{"title":"All Fabric","description":null,"products":[{"product_id":"fb_ch1902_1185_pencil_stripe_fog_dustyblue-fabric","title":"Pencil Stripe, Fog \/ Dusty Blue Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eNarrow stripes on a plain ground, printed with the texture of the woven original. Translated from a striped linen and silk fragment at Cooper Hewitt, Smithsonian Design Museum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eDusty blue pencil stripes on a fog grey ground. Blue and grey sit close in value, so the stripe is quiet from a distance. Up close the woven texture shows in both the stripe and the ground.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Striped woven textile fragment in linen and silk, plain weave.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Cooper Hewitt, Smithsonian Design Museum, 1902-1-185.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 13th century, as catalogued by Cooper Hewitt.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 6 in × 6.2 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Each stripe is about 0.3 in wide, spaced about 1.5 in apart, four stripes to the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Vertical stripes run the full height on a plain ground, very slightly uneven in spacing, as in a woven cloth. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Two colours, ground and stripe, both printed with a woven texture; flecks of the ground colour show through the stripe.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean, with a slightly serrated outline where individual threads end. The blue and brown bands of the original are reduced to one repeating stripe and recoloured.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46250607280264,"sku":"165169-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46250607313032,"sku":"165169-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46250607345800,"sku":"165169-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46250607378568,"sku":"165169-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260726_200655.png?v=1785193203"},{"product_id":"fb_ch1902_1185_pencil_stripe_ivory_indigo-fabric","title":"Pencil Stripe, Ivory \/ Indigo Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eNarrow stripes on a plain ground, printed with the texture of the woven original. Translated from a striped linen and silk fragment at Cooper Hewitt, Smithsonian Design Museum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eIndigo pencil stripes on an ivory ground. The dark stripes are crisp against the pale ground and read clearly from across a room. Up close the woven texture shows, with flecks of ivory breaking through the indigo.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Striped woven textile fragment in linen and silk, plain weave.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Cooper Hewitt, Smithsonian Design Museum, 1902-1-185.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 13th century, as catalogued by Cooper Hewitt.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 6 in × 6.2 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Each stripe is about 0.3 in wide, spaced about 1.5 in apart, four stripes to the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Vertical stripes run the full height on a plain ground, very slightly uneven in spacing, as in a woven cloth. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Two colours, ground and stripe, both printed with a woven texture; flecks of the ground colour show through the stripe.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean, with a slightly serrated outline where individual threads end. The blue and brown bands of the original are reduced to one repeating stripe and recoloured.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46250607411336,"sku":"165168-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46250607444104,"sku":"165168-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46250607476872,"sku":"165168-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46250607509640,"sku":"165168-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260726_200654.png?v=1785800787"},{"product_id":"fb_ch1902_1185_pencil_stripe_linen_cinnamon-fabric","title":"Pencil Stripe, Linen \/ Cinnamon Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eNarrow stripes on a plain ground, printed with the texture of the woven original. Translated from a striped linen and silk fragment at Cooper Hewitt, Smithsonian Design Museum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eCinnamon pencil stripes on a pale linen ground. The warm red-brown is clear against the pale ground without being stark. Up close the woven texture shows, with flecks of linen breaking through the stripe.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Striped woven textile fragment in linen and silk, plain weave.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Cooper Hewitt, Smithsonian Design Museum, 1902-1-185.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 13th century, as catalogued by Cooper Hewitt.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 6 in × 6.2 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Each stripe is about 0.3 in wide, spaced about 1.5 in apart, four stripes to the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Vertical stripes run the full height on a plain ground, very slightly uneven in spacing, as in a woven cloth. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Two colours, ground and stripe, both printed with a woven texture; flecks of the ground colour show through the stripe.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean, with a slightly serrated outline where individual threads end. The blue and brown bands of the original are reduced to one repeating stripe and recoloured.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46250607542408,"sku":"165167-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46250607575176,"sku":"165167-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46250607607944,"sku":"165167-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46250607640712,"sku":"165167-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260726_200654_d30ca7d6-b164-40c6-bf49-9784ebc3cde8.png?v=1785800778"},{"product_id":"fb_ch1902_1185_pencil_stripe_linen_sage-fabric","title":"Pencil Stripe, Linen \/ Sage Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eNarrow stripes on a plain ground, printed with the texture of the woven original. Translated from a striped linen and silk fragment at Cooper Hewitt, Smithsonian Design Museum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eSage green pencil stripes on a pale linen ground. The grey-green sits softly on the pale ground, a stripe that registers from across a room without hardening. Up close the woven texture shows in both the stripe and the ground.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Striped woven textile fragment in linen and silk, plain weave.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Cooper Hewitt, Smithsonian Design Museum, 1902-1-185.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 13th century, as catalogued by Cooper Hewitt.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 6 in × 6.2 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Each stripe is about 0.3 in wide, spaced about 1.5 in apart, four stripes to the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Vertical stripes run the full height on a plain ground, very slightly uneven in spacing, as in a woven cloth. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Two colours, ground and stripe, both printed with a woven texture; flecks of the ground colour show through the stripe.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean, with a slightly serrated outline where individual threads end. The blue and brown bands of the original are reduced to one repeating stripe and recoloured.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46250607673480,"sku":"165166-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46250607706248,"sku":"165166-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46250607739016,"sku":"165166-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46250607771784,"sku":"165166-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260726_200653.png?v=1785800778"},{"product_id":"fb_ch1902_1185_pencil_stripe_indigo_ivory-fabric","title":"Pencil Stripe, Indigo \/ Ivory Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eNarrow stripes on a plain ground, printed with the texture of the woven original. Translated from a striped linen and silk fragment at Cooper Hewitt, Smithsonian Design Museum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eIvory pencil stripes on a near-black indigo ground. The pale stripes stand sharply off the dark ground and read clearly from across a room. Up close the woven texture shows, with flecks of indigo breaking through the ivory.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Striped woven textile fragment in linen and silk, plain weave.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Cooper Hewitt, Smithsonian Design Museum, 1902-1-185.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 13th century, as catalogued by Cooper Hewitt.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 6 in × 6.2 in. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Each stripe is about 0.3 in wide, spaced about 1.5 in apart, four stripes to the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Vertical stripes run the full height on a plain ground, very slightly uneven in spacing, as in a woven cloth. Adjacent lengths hang level.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Two colours, ground and stripe, both printed with a woven texture; flecks of the ground colour show through the stripe.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean, with a slightly serrated outline where individual threads end. The blue and brown bands of the original are reduced to one repeating stripe and recoloured.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46250608689288,"sku":"165170-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46250608722056,"sku":"165170-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46250608754824,"sku":"165170-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46250608787592,"sku":"165170-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260726_200700.png?v=1785800777"},{"product_id":"chintamani-imperial-blackcurrant-travertine-fabric","title":"Chintamani Imperial, Blackcurrant \/ Travertine Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003e'Chintamani Imperial' begins in a fragment of early Ottoman brocaded velvet, woven in an imperial workshop at Bursa. Held in the Cleveland Museum of Art, with a second example at The Metropolitan Museum of Art, each jewel was carefully redrawn by hand — a ring inside a ring, three dots at its centre — to retain the character of the original.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe cloth was made to be the most expensive thing in the room, and it succeeded.\u003c\/p\u003e\n\u003cp\u003eBursa was the Ottoman Empire's first capital and the centre of its silk trade — Iranian silk and domestic both, moving through the city and onto looms that turned it into the costliest cloth the empire produced. This piece came off a loom in an imperial workshop. The crimson pile is almost twice as dense as later monochrome velvets: density was the luxury, the part you could see from the doorway before you were close enough to see the pattern.\u003c\/p\u003e\n\u003cp\u003eWoven into it, the çintamani — Sanskrit for a jewel that grants what you wish for. In Ottoman hands it became three discs, a ring inside a ring with three dots at the centre, and two wavy bands beneath. It turns up so often in Ottoman art that Cleveland's own record calls it a favoured motif and possibly an unofficial imperial emblem. Possibly, because no sultan ever decreed it. It was never law. The court simply kept choosing it.\u003c\/p\u003e\n\u003cp\u003eThen the cloth came apart. What survives are fragments in two American cities — one in Cleveland, one in New York, the Met's piece twenty-eight inches by eleven and a half. That one was sold to the museum in 1915 by Indjoudjian Frères, dealers in Paris, and it went on show that same winter in the Special Exhibition of Textiles. Bought in one season, hung in the next. Four thousand miles from Bursa.\u003c\/p\u003e\n\u003cp\u003eThe velvet was cut down and the empire is gone. The emblem it carried was never granted by anyone and never taken away.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Brocaded silk velvet, Bursa, Turkey. The Cleveland Museum of Art, accession 1943.313\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSecond example:\u003c\/strong\u003e Silk Velvet Fragment with Tiger-Stripe and 'Cintamani' Design, 16th century, Turkey. The Metropolitan Museum of Art, accession 15.125.6, Gallery 460\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in horizontal, 10 in vertical, half-drop\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Louise W. Mackie, \u003cem\u003eSymbols of Power: Luxury Textiles from Islamic Lands, 7th–21st Century\u003c\/em\u003e (Cleveland Museum of Art \/ Yale, 2015), p. 291, fig. 8.10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46265835094152,"sku":"164641-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46265835126920,"sku":"164641-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46265835159688,"sku":"164641-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46265835192456,"sku":"164641-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260724_012844.png?v=1785691074"},{"product_id":"chintamani-imperial-slate-travertine-fabric","title":"Chintamani Imperial, Slate \/ Travertine Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003e'Chintamani Imperial' begins in a fragment of early Ottoman brocaded velvet, woven in an imperial workshop at Bursa. Held in the Cleveland Museum of Art, with a second example at The Metropolitan Museum of Art, each jewel was carefully redrawn by hand — a ring inside a ring, three dots at its centre — to retain the character of the original.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe cloth was made to be the most expensive thing in the room, and it succeeded.\u003c\/p\u003e\n\u003cp\u003eBursa was the Ottoman Empire's first capital and the centre of its silk trade — Iranian silk and domestic both, moving through the city and onto looms that turned it into the costliest cloth the empire produced. This piece came off a loom in an imperial workshop. The crimson pile is almost twice as dense as later monochrome velvets: density was the luxury, the part you could see from the doorway before you were close enough to see the pattern.\u003c\/p\u003e\n\u003cp\u003eWoven into it, the çintamani — Sanskrit for a jewel that grants what you wish for. In Ottoman hands it became three discs, a ring inside a ring with three dots at the centre, and two wavy bands beneath. It turns up so often in Ottoman art that Cleveland's own record calls it a favoured motif and possibly an unofficial imperial emblem. Possibly, because no sultan ever decreed it. It was never law. The court simply kept choosing it.\u003c\/p\u003e\n\u003cp\u003eThen the cloth came apart. What survives are fragments in two American cities — one in Cleveland, one in New York, the Met's piece twenty-eight inches by eleven and a half. That one was sold to the museum in 1915 by Indjoudjian Frères, dealers in Paris, and it went on show that same winter in the Special Exhibition of Textiles. Bought in one season, hung in the next. Four thousand miles from Bursa.\u003c\/p\u003e\n\u003cp\u003eThe velvet was cut down and the empire is gone. The emblem it carried was never granted by anyone and never taken away.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Brocaded silk velvet, Bursa, Turkey. The Cleveland Museum of Art, accession 1943.313\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSecond example:\u003c\/strong\u003e Silk Velvet Fragment with Tiger-Stripe and 'Cintamani' Design, 16th century, Turkey. The Metropolitan Museum of Art, accession 15.125.6, Gallery 460\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in horizontal, 10 in vertical, half-drop\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Louise W. Mackie, \u003cem\u003eSymbols of Power: Luxury Textiles from Islamic Lands, 7th–21st Century\u003c\/em\u003e (Cleveland Museum of Art \/ Yale, 2015), p. 291, fig. 8.10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46265834963080,"sku":"164640-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46265834995848,"sku":"164640-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46265835028616,"sku":"164640-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46265835061384,"sku":"164640-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260724_012844_3d1df77c-3fc3-4d04-b1c5-d7fbeed59dec.png?v=1785691074"},{"product_id":"chintamani-imperial-eucalyptus-flax-fabric","title":"Chintamani Imperial, Eucalyptus \/ Flax Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003e'Chintamani Imperial' begins in a fragment of early Ottoman brocaded velvet, woven in an imperial workshop at Bursa. Held in the Cleveland Museum of Art, with a second example at The Metropolitan Museum of Art, each jewel was carefully redrawn by hand — a ring inside a ring, three dots at its centre — to retain the character of the original.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe cloth was made to be the most expensive thing in the room, and it succeeded.\u003c\/p\u003e\n\u003cp\u003eBursa was the Ottoman Empire's first capital and the centre of its silk trade — Iranian silk and domestic both, moving through the city and onto looms that turned it into the costliest cloth the empire produced. This piece came off a loom in an imperial workshop. The crimson pile is almost twice as dense as later monochrome velvets: density was the luxury, the part you could see from the doorway before you were close enough to see the pattern.\u003c\/p\u003e\n\u003cp\u003eWoven into it, the çintamani — Sanskrit for a jewel that grants what you wish for. In Ottoman hands it became three discs, a ring inside a ring with three dots at the centre, and two wavy bands beneath. It turns up so often in Ottoman art that Cleveland's own record calls it a favoured motif and possibly an unofficial imperial emblem. Possibly, because no sultan ever decreed it. It was never law. The court simply kept choosing it.\u003c\/p\u003e\n\u003cp\u003eThen the cloth came apart. What survives are fragments in two American cities — one in Cleveland, one in New York, the Met's piece twenty-eight inches by eleven and a half. That one was sold to the museum in 1915 by Indjoudjian Frères, dealers in Paris, and it went on show that same winter in the Special Exhibition of Textiles. Bought in one season, hung in the next. Four thousand miles from Bursa.\u003c\/p\u003e\n\u003cp\u003eThe velvet was cut down and the empire is gone. The emblem it carried was never granted by anyone and never taken away.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Brocaded silk velvet, Bursa, Turkey. The Cleveland Museum of Art, accession 1943.313\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSecond example:\u003c\/strong\u003e Silk Velvet Fragment with Tiger-Stripe and 'Cintamani' Design, 16th century, Turkey. The Metropolitan Museum of Art, accession 15.125.6, Gallery 460\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in horizontal, 10 in vertical, half-drop\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Louise W. Mackie, \u003cem\u003eSymbols of Power: Luxury Textiles from Islamic Lands, 7th–21st Century\u003c\/em\u003e (Cleveland Museum of Art \/ Yale, 2015), p. 291, fig. 8.10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46265835225224,"sku":"164343-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46265835257992,"sku":"164343-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46265835290760,"sku":"164343-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46265835323528,"sku":"164343-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260723_005350.png?v=1785691074"},{"product_id":"chintamani-imperial-verdigris-honey-fabric","title":"Chintamani Imperial, Verdigris \/ Honey Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003e'Chintamani Imperial' begins in a fragment of early Ottoman brocaded velvet, woven in an imperial workshop at Bursa. Held in the Cleveland Museum of Art, with a second example at The Metropolitan Museum of Art, each jewel was carefully redrawn by hand — a ring inside a ring, three dots at its centre — to retain the character of the original.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe cloth was made to be the most expensive thing in the room, and it succeeded.\u003c\/p\u003e\n\u003cp\u003eBursa was the Ottoman Empire's first capital and the centre of its silk trade — Iranian silk and domestic both, moving through the city and onto looms that turned it into the costliest cloth the empire produced. This piece came off a loom in an imperial workshop. The crimson pile is almost twice as dense as later monochrome velvets: density was the luxury, the part you could see from the doorway before you were close enough to see the pattern.\u003c\/p\u003e\n\u003cp\u003eWoven into it, the çintamani — Sanskrit for a jewel that grants what you wish for. In Ottoman hands it became three discs, a ring inside a ring with three dots at the centre, and two wavy bands beneath. It turns up so often in Ottoman art that Cleveland's own record calls it a favoured motif and possibly an unofficial imperial emblem. Possibly, because no sultan ever decreed it. It was never law. The court simply kept choosing it.\u003c\/p\u003e\n\u003cp\u003eThen the cloth came apart. What survives are fragments in two American cities — one in Cleveland, one in New York, the Met's piece twenty-eight inches by eleven and a half. That one was sold to the museum in 1915 by Indjoudjian Frères, dealers in Paris, and it went on show that same winter in the Special Exhibition of Textiles. Bought in one season, hung in the next. Four thousand miles from Bursa.\u003c\/p\u003e\n\u003cp\u003eThe velvet was cut down and the empire is gone. The emblem it carried was never granted by anyone and never taken away.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Brocaded silk velvet, Bursa, Turkey. The Cleveland Museum of Art, accession 1943.313\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSecond example:\u003c\/strong\u003e Silk Velvet Fragment with Tiger-Stripe and 'Cintamani' Design, 16th century, Turkey. The Metropolitan Museum of Art, accession 15.125.6, Gallery 460\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in horizontal, 10 in vertical, half-drop\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Louise W. Mackie, \u003cem\u003eSymbols of Power: Luxury Textiles from Islamic Lands, 7th–21st Century\u003c\/em\u003e (Cleveland Museum of Art \/ Yale, 2015), p. 291, fig. 8.10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46265835356296,"sku":"164639-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46265835389064,"sku":"164639-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46265835421832,"sku":"164639-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46265835454600,"sku":"164639-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260724_012844_67109204-fc71-42f7-ac05-b5ae8176c646.png?v=1785691073"},{"product_id":"chintamani-imperial-forest-floor-flax-fabric","title":"Chintamani Imperial, Forest Floor \/ Flax Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003e'Chintamani Imperial' begins in a fragment of early Ottoman brocaded velvet, woven in an imperial workshop at Bursa. Held in the Cleveland Museum of Art, with a second example at The Metropolitan Museum of Art, each jewel was carefully redrawn by hand — a ring inside a ring, three dots at its centre — to retain the character of the original.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe cloth was made to be the most expensive thing in the room, and it succeeded.\u003c\/p\u003e\n\u003cp\u003eBursa was the Ottoman Empire's first capital and the centre of its silk trade — Iranian silk and domestic both, moving through the city and onto looms that turned it into the costliest cloth the empire produced. This piece came off a loom in an imperial workshop. The crimson pile is almost twice as dense as later monochrome velvets: density was the luxury, the part you could see from the doorway before you were close enough to see the pattern.\u003c\/p\u003e\n\u003cp\u003eWoven into it, the çintamani — Sanskrit for a jewel that grants what you wish for. In Ottoman hands it became three discs, a ring inside a ring with three dots at the centre, and two wavy bands beneath. It turns up so often in Ottoman art that Cleveland's own record calls it a favoured motif and possibly an unofficial imperial emblem. Possibly, because no sultan ever decreed it. It was never law. The court simply kept choosing it.\u003c\/p\u003e\n\u003cp\u003eThen the cloth came apart. What survives are fragments in two American cities — one in Cleveland, one in New York, the Met's piece twenty-eight inches by eleven and a half. That one was sold to the museum in 1915 by Indjoudjian Frères, dealers in Paris, and it went on show that same winter in the Special Exhibition of Textiles. Bought in one season, hung in the next. Four thousand miles from Bursa.\u003c\/p\u003e\n\u003cp\u003eThe velvet was cut down and the empire is gone. The emblem it carried was never granted by anyone and never taken away.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Brocaded silk velvet, Bursa, Turkey. The Cleveland Museum of Art, accession 1943.313\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSecond example:\u003c\/strong\u003e Silk Velvet Fragment with Tiger-Stripe and 'Cintamani' Design, 16th century, Turkey. The Metropolitan Museum of Art, accession 15.125.6, Gallery 460\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in horizontal, 10 in vertical, half-drop\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Louise W. Mackie, \u003cem\u003eSymbols of Power: Luxury Textiles from Islamic Lands, 7th–21st Century\u003c\/em\u003e (Cleveland Museum of Art \/ Yale, 2015), p. 291, fig. 8.10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46265835487368,"sku":"164342-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46265835520136,"sku":"164342-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46265835552904,"sku":"164342-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46265835585672,"sku":"164342-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260723_005152.png?v=1785691074"},{"product_id":"chintamani-imperial-sandstone-blackcurrant-fabric","title":"Chintamani Imperial, Sandstone \/ Blackcurrant Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003e'Chintamani Imperial' begins in a fragment of early Ottoman brocaded velvet, woven in an imperial workshop at Bursa. Held in the Cleveland Museum of Art, with a second example at The Metropolitan Museum of Art, each jewel was carefully redrawn by hand — a ring inside a ring, three dots at its centre — to retain the character of the original.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe cloth was made to be the most expensive thing in the room, and it succeeded.\u003c\/p\u003e\n\u003cp\u003eBursa was the Ottoman Empire's first capital and the centre of its silk trade — Iranian silk and domestic both, moving through the city and onto looms that turned it into the costliest cloth the empire produced. This piece came off a loom in an imperial workshop. The crimson pile is almost twice as dense as later monochrome velvets: density was the luxury, the part you could see from the doorway before you were close enough to see the pattern.\u003c\/p\u003e\n\u003cp\u003eWoven into it, the çintamani — Sanskrit for a jewel that grants what you wish for. In Ottoman hands it became three discs, a ring inside a ring with three dots at the centre, and two wavy bands beneath. It turns up so often in Ottoman art that Cleveland's own record calls it a favoured motif and possibly an unofficial imperial emblem. Possibly, because no sultan ever decreed it. It was never law. The court simply kept choosing it.\u003c\/p\u003e\n\u003cp\u003eThen the cloth came apart. What survives are fragments in two American cities — one in Cleveland, one in New York, the Met's piece twenty-eight inches by eleven and a half. That one was sold to the museum in 1915 by Indjoudjian Frères, dealers in Paris, and it went on show that same winter in the Special Exhibition of Textiles. Bought in one season, hung in the next. Four thousand miles from Bursa.\u003c\/p\u003e\n\u003cp\u003eThe velvet was cut down and the empire is gone. The emblem it carried was never granted by anyone and never taken away.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Brocaded silk velvet, Bursa, Turkey. The Cleveland Museum of Art, accession 1943.313\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSecond example:\u003c\/strong\u003e Silk Velvet Fragment with Tiger-Stripe and 'Cintamani' Design, 16th century, Turkey. The Metropolitan Museum of Art, accession 15.125.6, Gallery 460\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 8 in horizontal, 10 in vertical, half-drop\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Louise W. Mackie, \u003cem\u003eSymbols of Power: Luxury Textiles from Islamic Lands, 7th–21st Century\u003c\/em\u003e (Cleveland Museum of Art \/ Yale, 2015), p. 291, fig. 8.10\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46265835618440,"sku":"164341-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46265835651208,"sku":"164341-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46265835683976,"sku":"164341-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46265835716744,"sku":"164341-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260723_005152_373a83ca-a608-4614-a259-dbd103e00d3b.png?v=1785691074"},{"product_id":"mughal-poppy-blackcurrant-marigold-fabric","title":"Mughal Poppy, Blackcurrant \/ Marigold Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA late seventeenth-century dastarkana—an Indian summer carpet hand-drawn in kalamkari and conserved at The Metropolitan Museum of Art—was the starting point for Mughal Poppy. Drawn down to three-fifths scale, every hand-painted line was translated to preserve the painterly look of the original kalam. Ground takes three-quarters of the surface, leaving wide, breathing fields around each plant so the density stays inside the motif without closing a room in.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eSomeone cut the original up. Twelve feet of hand-painted poppies, sliced into puzzle-piece shapes to fit around a column, or a tent post, or a smaller room—no one wrote down which. What reached the museum in 1982 was a little under half: plain-weave cotton from the Mughal period, mordant-painted and resist-dyed, the poppies drawn by hand rather than stamped from a block. Green was made by painting yellow over indigo. On most surviving kalamkaris the yellow is gone and only the blue is left; on this one it held.\u003c\/p\u003e\n\u003cp\u003eIt came in with the Alice and Nasli Heeramaneck Collection, a gift of Alice Heeramaneck, and then sat for thirty-two years because the border was too fragile to handle. Conservation ran past a hundred hours—the binding removed, tideline stains lifted with poultice, the cloth humidified flat until the creases relaxed. It went up in Gallery 464 in 2015, in the Department of Islamic Art, on a slanted board held by insect pins, because no one was willing to put a stitch through it.\u003c\/p\u003e\n\u003cp\u003eThe conservators chose not to join the fragments back together or reconstruct what was lost. That was deliberate, out of respect for what the object had actually lived through. The carpet as a whole stays broken. But the design was made to be lived with—walked on, sat beside, used—and it spent thirty-two years in a drawer. The fragments held a complete plant and the rhythm that placed it. That was enough to bring it back out.\u003c\/p\u003e\n\u003cp\u003eIt will never be a floorspread again. The poppies stop abruptly on a slant board in Gallery 464. Now they keep going—row after row, past the corner, the way they did before someone cut it up.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of a floorspread, late seventeenth century, India. The Metropolitan Museum of Art, accession 1982.239a\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in (12 in half-drop)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46265835749512,"sku":"164972-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46265835782280,"sku":"164972-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46265835815048,"sku":"164972-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46265835847816,"sku":"164972-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_012512.png?v=1785691077"},{"product_id":"mughal-poppy-travertine-rose-quartz-fabric","title":"Mughal Poppy, Travertine \/ Rose Quartz Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA late seventeenth-century dastarkana—an Indian summer carpet hand-drawn in kalamkari and conserved at The Metropolitan Museum of Art—was the starting point for Mughal Poppy. Drawn down to three-fifths scale, every hand-painted line was translated to preserve the painterly look of the original kalam. Ground takes three-quarters of the surface, leaving wide, breathing fields around each plant so the density stays inside the motif without closing a room in.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eSomeone cut the original up. Twelve feet of hand-painted poppies, sliced into puzzle-piece shapes to fit around a column, or a tent post, or a smaller room—no one wrote down which. What reached the museum in 1982 was a little under half: plain-weave cotton from the Mughal period, mordant-painted and resist-dyed, the poppies drawn by hand rather than stamped from a block. Green was made by painting yellow over indigo. On most surviving kalamkaris the yellow is gone and only the blue is left; on this one it held.\u003c\/p\u003e\n\u003cp\u003eIt came in with the Alice and Nasli Heeramaneck Collection, a gift of Alice Heeramaneck, and then sat for thirty-two years because the border was too fragile to handle. Conservation ran past a hundred hours—the binding removed, tideline stains lifted with poultice, the cloth humidified flat until the creases relaxed. It went up in Gallery 464 in 2015, in the Department of Islamic Art, on a slanted board held by insect pins, because no one was willing to put a stitch through it.\u003c\/p\u003e\n\u003cp\u003eThe conservators chose not to join the fragments back together or reconstruct what was lost. That was deliberate, out of respect for what the object had actually lived through. The carpet as a whole stays broken. But the design was made to be lived with—walked on, sat beside, used—and it spent thirty-two years in a drawer. The fragments held a complete plant and the rhythm that placed it. That was enough to bring it back out.\u003c\/p\u003e\n\u003cp\u003eIt will never be a floorspread again. The poppies stop abruptly on a slant board in Gallery 464. Now they keep going—row after row, past the corner, the way they did before someone cut it up.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of a floorspread, late seventeenth century, India. The Metropolitan Museum of Art, accession 1982.239a\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in (12 in half-drop)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46265835880584,"sku":"164971-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46265835913352,"sku":"164971-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46265835946120,"sku":"164971-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46265835978888,"sku":"164971-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_012511.png?v=1785691077"},{"product_id":"mughal-poppy-linen-verdigris-fabric","title":"Mughal Poppy, Linen \/ Verdigris Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA late seventeenth-century dastarkana—an Indian summer carpet hand-drawn in kalamkari and conserved at The Metropolitan Museum of Art—was the starting point for Mughal Poppy. Drawn down to three-fifths scale, every hand-painted line was translated to preserve the painterly look of the original kalam. Ground takes three-quarters of the surface, leaving wide, breathing fields around each plant so the density stays inside the motif without closing a room in.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eSomeone cut the original up. Twelve feet of hand-painted poppies, sliced into puzzle-piece shapes to fit around a column, or a tent post, or a smaller room—no one wrote down which. What reached the museum in 1982 was a little under half: plain-weave cotton from the Mughal period, mordant-painted and resist-dyed, the poppies drawn by hand rather than stamped from a block. Green was made by painting yellow over indigo. On most surviving kalamkaris the yellow is gone and only the blue is left; on this one it held.\u003c\/p\u003e\n\u003cp\u003eIt came in with the Alice and Nasli Heeramaneck Collection, a gift of Alice Heeramaneck, and then sat for thirty-two years because the border was too fragile to handle. Conservation ran past a hundred hours—the binding removed, tideline stains lifted with poultice, the cloth humidified flat until the creases relaxed. It went up in Gallery 464 in 2015, in the Department of Islamic Art, on a slanted board held by insect pins, because no one was willing to put a stitch through it.\u003c\/p\u003e\n\u003cp\u003eThe conservators chose not to join the fragments back together or reconstruct what was lost. That was deliberate, out of respect for what the object had actually lived through. The carpet as a whole stays broken. But the design was made to be lived with—walked on, sat beside, used—and it spent thirty-two years in a drawer. The fragments held a complete plant and the rhythm that placed it. That was enough to bring it back out.\u003c\/p\u003e\n\u003cp\u003eIt will never be a floorspread again. The poppies stop abruptly on a slant board in Gallery 464. Now they keep going—row after row, past the corner, the way they did before someone cut it up.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of a floorspread, late seventeenth century, India. The Metropolitan Museum of Art, accession 1982.239a\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in (12 in half-drop)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46265836011656,"sku":"164973-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46265836044424,"sku":"164973-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46265836077192,"sku":"164973-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46265836109960,"sku":"164973-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_012513.png?v=1785691077"},{"product_id":"mughal-poppy-ivory-pomegranate-fabric","title":"Mughal Poppy, Ivory \/ Pomegranate Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA late seventeenth-century dastarkana—an Indian summer carpet hand-drawn in kalamkari and conserved at The Metropolitan Museum of Art—was the starting point for Mughal Poppy. Drawn down to three-fifths scale, every hand-painted line was translated to preserve the painterly look of the original kalam. Ground takes three-quarters of the surface, leaving wide, breathing fields around each plant so the density stays inside the motif without closing a room in.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eSomeone cut the original up. Twelve feet of hand-painted poppies, sliced into puzzle-piece shapes to fit around a column, or a tent post, or a smaller room—no one wrote down which. What reached the museum in 1982 was a little under half: plain-weave cotton from the Mughal period, mordant-painted and resist-dyed, the poppies drawn by hand rather than stamped from a block. Green was made by painting yellow over indigo. On most surviving kalamkaris the yellow is gone and only the blue is left; on this one it held.\u003c\/p\u003e\n\u003cp\u003eIt came in with the Alice and Nasli Heeramaneck Collection, a gift of Alice Heeramaneck, and then sat for thirty-two years because the border was too fragile to handle. Conservation ran past a hundred hours—the binding removed, tideline stains lifted with poultice, the cloth humidified flat until the creases relaxed. It went up in Gallery 464 in 2015, in the Department of Islamic Art, on a slanted board held by insect pins, because no one was willing to put a stitch through it.\u003c\/p\u003e\n\u003cp\u003eThe conservators chose not to join the fragments back together or reconstruct what was lost. That was deliberate, out of respect for what the object had actually lived through. The carpet as a whole stays broken. But the design was made to be lived with—walked on, sat beside, used—and it spent thirty-two years in a drawer. The fragments held a complete plant and the rhythm that placed it. That was enough to bring it back out.\u003c\/p\u003e\n\u003cp\u003eIt will never be a floorspread again. The poppies stop abruptly on a slant board in Gallery 464. Now they keep going—row after row, past the corner, the way they did before someone cut it up.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of a floorspread, late seventeenth century, India. The Metropolitan Museum of Art, accession 1982.239a\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in (12 in half-drop)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46265836142728,"sku":"164970-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46265836175496,"sku":"164970-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46265836208264,"sku":"164970-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46265836241032,"sku":"164970-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_012508.png?v=1785691078"},{"product_id":"mughal-poppy-indigo-marigold-fabric","title":"Mughal Poppy, Indigo \/ Marigold Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA late seventeenth-century dastarkana—an Indian summer carpet hand-drawn in kalamkari and conserved at The Metropolitan Museum of Art—was the starting point for Mughal Poppy. Drawn down to three-fifths scale, every hand-painted line was translated to preserve the painterly look of the original kalam. Ground takes three-quarters of the surface, leaving wide, breathing fields around each plant so the density stays inside the motif without closing a room in.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eSomeone cut the original up. Twelve feet of hand-painted poppies, sliced into puzzle-piece shapes to fit around a column, or a tent post, or a smaller room—no one wrote down which. What reached the museum in 1982 was a little under half: plain-weave cotton from the Mughal period, mordant-painted and resist-dyed, the poppies drawn by hand rather than stamped from a block. Green was made by painting yellow over indigo. On most surviving kalamkaris the yellow is gone and only the blue is left; on this one it held.\u003c\/p\u003e\n\u003cp\u003eIt came in with the Alice and Nasli Heeramaneck Collection, a gift of Alice Heeramaneck, and then sat for thirty-two years because the border was too fragile to handle. Conservation ran past a hundred hours—the binding removed, tideline stains lifted with poultice, the cloth humidified flat until the creases relaxed. It went up in Gallery 464 in 2015, in the Department of Islamic Art, on a slanted board held by insect pins, because no one was willing to put a stitch through it.\u003c\/p\u003e\n\u003cp\u003eThe conservators chose not to join the fragments back together or reconstruct what was lost. That was deliberate, out of respect for what the object had actually lived through. The carpet as a whole stays broken. But the design was made to be lived with—walked on, sat beside, used—and it spent thirty-two years in a drawer. The fragments held a complete plant and the rhythm that placed it. That was enough to bring it back out.\u003c\/p\u003e\n\u003cp\u003eIt will never be a floorspread again. The poppies stop abruptly on a slant board in Gallery 464. Now they keep going—row after row, past the corner, the way they did before someone cut it up.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of a floorspread, late seventeenth century, India. The Metropolitan Museum of Art, accession 1982.239a\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in (12 in half-drop)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46265836404872,"sku":"164968-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46265836437640,"sku":"164968-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46265836470408,"sku":"164968-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46265836503176,"sku":"164968-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_012508_408969b6-e958-4ee2-b9ed-40f54d9d468c.png?v=1785691078"},{"product_id":"mughal-poppy-ivory-marigold-fabric","title":"Mughal Poppy, Ivory \/ Marigold Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA late seventeenth-century dastarkana—an Indian summer carpet hand-drawn in kalamkari and conserved at The Metropolitan Museum of Art—was the starting point for Mughal Poppy. Drawn down to three-fifths scale, every hand-painted line was translated to preserve the painterly look of the original kalam. Ground takes three-quarters of the surface, leaving wide, breathing fields around each plant so the density stays inside the motif without closing a room in.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eSomeone cut the original up. Twelve feet of hand-painted poppies, sliced into puzzle-piece shapes to fit around a column, or a tent post, or a smaller room—no one wrote down which. What reached the museum in 1982 was a little under half: plain-weave cotton from the Mughal period, mordant-painted and resist-dyed, the poppies drawn by hand rather than stamped from a block. Green was made by painting yellow over indigo. On most surviving kalamkaris the yellow is gone and only the blue is left; on this one it held.\u003c\/p\u003e\n\u003cp\u003eIt came in with the Alice and Nasli Heeramaneck Collection, a gift of Alice Heeramaneck, and then sat for thirty-two years because the border was too fragile to handle. Conservation ran past a hundred hours—the binding removed, tideline stains lifted with poultice, the cloth humidified flat until the creases relaxed. It went up in Gallery 464 in 2015, in the Department of Islamic Art, on a slanted board held by insect pins, because no one was willing to put a stitch through it.\u003c\/p\u003e\n\u003cp\u003eThe conservators chose not to join the fragments back together or reconstruct what was lost. That was deliberate, out of respect for what the object had actually lived through. The carpet as a whole stays broken. But the design was made to be lived with—walked on, sat beside, used—and it spent thirty-two years in a drawer. The fragments held a complete plant and the rhythm that placed it. That was enough to bring it back out.\u003c\/p\u003e\n\u003cp\u003eIt will never be a floorspread again. The poppies stop abruptly on a slant board in Gallery 464. Now they keep going—row after row, past the corner, the way they did before someone cut it up.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Fragment of a floorspread, late seventeenth century, India. The Metropolitan Museum of Art, accession 1982.239a\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in (12 in half-drop)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46265836273800,"sku":"164969-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46265836306568,"sku":"164969-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46265836339336,"sku":"164969-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46265836372104,"sku":"164969-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_012510.png?v=1785691078"},{"product_id":"tetrels-saisons-des-fleurs-sage-mist-fabric-by-the-yard","title":"Tétrel's Saisons des Fleurs, Sage \/ Mist Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eLarge multi-petalled blooms, buds and grass-like blades overlap in an all-over field. Translated from Saisons des fleurs, a French woodblock-printed wallpaper designed by Prosper Tétrel, dated 1898–1899 by the Musée des Arts Décoratifs and shown at the Paris Universal Exhibition of 1900. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eMist blooms on a sage green ground. Pale blue-grey flowers on grey-green keep the values close, so the pattern is soft from a distance and fills in as you approach. Up close, a fine contour line holds every petal and blade.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper \"Saisons des fleurs\", designed by Prosper Tétrel and made by Desfossé et Karth, printed from wood blocks on a hand-brushed ground. Worked from photographs of another printing of the same wallpaper.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 987.521.1-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1898–1899, as dated by the Musée des Arts Décoratifs. Shown at the Paris Universal Exhibition of 1900.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 27 in. Half-drop match, offset 13.5 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e The largest bloom is about 5.9 in wide by 5.6 in high, a quarter of the repeat width.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e An all-over field with no border: large blooms, buds, clusters of small florets on branching stems, broad leaves and grass-like blades, overlapping across the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat printed colours with no gradients or shading: a contour line, three background planes, bloom fill, bloom shadow, a centre accent and stem shadow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Shapes are held by a fine contour line. The woodblock print and brushed ground of the original are reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269948526728,"sku":"164707-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269948559496,"sku":"164707-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269948592264,"sku":"164707-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269948625032,"sku":"164707-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260724_155940.png?v=1785801260"},{"product_id":"tambour-floral-linen-sage-fabric-by-the-yard","title":"Tambour Floral, Linen \/ Sage Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eEvery stem and blossom in this pattern was originally executed stitch by hand-drawn stitch using a tiny tambour hook—pulling vibrant silk thread through cotton twill in a continuous chain. Crafted in Gujarat between 1720 and 1740, the original animated an embroidered bedspread, its swirling vines, stylized pomegranates, and serrated leaves creating an expressive, undulating lattice across the cloth.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eWhat survives is a fragment of it, 173 centimetres high, the width no longer recorded. It entered the Rijksmuseum collection in 1980 as accession BK-1980-773-B, a gift of the Stichting Twickel, and has been known since mostly through catalogue figures — p. 57, fig. 35.\u003c\/p\u003e\n\u003cp\u003eTranslating raised, tactile embroidery into a flat repeat is not a job for a camera or a trace. The work was done by a practising embroiderer, who built a Photoshop tool for this design alone in order to hold the momentum and tension of tamboereren chain work — the way the hook pulls the line, the way the stitch decides where the vine goes next.\u003c\/p\u003e\n\u003cp\u003eThe chain runs continuous again. Not stitched, but drawn the way a stitch draws.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269948657800,"sku":"164974-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269948690568,"sku":"164974-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269948723336,"sku":"164974-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269948756104,"sku":"164974-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_013353.png?v=1785801260"},{"product_id":"madrasi-chintz-dusty-blue-rose-quartz-fabric-by-the-yard","title":"Madrasi Chintz, Dusty Blue \/ Rose Quartz Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eCollection: The Textile Museum Collection (GW 6.112)\u003cbr\u003eOrigin: Coromandel Coast (Madras), India | Date: 17th Century\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eOriginating from 17th-century Madras along India's famed Coromandel Coast, this pattern is a masterclass in early Indian textile art. Originally crafted as a painted cotton curtain, the design features closely repeating buti (botanical sprigs) with distinct spiky leaf bases and delicate, nodding blossoms.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eTrue to historic chintz production, the original piece was created using a complex multi-step process of hand-drawn wax resists and painted mordants prior to indigo and madder dyeing. The result is a rhythmically balanced, refined floral repeat that defined the 17th-century global trade in luxury painted cottons.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eExhibition \u0026amp; Publication History\u003c\/h3\u003e\n\u003cp\u003eA celebrated work in The Textile Museum's permanent collection, this fragment has been featured in four major exhibitions:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaster Dyers to the World: Technique and Trade in Early Indian Dyed Cotton Textiles (1982–1983)\u003c\/li\u003e\n\u003cli\u003eOld Yarns with a new Twist: Familiar Favorites from the Textile Museum's Collection (1984)\u003c\/li\u003e\n\u003cli\u003eSeldom Seen: Director's Choice from the Museum's Collections (2006)\u003c\/li\u003e\n\u003cli\u003e1,000 Years of Indian Textiles (2022)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe original textile is also documented and illustrated in key scholarship, including Mattiebelle Gittinger's landmark study Master Dyers to the World (1982), Walter Endrei's The First Hundred Years of European Textile-printing (1998), and Rahul Jain's Textiles and Garments at the Jaipur Court (2016).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269948788872,"sku":"164332-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269948821640,"sku":"164332-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269948854408,"sku":"164332-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269948887176,"sku":"164332-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260722_194904.png?v=1785801260"},{"product_id":"ragged-poppy-travertine-blackcurrant-fabric-by-the-yard","title":"Ragged Poppy, Travertine \/ Blackcurrant Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eThe highest contrast in the range by a wide margin: a very dark plum poppy on a pale grey travertine ground. The flower reads almost as silhouette and the drawing turns graphic rather than botanical, with the block-printed outline doing most of the work. At two feet across, the scale is unmistakable from anywhere in a room. Translated from a block-printed cloth of 1902, on wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eJohn Scarratt Rigby drew the poppy in 1902, block-printed on plain-weave cotton in London. 'Ragged Poppy' is translated from that cloth, now in the Art Institute of Chicago—redrawn by hand with its border removed, the field tiled to a 24-inch panel. The flower is open and dense at generous scale, and the pale ground reads as much as the motif at conversational distance.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eEight and a half feet of cotton, printed with poppies and closed on all four sides by a border of paired buds and scrolling leaves. It was made to be spread flat and looked down on. A tablecloth or a bedcover—the museum's catalogue will not say which, and gives the title only as probably “Ragged Poppy.”\u003c\/p\u003e\n\u003cp\u003eJohn Scarratt Rigby drew it in 1902. He supplied block prints and woven textiles to G.P. \u0026amp; J. Baker, A.H. Lee of Birkenhead, Alexander Morton, and Liberty \u0026amp; Co. This cloth reached the public under Liberty's name. He was honorary secretary of the Society of Designers.\u003c\/p\u003e\n\u003cp\u003eIn “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” Rigby conceded the field, writing that decorative art could not be discussed without constant reference to Morris's work. Morris's own Poppy, a design of 1881, sits in the Art Institute of Chicago. So does Rigby's cloth, which passed through the Antique Textile Company in London and was sold to the museum in 1990 on the Kelvyn G. Lilley Memorial Fund. Morris's is under his name. Rigby's is under a title someone thought to give it.\u003c\/p\u003e\n\u003cp\u003eRigby drew the field to stop at a border. Remove the border and the pattern keeps going.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Designed by John Scarratt Rigby (English, 1833–1914), produced by G.P. \u0026amp; J. Baker for Liberty \u0026amp; Co., London. Cotton, plain weave; block printed. 265.8 × 185.1 cm (104 5\/8 × 72 7\/8 in.); warp repeat 104.1 cm (41 in.). Kelvyn G. Lilley Memorial Fund. The Art Institute of Chicago, accession 1990.522.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSecond example:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Same designer and makers. Silk, plain weave; block printed. 182 × 184.2 cm (71 5\/8 × 72 1\/2 in.). Alexander Demond Fund. The Art Institute of Chicago, accession 1987.335.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 24 in × 16.1 in. Layout [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBordered rug:\u003c\/b\u003e available to trade. The rug carries a border, as the original does.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e J. Scarratt Rigby, “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” in Clive Edwards, ed., \u003ci\u003eNineteenth-Century Design\u003c\/i\u003e, vol. III (Routledge, 2021). Design sketches by John Scarratt Rigby, University of Glasgow Archive Services, Stoddard International design archive, GB 248 STOD\/DES\/142.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269948919944,"sku":"166550-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269948952712,"sku":"166550-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269948985480,"sku":"166550-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269949018248,"sku":"166550-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260731_181634.png?v=1785801260"},{"product_id":"boteh-indigo-ivory-fabric-by-the-yard","title":"Varanasi Medallion, Indigo \/ Ivory Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003ePale flowers and medallion borders stand at high contrast against a near-black indigo ground, while the darker green linework inside reads quietly. The outlines and blossoms set a clean rhythm across a room; the stems, leaves and smaller flowers between the medallions add the detail back at close range. At 8 inches each medallion remains distinct across a broad surface. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eThis surviving Varanasi fragment combines silk and metallic-wrapped silk in a compound weave. 'Varanasi Medallion' translates that woven structure into flat colour at an 8-inch half-drop repeat. Each flowering plant sits inside its own pointed border, with smaller floral forms between them. The border, rather than the flower, organizes the field.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe enclosure and the plant it holds recall the boteh — the form commonly known in English as paisley — but the characteristic boteh curves at the tip, while this enclosure rises to a point.\u003c\/p\u003e\n\u003cp\u003eThe fragment was woven in Varanasi, India. It measures fifteen inches by fourteen and a half, and combines silk with metallic-wrapped silk in a compound woven structure. It entered The Textile Museum Collection as the gift of Sheridan Pressey Collins and is held as accession 2019.7.4.\u003c\/p\u003e\n\u003cp\u003eThe museum record is unusually spare. There is no recorded date. No maker is named. The museum record does not name the motif.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Textile fragment, Varanasi, India. Silk and metallic-wrapped silk; supplementary-weft patterning, twill weave, compound weave. 38.10 × 36.83 cm (15 × 14½ in.). Gift of Sheridan Pressey Collins. The Textile Museum Collection, The George Washington University Museum and The Textile Museum, accession 2019.7.4.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e not recorded by the museum.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 8 in. Layout: drop match, half-drop.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMotif scale:\u003c\/b\u003e [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e \u003ci\u003eThe Indian Boteh Motif\u003c\/i\u003e, RISD Museum, 27 January – 30 July 2017, text by Kate Irvin. John Irwin, \u003ci\u003eThe Kashmir Shawl\u003c\/i\u003e, Victoria and Albert Museum Monograph No. 29 (HMSO, 1973).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269949051016,"sku":"164980-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269949083784,"sku":"164980-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269949116552,"sku":"164980-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269949149320,"sku":"164980-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_024330.png?v=1785801260"},{"product_id":"ogee-ivory-marigold-fabric-by-the-yard","title":"Ogee, Ivory \/ Marigold Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA single scrap of plain-weave cotton from India, about the size of an index card, held just enough geometry to work out an entire room-scale lattice. Accession 6.177 at The Textile Museum in Washington, D.C., carries no recorded date and no maker's name—only eight inches by four of surviving cloth: a doubled-rope lattice, a four-petal flower at every intersection, and a diagonal vine of leaves and small buds threading the cells.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eGeorge Hewitt Myers acquired the fragment in 1951. He had founded The Textile Museum in 1925, in his own home on S Street in Washington, with 275 rugs and 60 related textiles he had been gathering since 1896. By the time 6.177 entered the collection, Myers had spent more than five decades gathering pieces across the globe—from Anatolian village rugs and Egyptian Mamluk carpets to archaeological textiles from Peru. Today, the museum he started holds more than 21,000 textiles spanning five thousand years.\u003c\/p\u003e\n\u003cp\u003eAt eight inches by four, the original fragment is densely packed. Almost none of its tight detail would read at an architectural scale. The translation opened the drawing—giving slightly larger flowers and more breathing room around the medallions while keeping the underlying ogee geometry exact, allowing painterly nuances the tiny original couldn't carry across a room.\u003c\/p\u003e\n\u003cp\u003eThe original piece survives in cream, indigo, madder red, and a brown-tan in the leaves. These renderings extend that historical palette without breaking the structural logic of the design. The lattice runs unbroken again, at full scale, for the first time in a very long while.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269949182088,"sku":"164977-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269949214856,"sku":"164977-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269949247624,"sku":"164977-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269949280392,"sku":"164977-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_013622.png?v=1785801260"},{"product_id":"tetrels-saisons-des-fleurs-slate-mist-fabric-by-the-yard","title":"Tétrel's Saisons des Fleurs, Slate \/ Mist Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eLarge multi-petalled blooms, buds and grass-like blades overlap in an all-over field. Translated from Saisons des fleurs, a French woodblock-printed wallpaper designed by Prosper Tétrel, dated 1898–1899 by the Musée des Arts Décoratifs and shown at the Paris Universal Exhibition of 1900. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eMist blooms on a slate blue ground. Blue-grey flowers on a deeper blue keep the whole pattern within one colour family, reading as tone and movement from across a room. Up close, a fine contour line holds every petal and blade.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper \"Saisons des fleurs\", designed by Prosper Tétrel and made by Desfossé et Karth, printed from wood blocks on a hand-brushed ground. Worked from photographs of another printing of the same wallpaper.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 987.521.1-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1898–1899, as dated by the Musée des Arts Décoratifs. Shown at the Paris Universal Exhibition of 1900.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 27 in. Half-drop match, offset 13.5 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e The largest bloom is about 5.9 in wide by 5.6 in high, a quarter of the repeat width.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e An all-over field with no border: large blooms, buds, clusters of small florets on branching stems, broad leaves and grass-like blades, overlapping across the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat printed colours with no gradients or shading: a contour line, three background planes, bloom fill, bloom shadow, a centre accent and stem shadow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Shapes are held by a fine contour line. The woodblock print and brushed ground of the original are reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269949313160,"sku":"164706-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269949345928,"sku":"164706-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269949378696,"sku":"164706-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269949411464,"sku":"164706-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260724_155940_61b6181a-f290-4061-9418-06b37c02ca6e.png?v=1785801260"},{"product_id":"architectural-stripe-forest-floor-flax-fabric-by-the-yard","title":"Architectural Stripe, Forest Floor \/ Flax Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eTwo broad bands run side by side, edged and divided by three fine lines, with wide plain ground between each group. Translated from a pair of 19th-century American striped muslin curtains at Cooper Hewitt, Smithsonian Design Museum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eWarm flax bands on a deep forest green ground. The pale gold stands clear of the dark green, so the stripe reads crisply from across a room. Up close, the fine lines edging each band show the ground colour between them.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Pair of curtains in thin white cotton muslin with woven stripes of denser weave, edged in hand-stitched cotton tape.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Cooper Hewitt, Smithsonian Design Museum, 1958-148-18-a,b.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e USA.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 19th century.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 3 in wide. The bands run continuously, so there is no vertical repeat. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Each group of two bands and three fine lines is 1.2 in across; each band is 0.37 in wide. Groups sit 1.8 in apart.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Vertical bands and lines, with each group centred in the 3 in repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Two flat printed colours: ground and stripe. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. The denser weave of the original stripes is reduced to flat colour with hard vertical edges.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269949444232,"sku":"166883-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269949477000,"sku":"166883-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269949509768,"sku":"166883-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269949542536,"sku":"166883-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260801_184517.png?v=1785801260"},{"product_id":"calimanco-forest-floor-cinnamon-fabric-by-the-yard","title":"Calimanco, Forest Floor \/ Cinnamon Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eStacked fan-shaped figures inside diamonds of fine line run in even vertical channels through 'Norwich Calimanco', sourced from a length of glazed worsted, ca. 1750, in The Metropolitan Museum of Art. Each element was hand-traced from the museum's photograph of the object to hold the stepped geometry the loom imposed on the wool. Wide ground between the channels gives a room vertical structure without weight, and the flowers read from across it.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eNorwich had wool and wanted silk money, so it engineered worsted cloth to catch the light.\u003c\/p\u003e\n\u003cp\u003eThey combed long-staple wool straight, spun it tight, and finished the woven yards under heated rollers or rubbed the face down with a stone. Norwich weavers built the floral sprigs directly into the worsted grid on the loom, which is why the petals step along the warp and weft rather than curve smoothly.\u003c\/p\u003e\n\u003cp\u003eThe result was an affordable, hard-wearing fabric that shed dirt and mimicked the luster of dress silk. Calimanco went into gowns, quilted petticoats, and men's waistcoats across England and the American colonies. When Defoe itemized the components of an ordinary countryman's suit—Yorkshire cloth, Berkshire lining, Devizes breeches—the waistcoat was callamanco from Norwich. It wore hard and sold in volume for a century.\u003c\/p\u003e\n\u003cp\u003eOrdinarily, a length went to a tailor, wore out, and was cut down a second time for a bedcover. Eight feet three inches came off a loom around 1750 and escaped that life entirely. The Metropolitan Museum of Art acquired the uncut length in 2017 with funds from the exchange of objects bequeathed by Alfred Duane Pell (accession 2017.268), alongside a matching second length (accession 2017.269).\u003c\/p\u003e\n\u003cp\u003eNobody cut it, so the whole pattern is still there. It is the pattern drawn here.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Length of wool Calimanco, ca. 1750, British, Norwich. Wool, woven. Overall 99½ × 19½ in. The Metropolitan Museum of Art, accession 2017.268 (not on view)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSecond example:\u003c\/strong\u003e Length of wool Calimanco, ca. 1750, British, Norwich. Wool, woven. Overall 97¾ × 19 in. The Metropolitan Museum of Art, accession 2017.269 (not on view)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Florence M. Montgomery, \u003cem\u003eTextiles in America 1650–1870\u003c\/em\u003e (Norton, 1984), pp. 185–187\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269949771912,"sku":"163854-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269949804680,"sku":"163854-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269949837448,"sku":"163854-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269949870216,"sku":"163854-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260721_203338.png?v=1785801261"},{"product_id":"ogee-sandstone-pomegranate-fabric-by-the-yard","title":"Ogee, Sandstone \/ Pomegranate Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA single scrap of plain-weave cotton from India, about the size of an index card, held just enough geometry to work out an entire room-scale lattice. Accession 6.177 at The Textile Museum in Washington, D.C., carries no recorded date and no maker's name—only eight inches by four of surviving cloth: a doubled-rope lattice, a four-petal flower at every intersection, and a diagonal vine of leaves and small buds threading the cells.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eGeorge Hewitt Myers acquired the fragment in 1951. He had founded The Textile Museum in 1925, in his own home on S Street in Washington, with 275 rugs and 60 related textiles he had been gathering since 1896. By the time 6.177 entered the collection, Myers had spent more than five decades gathering pieces across the globe—from Anatolian village rugs and Egyptian Mamluk carpets to archaeological textiles from Peru. Today, the museum he started holds more than 21,000 textiles spanning five thousand years.\u003c\/p\u003e\n\u003cp\u003eAt eight inches by four, the original fragment is densely packed. Almost none of its tight detail would read at an architectural scale. The translation opened the drawing—giving slightly larger flowers and more breathing room around the medallions while keeping the underlying ogee geometry exact, allowing painterly nuances the tiny original couldn't carry across a room.\u003c\/p\u003e\n\u003cp\u003eThe original piece survives in cream, indigo, madder red, and a brown-tan in the leaves. These renderings extend that historical palette without breaking the structural logic of the design. The lattice runs unbroken again, at full scale, for the first time in a very long while.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269950034056,"sku":"164978-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269950066824,"sku":"164978-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269950099592,"sku":"164978-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269950132360,"sku":"164978-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_013619.png?v=1785801263"},{"product_id":"tetrels-saisons-des-fleurs-indigo-ivory-fabric-by-the-yard","title":"Tétrel's Saisons des Fleurs, Indigo \/ Ivory Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eLarge multi-petalled blooms, buds and grass-like blades overlap in an all-over field. Translated from Saisons des fleurs, a French woodblock-printed wallpaper designed by Prosper Tétrel, dated 1898–1899 by the Musée des Arts Décoratifs and shown at the Paris Universal Exhibition of 1900. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eIvory blooms on a near-black indigo ground. The white flowers stand sharply off the dark ground and carry the pattern from across a room. Up close, a fine contour line holds every petal and blade.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper \"Saisons des fleurs\", designed by Prosper Tétrel and made by Desfossé et Karth, printed from wood blocks on a hand-brushed ground. Worked from photographs of another printing of the same wallpaper.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 987.521.1-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1898–1899, as dated by the Musée des Arts Décoratifs. Shown at the Paris Universal Exhibition of 1900.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 27 in. Half-drop match, offset 13.5 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e The largest bloom is about 5.9 in wide by 5.6 in high, a quarter of the repeat width.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e An all-over field with no border: large blooms, buds, clusters of small florets on branching stems, broad leaves and grass-like blades, overlapping across the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat printed colours with no gradients or shading: a contour line, three background planes, bloom fill, bloom shadow, a centre accent and stem shadow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Shapes are held by a fine contour line. The woodblock print and brushed ground of the original are reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269949902984,"sku":"164704-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269949935752,"sku":"164704-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269949968520,"sku":"164704-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269950001288,"sku":"164704-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260724_155943.png?v=1785801261"},{"product_id":"calimanco-sandstone-terracotta-fabric-by-the-yard","title":"Calimanco, Sandstone \/ Terracotta Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eStacked fan-shaped figures inside diamonds of fine line run in even vertical channels through 'Norwich Calimanco', sourced from a length of glazed worsted, ca. 1750, in The Metropolitan Museum of Art. Each element was hand-traced from the museum's photograph of the object to hold the stepped geometry the loom imposed on the wool. Wide ground between the channels gives a room vertical structure without weight, and the flowers read from across it.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eNorwich had wool and wanted silk money, so it engineered worsted cloth to catch the light.\u003c\/p\u003e\n\u003cp\u003eThey combed long-staple wool straight, spun it tight, and finished the woven yards under heated rollers or rubbed the face down with a stone. Norwich weavers built the floral sprigs directly into the worsted grid on the loom, which is why the petals step along the warp and weft rather than curve smoothly.\u003c\/p\u003e\n\u003cp\u003eThe result was an affordable, hard-wearing fabric that shed dirt and mimicked the luster of dress silk. Calimanco went into gowns, quilted petticoats, and men's waistcoats across England and the American colonies. When Defoe itemized the components of an ordinary countryman's suit—Yorkshire cloth, Berkshire lining, Devizes breeches—the waistcoat was callamanco from Norwich. It wore hard and sold in volume for a century.\u003c\/p\u003e\n\u003cp\u003eOrdinarily, a length went to a tailor, wore out, and was cut down a second time for a bedcover. Eight feet three inches came off a loom around 1750 and escaped that life entirely. The Metropolitan Museum of Art acquired the uncut length in 2017 with funds from the exchange of objects bequeathed by Alfred Duane Pell (accession 2017.268), alongside a matching second length (accession 2017.269).\u003c\/p\u003e\n\u003cp\u003eNobody cut it, so the whole pattern is still there. It is the pattern drawn here.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Length of wool Calimanco, ca. 1750, British, Norwich. Wool, woven. Overall 99½ × 19½ in. The Metropolitan Museum of Art, accession 2017.268 (not on view)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSecond example:\u003c\/strong\u003e Length of wool Calimanco, ca. 1750, British, Norwich. Wool, woven. Overall 97¾ × 19 in. The Metropolitan Museum of Art, accession 2017.269 (not on view)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Florence M. Montgomery, \u003cem\u003eTextiles in America 1650–1870\u003c\/em\u003e (Norton, 1984), pp. 185–187\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269950165128,"sku":"163853-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269950197896,"sku":"163853-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269950230664,"sku":"163853-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269950263432,"sku":"163853-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260721_203337.png?v=1785801262"},{"product_id":"ragged-poppy-terracotta-sandstone-fabric-by-the-yard","title":"Ragged Poppy, Sandstone \/ Terracotta Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eThe colorway closest to the printed original: a warm terracotta poppy on a pale sandstone ground. Contrast is moderate, so the flower separates clearly without going graphic and the pattern reads as drawing rather than silhouette. A generous 24-inch repeat sets a full poppy well inside a standard wall panel. Translated from a block-printed Arts and Crafts cloth of 1902, on wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eJohn Scarratt Rigby drew the poppy in 1902, block-printed on plain-weave cotton in London. 'Ragged Poppy' is translated from that cloth, now in the Art Institute of Chicago—redrawn by hand with its border removed, the field tiled to a 24-inch panel. The flower is open and dense at generous scale, and the pale ground reads as much as the motif at conversational distance.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eEight and a half feet of cotton, printed with poppies and closed on all four sides by a border of paired buds and scrolling leaves. It was made to be spread flat and looked down on. A tablecloth or a bedcover—the museum's catalogue will not say which, and gives the title only as probably “Ragged Poppy.”\u003c\/p\u003e\n\u003cp\u003eJohn Scarratt Rigby drew it in 1902. He supplied block prints and woven textiles to G.P. \u0026amp; J. Baker, A.H. Lee of Birkenhead, Alexander Morton, and Liberty \u0026amp; Co. This cloth reached the public under Liberty's name. He was honorary secretary of the Society of Designers.\u003c\/p\u003e\n\u003cp\u003eIn “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” Rigby conceded the field, writing that decorative art could not be discussed without constant reference to Morris's work. Morris's own Poppy, a design of 1881, sits in the Art Institute of Chicago. So does Rigby's cloth, which passed through the Antique Textile Company in London and was sold to the museum in 1990 on the Kelvyn G. Lilley Memorial Fund. Morris's is under his name. Rigby's is under a title someone thought to give it.\u003c\/p\u003e\n\u003cp\u003eRigby drew the field to stop at a border. Remove the border and the pattern keeps going.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Designed by John Scarratt Rigby (English, 1833–1914), produced by G.P. \u0026amp; J. Baker for Liberty \u0026amp; Co., London. Cotton, plain weave; block printed. 265.8 × 185.1 cm (104 5\/8 × 72 7\/8 in.); warp repeat 104.1 cm (41 in.). Kelvyn G. Lilley Memorial Fund. The Art Institute of Chicago, accession 1990.522.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSecond example:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Same designer and makers. Silk, plain weave; block printed. 182 × 184.2 cm (71 5\/8 × 72 1\/2 in.). Alexander Demond Fund. The Art Institute of Chicago, accession 1987.335.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 24 in × 16.1 in. Layout [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBordered rug:\u003c\/b\u003e available to trade. The rug carries a border, as the original does.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e J. Scarratt Rigby, “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” in Clive Edwards, ed., \u003ci\u003eNineteenth-Century Design\u003c\/i\u003e, vol. III (Routledge, 2021). Design sketches by John Scarratt Rigby, University of Glasgow Archive Services, Stoddard International design archive, GB 248 STOD\/DES\/142.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269950296200,"sku":"166544-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269950328968,"sku":"166544-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269950361736,"sku":"166544-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269950394504,"sku":"166544-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260731_181629.png?v=1785801263"},{"product_id":"calimanco-slate-terracotta-fabric-by-the-yard","title":"Calimanco, Slate \/ Terracotta Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eStacked fan-shaped figures inside diamonds of fine line run in even vertical channels through 'Norwich Calimanco', sourced from a length of glazed worsted, ca. 1750, in The Metropolitan Museum of Art. Each element was hand-traced from the museum's photograph of the object to hold the stepped geometry the loom imposed on the wool. Wide ground between the channels gives a room vertical structure without weight, and the flowers read from across it.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eNorwich had wool and wanted silk money, so it engineered worsted cloth to catch the light.\u003c\/p\u003e\n\u003cp\u003eThey combed long-staple wool straight, spun it tight, and finished the woven yards under heated rollers or rubbed the face down with a stone. Norwich weavers built the floral sprigs directly into the worsted grid on the loom, which is why the petals step along the warp and weft rather than curve smoothly.\u003c\/p\u003e\n\u003cp\u003eThe result was an affordable, hard-wearing fabric that shed dirt and mimicked the luster of dress silk. Calimanco went into gowns, quilted petticoats, and men's waistcoats across England and the American colonies. When Defoe itemized the components of an ordinary countryman's suit—Yorkshire cloth, Berkshire lining, Devizes breeches—the waistcoat was callamanco from Norwich. It wore hard and sold in volume for a century.\u003c\/p\u003e\n\u003cp\u003eOrdinarily, a length went to a tailor, wore out, and was cut down a second time for a bedcover. Eight feet three inches came off a loom around 1750 and escaped that life entirely. The Metropolitan Museum of Art acquired the uncut length in 2017 with funds from the exchange of objects bequeathed by Alfred Duane Pell (accession 2017.268), alongside a matching second length (accession 2017.269).\u003c\/p\u003e\n\u003cp\u003eNobody cut it, so the whole pattern is still there. It is the pattern drawn here.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Length of wool Calimanco, ca. 1750, British, Norwich. Wool, woven. Overall 99½ × 19½ in. The Metropolitan Museum of Art, accession 2017.268 (not on view)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSecond example:\u003c\/strong\u003e Length of wool Calimanco, ca. 1750, British, Norwich. Wool, woven. Overall 97¾ × 19 in. The Metropolitan Museum of Art, accession 2017.269 (not on view)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Florence M. Montgomery, \u003cem\u003eTextiles in America 1650–1870\u003c\/em\u003e (Norton, 1984), pp. 185–187\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269950427272,"sku":"163856-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269950460040,"sku":"163856-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269950492808,"sku":"163856-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269950525576,"sku":"163856-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260721_203339.png?v=1785801262"},{"product_id":"calimanco-dusty-blue-cinnamon-fabric-by-the-yard","title":"Calimanco, Dusty Blue \/ Cinnamon Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eStacked fan-shaped figures inside diamonds of fine line run in even vertical channels through 'Norwich Calimanco', sourced from a length of glazed worsted, ca. 1750, in The Metropolitan Museum of Art. Each element was hand-traced from the museum's photograph of the object to hold the stepped geometry the loom imposed on the wool. Wide ground between the channels gives a room vertical structure without weight, and the flowers read from across it.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eNorwich had wool and wanted silk money, so it engineered worsted cloth to catch the light.\u003c\/p\u003e\n\u003cp\u003eThey combed long-staple wool straight, spun it tight, and finished the woven yards under heated rollers or rubbed the face down with a stone. Norwich weavers built the floral sprigs directly into the worsted grid on the loom, which is why the petals step along the warp and weft rather than curve smoothly.\u003c\/p\u003e\n\u003cp\u003eThe result was an affordable, hard-wearing fabric that shed dirt and mimicked the luster of dress silk. Calimanco went into gowns, quilted petticoats, and men's waistcoats across England and the American colonies. When Defoe itemized the components of an ordinary countryman's suit—Yorkshire cloth, Berkshire lining, Devizes breeches—the waistcoat was callamanco from Norwich. It wore hard and sold in volume for a century.\u003c\/p\u003e\n\u003cp\u003eOrdinarily, a length went to a tailor, wore out, and was cut down a second time for a bedcover. Eight feet three inches came off a loom around 1750 and escaped that life entirely. The Metropolitan Museum of Art acquired the uncut length in 2017 with funds from the exchange of objects bequeathed by Alfred Duane Pell (accession 2017.268), alongside a matching second length (accession 2017.269).\u003c\/p\u003e\n\u003cp\u003eNobody cut it, so the whole pattern is still there. It is the pattern drawn here.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Length of wool Calimanco, ca. 1750, British, Norwich. Wool, woven. Overall 99½ × 19½ in. The Metropolitan Museum of Art, accession 2017.268 (not on view)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSecond example:\u003c\/strong\u003e Length of wool Calimanco, ca. 1750, British, Norwich. Wool, woven. Overall 97¾ × 19 in. The Metropolitan Museum of Art, accession 2017.269 (not on view)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Florence M. Montgomery, \u003cem\u003eTextiles in America 1650–1870\u003c\/em\u003e (Norton, 1984), pp. 185–187\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269950591112,"sku":"163855-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269950623880,"sku":"163855-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269950656648,"sku":"163855-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269950689416,"sku":"163855-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260721_203338_8ab16edd-457e-457e-a757-1ceb9064f9a2.png?v=1785801263"},{"product_id":"tetrels-saisons-des-fleurs-sage-ivory-fabric-by-the-yard","title":"Tétrel's Saisons des Fleurs, Sage \/ Ivory Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eLarge multi-petalled blooms, buds and grass-like blades overlap in an all-over field. Translated from Saisons des fleurs, a French woodblock-printed wallpaper designed by Prosper Tétrel, dated 1898–1899 by the Musée des Arts Décoratifs and shown at the Paris Universal Exhibition of 1900. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eIvory blooms on a sage green ground. The pale flowers lift gently off the grey-green, so the pattern reads as a soft garden of white from across a room. Up close, a fine contour line holds every petal and blade.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper \"Saisons des fleurs\", designed by Prosper Tétrel and made by Desfossé et Karth, printed from wood blocks on a hand-brushed ground. Worked from photographs of another printing of the same wallpaper.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 987.521.1-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1898–1899, as dated by the Musée des Arts Décoratifs. Shown at the Paris Universal Exhibition of 1900.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 27 in. Half-drop match, offset 13.5 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e The largest bloom is about 5.9 in wide by 5.6 in high, a quarter of the repeat width.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e An all-over field with no border: large blooms, buds, clusters of small florets on branching stems, broad leaves and grass-like blades, overlapping across the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat printed colours with no gradients or shading: a contour line, three background planes, bloom fill, bloom shadow, a centre accent and stem shadow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Shapes are held by a fine contour line. The woodblock print and brushed ground of the original are reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269950722184,"sku":"164705-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269950754952,"sku":"164705-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269950787720,"sku":"164705-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269950820488,"sku":"164705-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260724_155940_5a03d1c0-d225-43a1-b2c3-344b94b2b365.png?v=1785801263"},{"product_id":"ragged-poppy-sandstone-verdigris-fabric-by-the-yard","title":"Ragged Poppy, Sandstone \/ Verdigris Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA green poppy on a pale, warm sandstone ground, which sets a cool motif against a warm field. Contrast is moderate, and the flower reads as foliage first and flower second — the closest this range comes to a botanical green. The poppy is drawn at full size within a two-foot repeat. Translated from a cotton tablecloth or bedcover block-printed in London in 1902, accession 1990.522, on wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eJohn Scarratt Rigby drew the poppy in 1902, block-printed on plain-weave cotton in London. 'Ragged Poppy' is translated from that cloth, now in the Art Institute of Chicago—redrawn by hand with its border removed, the field tiled to a 24-inch panel. The flower is open and dense at generous scale, and the pale ground reads as much as the motif at conversational distance.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eEight and a half feet of cotton, printed with poppies and closed on all four sides by a border of paired buds and scrolling leaves. It was made to be spread flat and looked down on. A tablecloth or a bedcover—the museum's catalogue will not say which, and gives the title only as probably “Ragged Poppy.”\u003c\/p\u003e\n\u003cp\u003eJohn Scarratt Rigby drew it in 1902. He supplied block prints and woven textiles to G.P. \u0026amp; J. Baker, A.H. Lee of Birkenhead, Alexander Morton, and Liberty \u0026amp; Co. This cloth reached the public under Liberty's name. He was honorary secretary of the Society of Designers.\u003c\/p\u003e\n\u003cp\u003eIn “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” Rigby conceded the field, writing that decorative art could not be discussed without constant reference to Morris's work. Morris's own Poppy, a design of 1881, sits in the Art Institute of Chicago. So does Rigby's cloth, which passed through the Antique Textile Company in London and was sold to the museum in 1990 on the Kelvyn G. Lilley Memorial Fund. Morris's is under his name. Rigby's is under a title someone thought to give it.\u003c\/p\u003e\n\u003cp\u003eRigby drew the field to stop at a border. Remove the border and the pattern keeps going.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Designed by John Scarratt Rigby (English, 1833–1914), produced by G.P. \u0026amp; J. Baker for Liberty \u0026amp; Co., London. Cotton, plain weave; block printed. 265.8 × 185.1 cm (104 5\/8 × 72 7\/8 in.); warp repeat 104.1 cm (41 in.). Kelvyn G. Lilley Memorial Fund. The Art Institute of Chicago, accession 1990.522.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSecond example:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Same designer and makers. Silk, plain weave; block printed. 182 × 184.2 cm (71 5\/8 × 72 1\/2 in.). Alexander Demond Fund. The Art Institute of Chicago, accession 1987.335.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 24 in × 16.1 in. Layout [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBordered rug:\u003c\/b\u003e available to trade. The rug carries a border, as the original does.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e J. Scarratt Rigby, “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” in Clive Edwards, ed., \u003ci\u003eNineteenth-Century Design\u003c\/i\u003e, vol. III (Routledge, 2021). Design sketches by John Scarratt Rigby, University of Glasgow Archive Services, Stoddard International design archive, GB 248 STOD\/DES\/142.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269951049864,"sku":"166549-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269951082632,"sku":"166549-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269951115400,"sku":"166549-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269951148168,"sku":"166549-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260731_181631.png?v=1785801265"},{"product_id":"madrasi-chintz-museum-accurate-colors-fabric-by-the-yard","title":"Madrasi Chintz, Museum Accurate Colors Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eCollection: The Textile Museum Collection (GW 6.112)\u003cbr\u003eOrigin: Coromandel Coast (Madras), India | Date: 17th Century\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eOriginating from 17th-century Madras along India's famed Coromandel Coast, this pattern is a masterclass in early Indian textile art. Originally crafted as a painted cotton curtain, the design features closely repeating buti (botanical sprigs) with distinct spiky leaf bases and delicate, nodding blossoms.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eTrue to historic chintz production, the original piece was created using a complex multi-step process of hand-drawn wax resists and painted mordants prior to indigo and madder dyeing. The result is a rhythmically balanced, refined floral repeat that defined the 17th-century global trade in luxury painted cottons.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eExhibition \u0026amp; Publication History\u003c\/h3\u003e\n\u003cp\u003eA celebrated work in The Textile Museum's permanent collection, this fragment has been featured in four major exhibitions:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaster Dyers to the World: Technique and Trade in Early Indian Dyed Cotton Textiles (1982–1983)\u003c\/li\u003e\n\u003cli\u003eOld Yarns with a new Twist: Familiar Favorites from the Textile Museum's Collection (1984)\u003c\/li\u003e\n\u003cli\u003eSeldom Seen: Director's Choice from the Museum's Collections (2006)\u003c\/li\u003e\n\u003cli\u003e1,000 Years of Indian Textiles (2022)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe original textile is also documented and illustrated in key scholarship, including Mattiebelle Gittinger's landmark study Master Dyers to the World (1982), Walter Endrei's The First Hundred Years of European Textile-printing (1998), and Rahul Jain's Textiles and Garments at the Jaipur Court (2016).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269951180936,"sku":"164333-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269951213704,"sku":"164333-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269951246472,"sku":"164333-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269951279240,"sku":"164333-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260722_194903.png?v=1785801266"},{"product_id":"tambour-floral-blackcurrant-pomegranate-fabric-by-the-yard","title":"Tambour Floral, Blackcurrant \/ Pomegranate Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eEvery stem and blossom in this pattern was originally executed stitch by hand-drawn stitch using a tiny tambour hook—pulling vibrant silk thread through cotton twill in a continuous chain. Crafted in Gujarat between 1720 and 1740, the original animated an embroidered bedspread, its swirling vines, stylized pomegranates, and serrated leaves creating an expressive, undulating lattice across the cloth.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eWhat survives is a fragment of it, 173 centimetres high, the width no longer recorded. It entered the Rijksmuseum collection in 1980 as accession BK-1980-773-B, a gift of the Stichting Twickel, and has been known since mostly through catalogue figures — p. 57, fig. 35.\u003c\/p\u003e\n\u003cp\u003eTranslating raised, tactile embroidery into a flat repeat is not a job for a camera or a trace. The work was done by a practising embroiderer, who built a Photoshop tool for this design alone in order to hold the momentum and tension of tamboereren chain work — the way the hook pulls the line, the way the stitch decides where the vine goes next.\u003c\/p\u003e\n\u003cp\u003eThe chain runs continuous again. Not stitched, but drawn the way a stitch draws.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269951312008,"sku":"164975-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269951344776,"sku":"164975-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269951377544,"sku":"164975-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269951410312,"sku":"164975-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_013350.png?v=1785801265"},{"product_id":"ragged-poppy-mist-dusty-blue-fabric-by-the-yard","title":"Ragged Poppy, Mist \/ Dusty Blue Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eThe one cool colorway in the range. A soft blue-grey ground with a mid-blue poppy, both drawn from the same tonal family, so contrast sits at the low end of moderate and the print reads quiet from across a room. Closer in, the drawing holds — the block-printed line survives the reduction in contrast. A large-scale Arts and Crafts floral, translated from a cloth of 1902, on wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eJohn Scarratt Rigby drew the poppy in 1902, block-printed on plain-weave cotton in London. 'Ragged Poppy' is translated from that cloth, now in the Art Institute of Chicago—redrawn by hand with its border removed, the field tiled to a 24-inch panel. The flower is open and dense at generous scale, and the pale ground reads as much as the motif at conversational distance.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eEight and a half feet of cotton, printed with poppies and closed on all four sides by a border of paired buds and scrolling leaves. It was made to be spread flat and looked down on. A tablecloth or a bedcover—the museum's catalogue will not say which, and gives the title only as probably “Ragged Poppy.”\u003c\/p\u003e\n\u003cp\u003eJohn Scarratt Rigby drew it in 1902. He supplied block prints and woven textiles to G.P. \u0026amp; J. Baker, A.H. Lee of Birkenhead, Alexander Morton, and Liberty \u0026amp; Co. This cloth reached the public under Liberty's name. He was honorary secretary of the Society of Designers.\u003c\/p\u003e\n\u003cp\u003eIn “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” Rigby conceded the field, writing that decorative art could not be discussed without constant reference to Morris's work. Morris's own Poppy, a design of 1881, sits in the Art Institute of Chicago. So does Rigby's cloth, which passed through the Antique Textile Company in London and was sold to the museum in 1990 on the Kelvyn G. Lilley Memorial Fund. Morris's is under his name. Rigby's is under a title someone thought to give it.\u003c\/p\u003e\n\u003cp\u003eRigby drew the field to stop at a border. Remove the border and the pattern keeps going.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Designed by John Scarratt Rigby (English, 1833–1914), produced by G.P. \u0026amp; J. Baker for Liberty \u0026amp; Co., London. Cotton, plain weave; block printed. 265.8 × 185.1 cm (104 5\/8 × 72 7\/8 in.); warp repeat 104.1 cm (41 in.). Kelvyn G. Lilley Memorial Fund. The Art Institute of Chicago, accession 1990.522.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSecond example:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Same designer and makers. Silk, plain weave; block printed. 182 × 184.2 cm (71 5\/8 × 72 1\/2 in.). Alexander Demond Fund. The Art Institute of Chicago, accession 1987.335.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 24 in × 16.1 in. Layout [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBordered rug:\u003c\/b\u003e available to trade. The rug carries a border, as the original does.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e J. Scarratt Rigby, “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” in Clive Edwards, ed., \u003ci\u003eNineteenth-Century Design\u003c\/i\u003e, vol. III (Routledge, 2021). Design sketches by John Scarratt Rigby, University of Glasgow Archive Services, Stoddard International design archive, GB 248 STOD\/DES\/142.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269951443080,"sku":"166546-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269951475848,"sku":"166546-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269951508616,"sku":"166546-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269951541384,"sku":"166546-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260731_181631_bead7976-a50c-47b3-82de-f07aaca3de24.png?v=1785801265"},{"product_id":"boteh-sandstone-ivory-fabric-by-the-yard","title":"Varanasi Medallion, Sandstone \/ Ivory Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eSage-green borders sit at moderate contrast against a pale sandstone ground, and the pink flowers inside stay close to the ground in value. The pointed medallions establish the pattern first; the plants and the smaller blossoms between them come clear as you approach. The border is defined without becoming heavy, leaving enough quiet ground around the drawing for the individual forms to stay distinct. At 8 inches the medallions have presence without reading oversized. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eThis surviving Varanasi fragment combines silk and metallic-wrapped silk in a compound weave. 'Varanasi Medallion' translates that woven structure into flat colour at an 8-inch half-drop repeat. Each flowering plant sits inside its own pointed border, with smaller floral forms between them. The border, rather than the flower, organizes the field.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eThe enclosure and the plant it holds recall the boteh — the form commonly known in English as paisley — but the characteristic boteh curves at the tip, while this enclosure rises to a point.\u003c\/p\u003e\n\u003cp\u003eThe fragment was woven in Varanasi, India. It measures fifteen inches by fourteen and a half, and combines silk with metallic-wrapped silk in a compound woven structure. It entered The Textile Museum Collection as the gift of Sheridan Pressey Collins and is held as accession 2019.7.4.\u003c\/p\u003e\n\u003cp\u003eThe museum record is unusually spare. There is no recorded date. No maker is named. The museum record does not name the motif.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Textile fragment, Varanasi, India. Silk and metallic-wrapped silk; supplementary-weft patterning, twill weave, compound weave. 38.10 × 36.83 cm (15 × 14½ in.). Gift of Sheridan Pressey Collins. The Textile Museum Collection, The George Washington University Museum and The Textile Museum, accession 2019.7.4.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDate:\u003c\/b\u003e not recorded by the museum.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 8 in. Layout: drop match, half-drop.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMotif scale:\u003c\/b\u003e [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e \u003ci\u003eThe Indian Boteh Motif\u003c\/i\u003e, RISD Museum, 27 January – 30 July 2017, text by Kate Irvin. John Irwin, \u003ci\u003eThe Kashmir Shawl\u003c\/i\u003e, Victoria and Albert Museum Monograph No. 29 (HMSO, 1973).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269951574152,"sku":"164983-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269951606920,"sku":"164983-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269951639688,"sku":"164983-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269951672456,"sku":"164983-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_024328.png?v=1785801266"},{"product_id":"tetrels-saisons-des-fleurs-slate-ivory-fabric-by-the-yard","title":"Tétrel's Saisons des Fleurs, Slate \/ Ivory Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eLarge multi-petalled blooms, buds and grass-like blades overlap in an all-over field. Translated from Saisons des fleurs, a French woodblock-printed wallpaper designed by Prosper Tétrel, dated 1898–1899 by the Musée des Arts Décoratifs and shown at the Paris Universal Exhibition of 1900. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eIvory blooms on a deep slate blue ground. The pale flowers stand off the dark ground, so the large blooms read clearly from across a room while the leaves and grasses sit back into the blue. Up close, a fine contour line holds every petal and blade.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Wallpaper \"Saisons des fleurs\", designed by Prosper Tétrel and made by Desfossé et Karth, printed from wood blocks on a hand-brushed ground. Worked from photographs of another printing of the same wallpaper.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Musée des Arts Décoratifs, Paris, 987.521.1-17.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e France.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 1898–1899, as dated by the Musée des Arts Décoratifs. Shown at the Paris Universal Exhibition of 1900.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 24 in × 27 in. Half-drop match, offset 13.5 in.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e The largest bloom is about 5.9 in wide by 5.6 in high, a quarter of the repeat width.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e An all-over field with no border: large blooms, buds, clusters of small florets on branching stems, broad leaves and grass-like blades, overlapping across the repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Flat printed colours with no gradients or shading: a contour line, three background planes, bloom fill, bloom shadow, a centre accent and stem shadow.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. Shapes are held by a fine contour line. The woodblock print and brushed ground of the original are reduced to flat colour.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269951737992,"sku":"164708-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269951770760,"sku":"164708-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269951803528,"sku":"164708-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269951836296,"sku":"164708-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260724_155943_51fb6e90-5dcc-4eda-9781-185483234e41.png?v=1785801266"},{"product_id":"madrasi-chintz-eucalyptus-terracotta-fabric-by-the-yard","title":"Madrasi Chintz, Eucalyptus \/ Terracotta Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eCollection: The Textile Museum Collection (GW 6.112)\u003cbr\u003eOrigin: Coromandel Coast (Madras), India | Date: 17th Century\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eOriginating from 17th-century Madras along India's famed Coromandel Coast, this pattern is a masterclass in early Indian textile art. Originally crafted as a painted cotton curtain, the design features closely repeating buti (botanical sprigs) with distinct spiky leaf bases and delicate, nodding blossoms.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eTrue to historic chintz production, the original piece was created using a complex multi-step process of hand-drawn wax resists and painted mordants prior to indigo and madder dyeing. The result is a rhythmically balanced, refined floral repeat that defined the 17th-century global trade in luxury painted cottons.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eExhibition \u0026amp; Publication History\u003c\/h3\u003e\n\u003cp\u003eA celebrated work in The Textile Museum's permanent collection, this fragment has been featured in four major exhibitions:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaster Dyers to the World: Technique and Trade in Early Indian Dyed Cotton Textiles (1982–1983)\u003c\/li\u003e\n\u003cli\u003eOld Yarns with a new Twist: Familiar Favorites from the Textile Museum's Collection (1984)\u003c\/li\u003e\n\u003cli\u003eSeldom Seen: Director's Choice from the Museum's Collections (2006)\u003c\/li\u003e\n\u003cli\u003e1,000 Years of Indian Textiles (2022)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe original textile is also documented and illustrated in key scholarship, including Mattiebelle Gittinger's landmark study Master Dyers to the World (1982), Walter Endrei's The First Hundred Years of European Textile-printing (1998), and Rahul Jain's Textiles and Garments at the Jaipur Court (2016).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269951869064,"sku":"164331-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269951901832,"sku":"164331-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269951934600,"sku":"164331-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269951967368,"sku":"164331-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260722_194902.png?v=1785801269"},{"product_id":"ragged-poppy-linen-honey-fabric-by-the-yard","title":"Ragged Poppy, Linen \/ Honey Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eThe palest ground in the range, a near-white linen, carrying a deep gold poppy. Contrast is moderate and the warmth runs high; the motif prints one shade deeper than a mid honey, which keeps the flower from washing into the ground in strong daylight. The repeat is large-scale, just over two feet across. Designed by John Scarratt Rigby, block-printed in London in 1902, held in the Art Institute of Chicago. Wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eJohn Scarratt Rigby drew the poppy in 1902, block-printed on plain-weave cotton in London. 'Ragged Poppy' is translated from that cloth, now in the Art Institute of Chicago—redrawn by hand with its border removed, the field tiled to a 24-inch panel. The flower is open and dense at generous scale, and the pale ground reads as much as the motif at conversational distance.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eEight and a half feet of cotton, printed with poppies and closed on all four sides by a border of paired buds and scrolling leaves. It was made to be spread flat and looked down on. A tablecloth or a bedcover—the museum's catalogue will not say which, and gives the title only as probably “Ragged Poppy.”\u003c\/p\u003e\n\u003cp\u003eJohn Scarratt Rigby drew it in 1902. He supplied block prints and woven textiles to G.P. \u0026amp; J. Baker, A.H. Lee of Birkenhead, Alexander Morton, and Liberty \u0026amp; Co. This cloth reached the public under Liberty's name. He was honorary secretary of the Society of Designers.\u003c\/p\u003e\n\u003cp\u003eIn “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” Rigby conceded the field, writing that decorative art could not be discussed without constant reference to Morris's work. Morris's own Poppy, a design of 1881, sits in the Art Institute of Chicago. So does Rigby's cloth, which passed through the Antique Textile Company in London and was sold to the museum in 1990 on the Kelvyn G. Lilley Memorial Fund. Morris's is under his name. Rigby's is under a title someone thought to give it.\u003c\/p\u003e\n\u003cp\u003eRigby drew the field to stop at a border. Remove the border and the pattern keeps going.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Designed by John Scarratt Rigby (English, 1833–1914), produced by G.P. \u0026amp; J. Baker for Liberty \u0026amp; Co., London. Cotton, plain weave; block printed. 265.8 × 185.1 cm (104 5\/8 × 72 7\/8 in.); warp repeat 104.1 cm (41 in.). Kelvyn G. Lilley Memorial Fund. The Art Institute of Chicago, accession 1990.522.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSecond example:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Same designer and makers. Silk, plain weave; block printed. 182 × 184.2 cm (71 5\/8 × 72 1\/2 in.). Alexander Demond Fund. The Art Institute of Chicago, accession 1987.335.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 24 in × 16.1 in. Layout [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBordered rug:\u003c\/b\u003e available to trade. The rug carries a border, as the original does.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e J. Scarratt Rigby, “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” in Clive Edwards, ed., \u003ci\u003eNineteenth-Century Design\u003c\/i\u003e, vol. III (Routledge, 2021). Design sketches by John Scarratt Rigby, University of Glasgow Archive Services, Stoddard International design archive, GB 248 STOD\/DES\/142.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269952000136,"sku":"166545-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269952032904,"sku":"166545-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269952065672,"sku":"166545-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269952098440,"sku":"166545-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260731_181630.png?v=1785801267"},{"product_id":"architectural-stripe-travertine-ivory-fabric-by-the-yard","title":"Architectural Stripe, Travertine \/ Ivory Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eTwo broad bands run side by side, edged and divided by three fine lines, with wide plain ground between each group. Translated from a pair of 19th-century American striped muslin curtains at Cooper Hewitt, Smithsonian Design Museum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eIvory bands on a travertine grey ground. The two sit close in value, so the stripe is soft from across a room and the fine lines beside each band resolve only up close.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Pair of curtains in thin white cotton muslin with woven stripes of denser weave, edged in hand-stitched cotton tape.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Cooper Hewitt, Smithsonian Design Museum, 1958-148-18-a,b.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e USA.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 19th century.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 3 in wide. The bands run continuously, so there is no vertical repeat. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Each group of two bands and three fine lines is 1.2 in across; each band is 0.37 in wide. Groups sit 1.8 in apart.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Vertical bands and lines, with each group centred in the 3 in repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Two flat printed colours: ground and stripe. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. The denser weave of the original stripes is reduced to flat colour with hard vertical edges.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269952262280,"sku":"166886-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269952295048,"sku":"166886-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269952327816,"sku":"166886-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269952360584,"sku":"166886-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260801_184517_fa0ef409-cfcb-4ffd-8ed0-d3dc5c0a9bd0.png?v=1785801267"},{"product_id":"madrasi-chintz-sage-blackcurrant-fabric-by-the-yard","title":"Madrasi Chintz, Sage \/ Blackcurrant Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eCollection: The Textile Museum Collection (GW 6.112)\u003cbr\u003eOrigin: Coromandel Coast (Madras), India | Date: 17th Century\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eOriginating from 17th-century Madras along India's famed Coromandel Coast, this pattern is a masterclass in early Indian textile art. Originally crafted as a painted cotton curtain, the design features closely repeating buti (botanical sprigs) with distinct spiky leaf bases and delicate, nodding blossoms.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eTrue to historic chintz production, the original piece was created using a complex multi-step process of hand-drawn wax resists and painted mordants prior to indigo and madder dyeing. The result is a rhythmically balanced, refined floral repeat that defined the 17th-century global trade in luxury painted cottons.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eExhibition \u0026amp; Publication History\u003c\/h3\u003e\n\u003cp\u003eA celebrated work in The Textile Museum's permanent collection, this fragment has been featured in four major exhibitions:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaster Dyers to the World: Technique and Trade in Early Indian Dyed Cotton Textiles (1982–1983)\u003c\/li\u003e\n\u003cli\u003eOld Yarns with a new Twist: Familiar Favorites from the Textile Museum's Collection (1984)\u003c\/li\u003e\n\u003cli\u003eSeldom Seen: Director's Choice from the Museum's Collections (2006)\u003c\/li\u003e\n\u003cli\u003e1,000 Years of Indian Textiles (2022)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe original textile is also documented and illustrated in key scholarship, including Mattiebelle Gittinger's landmark study Master Dyers to the World (1982), Walter Endrei's The First Hundred Years of European Textile-printing (1998), and Rahul Jain's Textiles and Garments at the Jaipur Court (2016).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269952393352,"sku":"164330-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269952426120,"sku":"164330-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269952458888,"sku":"164330-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269952491656,"sku":"164330-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260722_194904_dda24630-f2c9-4fac-b9a2-2d9df8dda804.png?v=1785801269"},{"product_id":"calimanco-verdigris-cinnamon-fabric-by-the-yard","title":"Calimanco, Verdigris \/ Cinnamon Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eStacked fan-shaped figures inside diamonds of fine line run in even vertical channels through 'Norwich Calimanco', sourced from a length of glazed worsted, ca. 1750, in The Metropolitan Museum of Art. Each element was hand-traced from the museum's photograph of the object to hold the stepped geometry the loom imposed on the wool. Wide ground between the channels gives a room vertical structure without weight, and the flowers read from across it.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eNorwich had wool and wanted silk money, so it engineered worsted cloth to catch the light.\u003c\/p\u003e\n\u003cp\u003eThey combed long-staple wool straight, spun it tight, and finished the woven yards under heated rollers or rubbed the face down with a stone. Norwich weavers built the floral sprigs directly into the worsted grid on the loom, which is why the petals step along the warp and weft rather than curve smoothly.\u003c\/p\u003e\n\u003cp\u003eThe result was an affordable, hard-wearing fabric that shed dirt and mimicked the luster of dress silk. Calimanco went into gowns, quilted petticoats, and men's waistcoats across England and the American colonies. When Defoe itemized the components of an ordinary countryman's suit—Yorkshire cloth, Berkshire lining, Devizes breeches—the waistcoat was callamanco from Norwich. It wore hard and sold in volume for a century.\u003c\/p\u003e\n\u003cp\u003eOrdinarily, a length went to a tailor, wore out, and was cut down a second time for a bedcover. Eight feet three inches came off a loom around 1750 and escaped that life entirely. The Metropolitan Museum of Art acquired the uncut length in 2017 with funds from the exchange of objects bequeathed by Alfred Duane Pell (accession 2017.268), alongside a matching second length (accession 2017.269).\u003c\/p\u003e\n\u003cp\u003eNobody cut it, so the whole pattern is still there. It is the pattern drawn here.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Length of wool Calimanco, ca. 1750, British, Norwich. Wool, woven. Overall 99½ × 19½ in. The Metropolitan Museum of Art, accession 2017.268 (not on view)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSecond example:\u003c\/strong\u003e Length of wool Calimanco, ca. 1750, British, Norwich. Wool, woven. Overall 97¾ × 19 in. The Metropolitan Museum of Art, accession 2017.269 (not on view)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eReferences:\u003c\/strong\u003e Florence M. Montgomery, \u003cem\u003eTextiles in America 1650–1870\u003c\/em\u003e (Norton, 1984), pp. 185–187\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46269966680200,"sku":"163852-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46269966712968,"sku":"163852-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46269966745736,"sku":"163852-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46269966778504,"sku":"163852-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260721_203338_5679b977-3d24-4ddd-940c-3fafa324a986.png?v=1785801610"},{"product_id":"ragged-poppy-flax-eucalyptus-fabric-by-the-yard","title":"Ragged Poppy, Flax \/ Eucalyptus Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eThe lowest contrast in the range by a wide margin. A soft green poppy on a deeper flax ground, both mid-tone, so the pattern reads as texture rather than motif at any distance beyond a few feet. Step close and the full repeat resolves. This is the tonal option — a large-scale Arts and Crafts floral that doesn't take the room. Wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eJohn Scarratt Rigby drew the poppy in 1902, block-printed on plain-weave cotton in London. 'Ragged Poppy' is translated from that cloth, now in the Art Institute of Chicago—redrawn by hand with its border removed, the field tiled to a 24-inch panel. The flower is open and dense at generous scale, and the pale ground reads as much as the motif at conversational distance.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Source\u003c\/h3\u003e\n\u003cp\u003eEight and a half feet of cotton, printed with poppies and closed on all four sides by a border of paired buds and scrolling leaves. It was made to be spread flat and looked down on. A tablecloth or a bedcover—the museum's catalogue will not say which, and gives the title only as probably “Ragged Poppy.”\u003c\/p\u003e\n\u003cp\u003eJohn Scarratt Rigby drew it in 1902. He supplied block prints and woven textiles to G.P. \u0026amp; J. Baker, A.H. Lee of Birkenhead, Alexander Morton, and Liberty \u0026amp; Co. This cloth reached the public under Liberty's name. He was honorary secretary of the Society of Designers.\u003c\/p\u003e\n\u003cp\u003eIn “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” Rigby conceded the field, writing that decorative art could not be discussed without constant reference to Morris's work. Morris's own Poppy, a design of 1881, sits in the Art Institute of Chicago. So does Rigby's cloth, which passed through the Antique Textile Company in London and was sold to the museum in 1990 on the Kelvyn G. Lilley Memorial Fund. Morris's is under his name. Rigby's is under a title someone thought to give it.\u003c\/p\u003e\n\u003cp\u003eRigby drew the field to stop at a border. Remove the border and the pattern keeps going.\u003c\/p\u003e\n\u003cp\u003eRequest a sample.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eThe Specifications\u003c\/h3\u003e\n\u003cp\u003e\u003cb\u003eSource:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Designed by John Scarratt Rigby (English, 1833–1914), produced by G.P. \u0026amp; J. Baker for Liberty \u0026amp; Co., London. Cotton, plain weave; block printed. 265.8 × 185.1 cm (104 5\/8 × 72 7\/8 in.); warp repeat 104.1 cm (41 in.). Kelvyn G. Lilley Memorial Fund. The Art Institute of Chicago, accession 1990.522.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSecond example:\u003c\/b\u003e Tablecloth or Bedcover probably titled “Ragged Poppy,” 1902. Same designer and makers. Silk, plain weave; block printed. 182 × 184.2 cm (71 5\/8 × 72 1\/2 in.). Alexander Demond Fund. The Art Institute of Chicago, accession 1987.335.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eRepeat:\u003c\/b\u003e 24 in × 16.1 in. Layout [PENDING MEASUREMENT].\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBordered rug:\u003c\/b\u003e available to trade. The rug carries a border, as the original does.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eReferences:\u003c\/b\u003e J. Scarratt Rigby, “Remarks on Morris' Work and its Influence on British Decorative Arts Today,” in Clive Edwards, ed., \u003ci\u003eNineteenth-Century Design\u003c\/i\u003e, vol. III (Routledge, 2021). Design sketches by John Scarratt Rigby, University of Glasgow Archive Services, Stoddard International design archive, GB 248 STOD\/DES\/142.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46270082220168,"sku":"166548-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46270082252936,"sku":"166548-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46270082285704,"sku":"166548-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46270082318472,"sku":"166548-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260731_181631_d2729876-79ff-4d0f-8390-cf2470dbeb74.png?v=1785805323"},{"product_id":"madrasi-chintz-ivory-blackcurrant-fabric-by-the-yard","title":"Madrasi Chintz, Ivory \/ Blackcurrant Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eCollection: The Textile Museum Collection (GW 6.112)\u003cbr\u003eOrigin: Coromandel Coast (Madras), India | Date: 17th Century\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eOriginating from 17th-century Madras along India's famed Coromandel Coast, this pattern is a masterclass in early Indian textile art. Originally crafted as a painted cotton curtain, the design features closely repeating buti (botanical sprigs) with distinct spiky leaf bases and delicate, nodding blossoms.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eTrue to historic chintz production, the original piece was created using a complex multi-step process of hand-drawn wax resists and painted mordants prior to indigo and madder dyeing. The result is a rhythmically balanced, refined floral repeat that defined the 17th-century global trade in luxury painted cottons.\u003c\/p\u003e\n\u003ch3 style=\"margin-top:1.2em;\"\u003eExhibition \u0026amp; Publication History\u003c\/h3\u003e\n\u003cp\u003eA celebrated work in The Textile Museum's permanent collection, this fragment has been featured in four major exhibitions:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMaster Dyers to the World: Technique and Trade in Early Indian Dyed Cotton Textiles (1982–1983)\u003c\/li\u003e\n\u003cli\u003eOld Yarns with a new Twist: Familiar Favorites from the Textile Museum's Collection (1984)\u003c\/li\u003e\n\u003cli\u003eSeldom Seen: Director's Choice from the Museum's Collections (2006)\u003c\/li\u003e\n\u003cli\u003e1,000 Years of Indian Textiles (2022)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe original textile is also documented and illustrated in key scholarship, including Mattiebelle Gittinger's landmark study Master Dyers to the World (1982), Walter Endrei's The First Hundred Years of European Textile-printing (1998), and Rahul Jain's Textiles and Garments at the Jaipur Court (2016).\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46270082089096,"sku":"164334-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46270082121864,"sku":"164334-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46270082154632,"sku":"164334-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46270082187400,"sku":"164334-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260722_194906.png?v=1785805322"},{"product_id":"ogee-ivory-mist-fabric-by-the-yard","title":"Ogee, Ivory \/ Mist Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eA single scrap of plain-weave cotton from India, about the size of an index card, held just enough geometry to work out an entire room-scale lattice. Accession 6.177 at The Textile Museum in Washington, D.C., carries no recorded date and no maker's name—only eight inches by four of surviving cloth: a doubled-rope lattice, a four-petal flower at every intersection, and a diagonal vine of leaves and small buds threading the cells.\u003c\/p\u003e\n\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cp\u003eGeorge Hewitt Myers acquired the fragment in 1951. He had founded The Textile Museum in 1925, in his own home on S Street in Washington, with 275 rugs and 60 related textiles he had been gathering since 1896. By the time 6.177 entered the collection, Myers had spent more than five decades gathering pieces across the globe—from Anatolian village rugs and Egyptian Mamluk carpets to archaeological textiles from Peru. Today, the museum he started holds more than 21,000 textiles spanning five thousand years.\u003c\/p\u003e\n\u003cp\u003eAt eight inches by four, the original fragment is densely packed. Almost none of its tight detail would read at an architectural scale. The translation opened the drawing—giving slightly larger flowers and more breathing room around the medallions while keeping the underlying ogee geometry exact, allowing painterly nuances the tiny original couldn't carry across a room.\u003c\/p\u003e\n\u003cp\u003eThe original piece survives in cream, indigo, madder red, and a brown-tan in the leaves. These renderings extend that historical palette without breaking the structural logic of the design. The lattice runs unbroken again, at full scale, for the first time in a very long while.\u003c\/p\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46270082351240,"sku":"164976-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46270082384008,"sku":"164976-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46270082416776,"sku":"164976-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46270082449544,"sku":"164976-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260725_013622_11b02acd-fc44-4a67-94d6-58d3e1bbaa08.png?v=1785805322"},{"product_id":"architectural-stripe-mist-dusty-blue-fabric-by-the-yard","title":"Architectural Stripe, Mist \/ Dusty Blue Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eTwo broad bands run side by side, edged and divided by three fine lines, with wide plain ground between each group. Translated from a pair of 19th-century American striped muslin curtains at Cooper Hewitt, Smithsonian Design Museum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eDusty blue bands on a pale mist ground. Blue on a pale blue-grey keeps the whole cloth in one cool family, with the bands as the deeper note. Up close, the fine lines edging each band show the ground colour between them.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Pair of curtains in thin white cotton muslin with woven stripes of denser weave, edged in hand-stitched cotton tape.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Cooper Hewitt, Smithsonian Design Museum, 1958-148-18-a,b.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e USA.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 19th century.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 3 in wide. The bands run continuously, so there is no vertical repeat. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Each group of two bands and three fine lines is 1.2 in across; each band is 0.37 in wide. Groups sit 1.8 in apart.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Vertical bands and lines, with each group centred in the 3 in repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Two flat printed colours: ground and stripe. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. The denser weave of the original stripes is reduced to flat colour with hard vertical edges.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46270082482312,"sku":"166885-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46270082515080,"sku":"166885-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46270082547848,"sku":"166885-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46270082580616,"sku":"166885-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260801_184517_0a71a9ea-ced2-4487-80c7-9dcf91d220c6.png?v=1785805322"},{"product_id":"architectural-stripe-slate-travertine-fabric-by-the-yard","title":"Architectural Stripe, Slate \/ Travertine Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eTwo broad bands run side by side, edged and divided by three fine lines, with wide plain ground between each group. Translated from a pair of 19th-century American striped muslin curtains at Cooper Hewitt, Smithsonian Design Museum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003ePale travertine grey bands on a deep slate blue ground. The light bands stand clear of the dark ground, so the stripe reads crisply from across a room. Up close, the fine lines edging each band show the ground colour between them.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Pair of curtains in thin white cotton muslin with woven stripes of denser weave, edged in hand-stitched cotton tape.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Cooper Hewitt, Smithsonian Design Museum, 1958-148-18-a,b.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e USA.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 19th century.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 3 in wide. The bands run continuously, so there is no vertical repeat. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Each group of two bands and three fine lines is 1.2 in across; each band is 0.37 in wide. Groups sit 1.8 in apart.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Vertical bands and lines, with each group centred in the 3 in repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Two flat printed colours: ground and stripe. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. The denser weave of the original stripes is reduced to flat colour with hard vertical edges.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46270082613384,"sku":"166882-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46270082646152,"sku":"166882-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46270082678920,"sku":"166882-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46270082711688,"sku":"166882-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260801_184517_3bd22084-250b-4e28-b1c3-3a03aed86af4.png?v=1785805322"},{"product_id":"architectural-stripe-sandstone-cinnamon-fabric-by-the-yard","title":"Architectural Stripe, Sandstone \/ Cinnamon Fabric by the Yard","description":"\u003cp style=\"margin-bottom:0.6em;\"\u003eTwo broad bands run side by side, edged and divided by three fine lines, with wide plain ground between each group. Translated from a pair of 19th-century American striped muslin curtains at Cooper Hewitt, Smithsonian Design Museum. Available as wallpaper and fabric by the yard.\u003c\/p\u003e\n\u003cp style=\"margin-bottom:0.6em;\"\u003eCinnamon brown bands on a pale sandstone ground. The dark bands carry the pattern, with the pale ground opening wide between each group. Up close, the fine lines edging each band show the ground colour between them.\u003c\/p\u003e\n\u003cdetails style=\"margin:0;\"\u003e\n\u003csummary style=\"font-weight:bold;text-decoration:underline;cursor:pointer;margin:0;\"\u003eRead More...\u003c\/summary\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSource:\u003c\/strong\u003e Pair of curtains in thin white cotton muslin with woven stripes of denser weave, edged in hand-stitched cotton tape.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCollection:\u003c\/strong\u003e Cooper Hewitt, Smithsonian Design Museum, 1958-148-18-a,b.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOrigin:\u003c\/strong\u003e USA.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eDate:\u003c\/strong\u003e 19th century.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eRepeat:\u003c\/strong\u003e 3 in wide. The bands run continuously, so there is no vertical repeat. Straight match.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMotif scale:\u003c\/strong\u003e Each group of two bands and three fine lines is 1.2 in across; each band is 0.37 in wide. Groups sit 1.8 in apart.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLayout:\u003c\/strong\u003e Vertical bands and lines, with each group centred in the 3 in repeat.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eValues:\u003c\/strong\u003e Two flat printed colours: ground and stripe. No gradients or shading.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eEdge:\u003c\/strong\u003e Clean. The denser weave of the original stripes is reduced to flat colour with hard vertical edges.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\u003ch2 style=\"margin-top:1.2em;margin-bottom:0.8em;\"\u003eThe Fabric\u003c\/h2\u003e\r\n\r\n\u003ch3\u003eDecor Chenille\u003c\/h3\u003e\r\n\u003cp\u003eA short, dense pile with a velvet-like surface on a firm woven ground. Fine striations catch the light as it moves across the room, deepening the colour. Substantial weight keeps a clean line on upholstery and gives tailored drapery a decisive fall.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 100% polyester\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 56 in printable (57 in full)\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 400 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, cushions, headboards, heavy drapery\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\r\n\u003ch3\u003eCotton Linen\u003c\/h3\u003e\r\n\u003cp\u003eA fine, even linen-cotton weave. Colour prints cleanly while the woven surface remains visible, keeping solid grounds from going flat without softening fine linework. Light in the hand, it falls in narrow, supple folds and filters light rather than blocking it.\u003c\/p\u003e\r\n\u003cul\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eComposition:\u003c\/strong\u003e 55% linen, 45% cotton\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWidth:\u003c\/strong\u003e 54 in printable\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eWeight:\u003c\/strong\u003e 250 gsm\u003c\/li\u003e\r\n  \u003cli\u003e\n\u003cstrong\u003eFor:\u003c\/strong\u003e Upholstery, curtains, table linens, pillows\u003c\/li\u003e\r\n\u003c\/ul\u003e\r\n\u003c\/details\u003e","brand":"NeoTex.cloud-2","offers":[{"title":"Linen Cotton Blend \/ Yard","offer_id":46270082777224,"sku":"166884-NTX-018-232-STX","price":88.0,"currency_code":"USD","in_stock":true},{"title":"Linen Cotton Blend \/ Sample","offer_id":46270082809992,"sku":"166884-NTX-018-827-STX","price":8.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Yard","offer_id":46270082842760,"sku":"166884-NTX-133-232-STX","price":105.0,"currency_code":"USD","in_stock":true},{"title":"Upholstery Chenille \/ Sample","offer_id":46270082875528,"sku":"166884-NTX-133-827-STX","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0679\/2914\/5480\/files\/tiled_preview_square_20260801_184517_4a526124-7dc1-4e92-898f-80b26595e24b.png?v=1785805322"}],"url":"https:\/\/vintagebotanica.com\/collections\/fabric.oembed?page=4","provider":"vintagebotanica","version":"1.0","type":"link"}