BK-1980-773-B. Published in \u003cem\u003eAsian Splendour: Company Art in the Rijksmuseum\u003c\/em\u003e, p. 57, fig. 35. Public domain.)\u003c\/p\u003e\n\u003ch3\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of an embroidered coverlet. Cotton twill with silk embroidery. Gujarat, c. 1720 – c. 1740.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHolding institution:\u003c\/strong\u003e Rijksmuseum, Amsterdam. Accession BK-1980-773-B.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMaker:\u003c\/strong\u003e Anonymous. Recorded maker role: embroiderer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eTechnique:\u003c\/strong\u003e Tambour embroidery, worked with a hooked needle. Twill ground.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e Height 173 cm. Width not recorded.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAcquisition:\u003c\/strong\u003e Gift of the Stichting Twickel, 1980.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRights:\u003c\/strong\u003e Public domain.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in. × 38.3 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Straight repeat.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch3\u003eThe Wallpaper\u003c\/h3\u003e \u003ch4\u003ePeel and Stick\u003c\/h4\u003e \u003cp\u003eA self-adhesive paper with a linen-like texture. The texture shows through the print and gives the color a quiet movement, most noticeable across a full wall. It goes up without paste and comes down more easily when the room is ready for something new.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Peel and stick, no paste\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eWalls:\u003c\/strong\u003e Smooth, clean, fully cured paint\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Rentals and rooms where paste-free installation or easier removal matters\u003c\/li\u003e \u003c\/ul\u003e \u003ch4\u003eClay-Coated\u003c\/h4\u003e \u003cp\u003eA traditional unpasted paper with a smooth, soft matte finish. Color sits cleanly on the clay surface, so the finest lines of the pattern stay sharp. It gives a room the familiar finish of traditionally hung wallpaper.\u003c\/p\u003e \u003cul\u003e \u003cli\u003e\n\u003cstrong\u003eInstall:\u003c\/strong\u003e Unpasted; paste is applied to the back of each panel before hanging\u003c\/li\u003e \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Traditional installations, including full rooms and powder rooms away from direct water\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eStart with a sample. Tape it to the wall and live with it for a few days, in morning light and again in the evening. Watch how the color and surface settle into the room, then choose the paper you'll live with.\u003c\/p\u003e \u003c\/details\u003e\u003cbr\u003e\u003cbr\u003e©Vintage Botanica","brand":"NeoTex.cloud-2","offers":[{"title":"Clay-Coated Wallpaper \/ Sample (8in x 10in)","offer_id":67648821264520,"sku":"97850-NTX-1255-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Clay-Coated Wallpaper \/ Roll (24in x 12ft)","offer_id":67648821297288,"sku":"97850-NTX-1255-4027-STX","price":139.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Sample (8in x 10in)","offer_id":67648821330056,"sku":"97850-NTX-860-4028-STX","price":2.0,"currency_code":"USD","in_stock":true},{"title":"Peel \u0026 Stick Wallpaper \/ Roll (24in x 12ft)","offer_id":67648821362824,"sku":"97850-NTX-860-4027-STX","price":159.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/wallpaper_roll_mockup_150_20261009_201929.webp?v=1791578387"}],"url":"https:\/\/vintagebotanica.com\/collections\/floral-botanical-wallpaper.oembed?page=3","provider":"vintagebotanica","version":"1.0","type":"link"}